Turtle power! Times four!

The music starts simple and builds up nicely.

To Beat: Reach the ending
Played: 4/26/18
Difficulty: 9/10
My Difficulty: 5/10
My Video: Teenage Mutant Ninja Turtles Longplay

If you have been reading along for a while, you probably know that I am all about video games, and not much else. For instance, I don’t watch too many movies and often don’t watch the ones that have NES games tied to them. The Teenage Mutant Ninja Turtles were quite the phenomenon in the early 1990s, so much so that even I was all about them for a time. I had a bunch of the toys, I watched the cartoon, I saw the movies, and of course I played a lot of the NES games. The first of these games poses a stiff and often unfair challenge but is still a well-remembered game regardless, owing a debt to the source material for keeping it held in esteem among 90’s kids like myself.

The Teenage Mutant Ninja Turtles were created by Kevin Eastman and Peter Laird. They first appeared in a 1984 comic book published by Mirage Studios. The two creators were approached by licensing agent Mark Freedman to try and expand the franchise. They teamed up with Playmates Toys to create a line of action figures, and the company insisted on creating a cartoon to help tie in with the toy line. The Teenage Mutant Ninja Turtles TV series began in 1987, and though it took a little while to catch on, it blew up in popularity over the late 1980s and early 1990s. The comic book continued to run alongside the TV show, and several movies and video games followed throughout the 1990s. The series is still going on today, most notably in the Nickelodeon animated series ending in 2017, with a new series slated for the network later in 2018.

The NES game Teenage Mutant Ninja Turtles (abbreviated TMNT) was first released on the Famicom in May 1989. The NES release in North America followed soon after in June 1989, and the PAL release occurred in August 1990. Konami developed the game. It was published by Konami in Japan, under the Ultra Games label in the US, and Konami’s Palcom label in Europe and Australia. The Japanese version was called Geki Kame Ninja Den, meaning Legend of the Radical Ninja Turtles. The European version was renamed Teenage Mutant Hero Turtles to remove references to ninjas, just like with Ninja Gaiden. This version of the game was ported to various home computers, and even appeared in arcades as a Playchoice-10 title.

You can explore the map or get into the sewer.

TMNT is a side-scrolling action game. The plot begins with the standard “save the girl” trope, as Shredder has captured April O’Neil and you have to get her back. Ultimately, your task is to locate and defeat Shredder, the leader of the Foot Clan. The turtles want to retrieve his Life Transformer Gun, which they hope to use on Splinter to restore him back to his human form. This journey will take you through six stages, culminating in a final battle with Shredder himself.

When you start the game from the title screen, you are first dropped into a top-down view of a portion of the New York City streets. You control a tiny Ninja Turtle here. You can walk in four directions with the D-pad, and attack straight ahead with the B button. Right next to you is an opening to the sewer, and you can go inside if you want. There the gameplay changes to the side-scrolling view where the action takes place. You can also walk around the building and take the path on the left but be careful if you do. Right around the corner is a large steam roller that will drive toward you, and if you touch it you get crushed and die instantly, or in this game, get captured. You can explore the map freely and go in and out of the sewers or doorways freely as well. The idea is to locate the end level boss and defeat him to move on.

You can press Start to pause the game. This brings up an information screen. On the left side there is a minimap of the current area. Red squares indicate where you can walk around, and white squares indicate entrances to the side-scrolling areas. There is also a small, flashing plus sign that shows where you are on the map. On the right side is a small profile of each of the four turtles: Leonardo, Raphael, Michelangelo, and Donatello. You see a small picture of each turtle, his shortened name, a life bar, and what special weapon he has, if any. You can switch between turtles anytime in this game. Press Up or Down to highlight which turtle you want, and you will control him directly when you unpause. The lower part of the screen shows an informational message from one of the other characters, typically master Splinter.

Words of encouragement AND character selection!

Most of the game is played within the side-scrolling areas. You move around with the D-pad, jump with A, and attack with B. The turtles take high, loopy jumps and will curl up into a ball. You can take shorter jumps by tapping the A button. Once you start moving sideways in the air, you can’t stop until you land, making precision jumps on small ledges difficult. The B button attacks straight ahead. You can attack above by holding Up and below by holding Down when you strike with B. Your turtle crouches with Down while standing on the ground.

The lower part of the screen during gameplay holds vital information. The left shows both your current score and high score. The middle part displays your health bar. You begin with eight squares of health and you can get damaged in half-square increments. Below that is an enemy health bar that only appears during bosses or stronger enemy encounters. The right side shows your main weapon, sub weapon, and any other items you may encounter.

Each of the Ninja Turtles is known for mastering a specific weapon and you get to use them as your default weapon depending on which turtle you choose. Leonardo wields a katana. This has the best total range for all directions. Raphael uses sai, which is easily the weakest weapon in the game. It is very fast to deploy repeatedly but has virtually no range and isn’t as strong as you might expect given its natural handicap. Michelangelo wields nunchucks, which have good horizonal range but weak vertical range. Donatello is a master of the bo staff. This weapon has the best reach, but not necessarily the best range. Attacking enemies at your feet is tricky since you either have to attack while crouched, which gives you very little range, or attack downward while jumping. However, the bo is the most powerful of the standard weapons, therefore making it the most useful weapon in the game.

This screen should bring back some painful memories.

There are secondary weapons in the game that you mostly pick up from defeated enemies. They are uncommon drops, but you will see a few of them during play. Shurikens are simple projectile weapons that pack some surprising punch. There is also a three-way shuriken with a much wider range. Boomerangs are slow moving and don’t travel very far, but they come back toward you and you can grab them again to add them back to your stock. There is also the infamous scroll weapon that is not dropped by enemies and can only be found in a few places. This is a wide projectile attack that does heavy damage. Each weapon pickup gives you twenty ammo. Grabbing a new weapon replaces an old one, so typically you will switch turtles to spread the weapons around.

Other items are planted in the levels. Health-restoring pizza is the most common pickup you will find. Slices restore a quarter of your health, half pizzas give you back half of your health, and a full pizza restores it all. This only applies to your active turtle so you may choose who gets health if several turtles are in danger. Missile pickups give you ten missiles for the turtle van in the overhead view of Level 3. Ropes are used in special sections to help you cross large gaps. Finally, there is an invincibility item in the shape of a Ninja Turtle face. Grab it to ball up and swing your weapon all around you for several seconds. Then you can wipe out pretty much any enemy by bumping into them.

There are a lot of weird enemies in this game. Some are TMNT staples, like foot clan soldiers and mousers. There’s an enemy that’s all legs that jumps off ceilings with reverse gravity. There are weird glowing men, and chainsaw-wielding freaks, and flying saucer shaped robots, and men completely on fire, and robot soldiers with detachable heads, just to name a few. Some enemy encounters lock the screen for awhile and one of the stronger enemies will appear with its own dedicated health bar. There’s a weird quirk about the enemies that happens a lot in this game. Most areas have two enemy groups but only one is active at a time. The one you get when you enter a new screen appears to be chosen at random. You’ll find you prefer certain groups over others. Even weirder is that the enemy group can change in the middle of an area if all on-screen enemies are cleared out first. It’s one of the stranger game mechanics I’ve seen, which seems to fit given the equally strange enemies within the groups.

Heads will fly.

Let’s take a brief look at the stages in this game. This is already dipping into spoiler territory, if you care about such things. The first level is a good introductory stage to get used to the map and game mechanics. You will face both Bebop and Rocksteady as bosses here. The second stage is the infamous dam level. In the latter part of the stage you go underwater to disable eight bombs before time runs out. Swim by tapping A to rise and the D-pad to move around. There are electrical barriers and painful seaweed to deal with, but the timer is essentially the boss of this stage. In Level 3, you take control of the turtle van, or party wagon, as you seek out the boss. You can fire small bullets or large missiles that take out barricades in your way. Level 4 takes place at an airport and contain 18 numbered areas to explore. Level 5 has a dark map with searchlights that drop foot soldiers near you if you get caught. The boss is randomly hidden within one of the sewers and the enemies are very difficult. The final area has no map, playing only in the side-scrolling view. This large area contains one of the nastiest stretches of gameplay I’ve witnessed in this project.

You can survive a long time in this game because you manage four full health bars all at once. Inevitably, one turtle will succumb to damage or an instant death trap. In this case, that turtle gets captured and you have to go without him. There is one spot each in Levels 3, 4, 5, and 6 where you can recover a captured turtle, but you can only get one back per level. If all turtles are lost, it’s Game Over. You can continue twice which sends you back to the start of the level.

TMNT was one of the NES games I acquired back in the Ninja Turtles heyday of the early 90s. I have played the game a lot and have beaten it many times before. I remembered all the main points of the adventure despite not playing through the game for a long time. I think the last time I played through the game before now was in college just to show off to my friends. It’s regarded as a difficult NES game for good reason.

Some areas get clogged up with enemies.

It took me two attempts to beat the game. The first time was meant to shake off the rust, so to speak. I almost beat the game anyway. I was able to reach the last level without too much trouble, but that nasty corridor I mentioned earlier reared its ugly head and I couldn’t make it through. That spot is a long area littered with these flying robot soldiers that shoot lasers. They appear constantly throughout the length of the room, while the height of the room gets narrower and you have no room to dodge. They take at least two hits to kill with the best weapons as well. There is a bit of a trick to passing through the area, but it eluded me the first time through. I was successful on my next attempt though I had to use up both continues before figuring it out.

I will defend TMNT as a fun game, but it is kind of a mess in a few regards. The turtles themselves are unbalanced. Raphael is practically useless, mostly serving as either a damage sponge or special weapons expert. Donatello is easily the best character, but the game gets a lot more challenging should you lose him. The changing enemy group mechanic is strange and can hinder you as much as it can help you. I think some enemies take too many hits to beat. I can try and skip some, but that becomes an issue because there is significant slowdown and flicker when too many enemies are stuck on screen. The slowdown isn’t helpful from an enemy avoidance perspective since your movement is on the sluggish side normally. Many areas are too narrow to properly avoid enemies anyway. Another bonus mechanic is that a turtle gets an attack power boost when he is low on health. However, this doesn’t always seem to work, and I don’t think it’s something you can depend on even though it is useful when it happens.

Now that I’ve said my piece on TMNT, I think it is a disappointing game. The technical issues and balancing issues mentioned above hold the game back. I expect more out of a Konami game on NES. TMNT lacks the typical Konami polish, particularly from a 1989 release. By then, Konami had already released several games, including ones I’ve already played like Top Gun, Contra, and Gyruss. All of those games are a better technical experience than TMNT. The game does have some good qualities. The music is really good, and the graphics are solid. I like the overhead map and the variety of the gameplay it provides. The idea of switching between the four turtles each with different weapons is a great idea. I think the difficulty curve is even and each stage is harder than the one before it. The structure of a great game is here, but it falls a tad short of the mark for me. Maybe it’s the nostalgia talking, but I find TMNT to be a fun game anyway despite its flaws.

#82 – Teenage Mutant Ninja Turtles

The thrills and heartbreak of NASCAR, now on your NES!

Featuring one of the few songs in the entire game!

To Beat: Win the Championship Season
Played: 4/17/18 – 4/23/18
Difficulty: 9/10
My Difficulty: 9/10
My Video: Bill Elliott’s NASCAR Challenge Final Races

Let me be clear of something right away. I don’t like racing, I don’t like NASCAR, and I don’t like racing video games. I can understand the appeal of the sport, I suppose, but it’s just not for me. I only wanted to play a few of the more popular NES racers, some of the more arcade style ones like Rad Racer and R.C. Pro-Am. Bill Elliott’s NASCAR Challenge was nowhere in my radar. Sure enough, this is a game that tries to emulate real racing with the ability to customize cars. That’s the kind of complexity that scares me a little bit. Though I did have some struggles with the game, I was able to figure it out enough to share my findings with you today.

NASCAR stands for the National Association for Stock Car Auto Racing. It was founded by Bill France Sr. in 1948 in Daytona Beach, FL. The company headquarters is still located there today. NASCAR as most people know it these days arose from the Strictly Stock Division of racing, which was one of the three initial divisions created for this form of auto racing. Today, NASCAR sanctions over 1500 races every year, mostly across the US and Canada.

Bill Elliott’s NASCAR Challenge was developed by Distinctive Software and published by Konami. The original release was on MS-DOS in 1990, with NES, Amiga, and Macintosh versions appearing in 1991. While not the first game featuring stock car racing, it is believed to be the first game with the NASCAR license. The NES version of the game was released in December 1991 and only appeared in North America.

It’s not fun watching Bill Elliott win all the time.

In this game you compete in several NASCAR races against other drivers, including Bill Elliott. He was a 1988 Winston Cup champion and a very popular racer during his time in NASCAR. He is the best racer in the game and the one you want to beat if you hope to finish this game. Each race consists of sixteen drivers and there are four tracks to choose from. Two courses, Daytona and Talledega, are high-banked ovals, and the other two, Sears Point and Watkins Glen, are road course with various twists and turns. There are several options to play the game, but to beat the game you want to compete in the Championship Season. This consists of eight total races so each track appears twice. You and the other racers earn points based on the overall standings after races are finished. If you are in first place in the standings after the season, you win the game.

The driving in this game takes places in first-person view from inside the car. The controls are straightforward. Use Left and Right on the D-pad to steer the car. The A button hits the gas to accelerate, and the B button brakes. Release the A button and press Up to upshift the car and Down to downshift the car when driving with manual transmission. That’s all you need to know!

There’s a lot of information inside the car. The top of the screen displays how many laps are remaining and which position you are in the race. You also have a rear-view mirror to see anyone coming up behind you. The bottom of the screen has even more information. To the left of the steering wheel is your speedometer, and through the wheel is the tachometer to see your RPMs, or revolutions per minute. The steering wheel is static but has a little knob on it that moves as you drive so you can more accurately see how you are steering. The three gauges in a row on the right are for oil pressure, temperature, and fuel. Below them are the damage light and the fuel warning light. The far right displays a flag indicating the current race conditions, and under that is the gearbox and gearshift. It might seem overwhelming but it’s really not.

There are many options for setting up the game listed out on the main select screen. The first option is to choose your track, and you go to a screen that shows a map of each course along with the name. Use the D-pad to select a track or choose the Championship Season if you want to play a full game. Press the A button to decide, and then you can choose how many miles you want to run. You can choose from 10 all the way up to the full 500 miles. The default is 20 miles, and that’s what I went with. On the next screen you can choose which car you want. Your choices are a Pontiac Grand Prix, a Ford Thunderbird, or a Chevrolet Lumina. Each one handles a bit differently, but it’s not clear what the differences are just from looking.

So many options it’s hard to find the main game.

The NASCAR license screen lets you enter your name for the standings. Use the D-pad to choose a letter and press A to enter it. There are arrows at the bottom to reposition the cursor, and the RUB option deletes the highlighted character. Select the End option when you are finished. You can also press Select to put the cursor to the box below to enter your password. This applies to the Championship Season only and is a huge, 35-character password. It’s a little longer and a little less complicated than The Guardian Legend passwords.

Auto-qualify can be set to either Yes or No. This determines if you run qualifying laps before the race to determine your pole position. If you choose No, before you start the race you will run two laps on the track yourself. Then your time is compared with the other racers. Your rank here determines both your starting position for the race and which pit area you will use for pit stops. If you choose Yes, then this process is done for you and you are given a randomly selected position. Unfortunately, this position is always near the back of the pack, but it saves you time if you want to get into a race quickly.

The skill level can be set to either Novice, Rookie, or Pro. In the Novice level, the opponents drive slower and you cannot crash. This is perfect for practicing courses under normal racing conditions. In both Rookie and Pro levels, you can crash. The Pro level racers go all out compared to the Rookie level drivers. The bad part is that when you run the Championship Season, you are locked into the Pro level no matter what.

Once you have made all your selections to this point, it is time to race. Well, almost. The final two options are Race and Practice. The Race option is for running an actual race, either a single course or the Championship Season. First you see the track you have chosen. Then you will see the standings if you are in the Championship Season. Next you will fine tune very specific settings for your car, and you can watch the animation of the crew making changes to your vehicle if you want. Finally, it’s time to drive either in the actual race or qualifying if you haven’t done that already.

Watching the mechanic work!

Practice mode puts you in special situations. You get another screen and can choose from Drafting, Passing, Following a Line, or Pitting. Choose your option and then you can read some advice from Bill Elliott himself. Then you can tune your car and go right to practicing. Some of these techniques are really valuable to learn.

Drafting is an important technique you will want to learn. This happens when you are following behind a car closely. The lead car moves so fast it creates a partial vacuum behind it, so following a car gives you less air resistance and you can go faster. The idea is you can let off the gas a little bit while still maintaining the speed to stay behind the lead car. This allows you the opportunity to sling shot by hitting the gas and using the additional acceleration you saved by drafting to pass the lead car. Trying to sling shot at the wrong time can leave you out of position to draft the car if you are unable to pass them during the move.

Another important technique is holding a line. The idea is that a straight line is the shortest distance between two points, so you go faster along the track if you can hold a line versus moving around along the track. On an oval course, the best line is the inside track during the turns and the outside track during the straightaways. For the road courses, it’s more important to get through curves as quickly as possible.

Fine tuning your vehicle is the most important process for racing in this game. The manual covers all this information really well. The first two options on the left are the most straightforward. You can choose either a manual or automatic transmission, and also either the racing engine or qualifying engine. The automatic transmission means you don’t have to shift gears while driving, however this engine will always fall short of peak performance. You must learn to drive manual to have a shot at beating the game. The qualifying engine is designed to give you the best performance for qualifying, but it is prone to failure if you are running a long race.

Ah, the open track, no one in sight! Oh it’s just qualifying…

The other three options on the right are more detailed. The first of these is the spoiler angle. You can set it anywhere between 20 and 70 degrees. When the angle is higher, this puts more force down on the car. That helps you hold a line better and not slide out so much during turns. Lower spoiler angles help the car run a bit faster at the expensive of less handling.

The gear ratio can be set at predefined values between 2.00 and 4.57. This determines how many RPMs you run the engine. If you run at too many RPMs for too long, your engine with blow up and you will be knocked out of the race. Lower gear ratios run at higher RPMs, which means you get better acceleration but have to shift more often. Higher ratios give you less acceleration and may prevent you from running at optimal speed. This is the setting you really want to tinker with the most to get the best top speed out of your car.

The last option is tire stagger. This is the size difference between the inside and outside tires. This is most important on the oval tracks with the high-banked curves. A higher tire stagger helps you hold a line within a curve better, which in turns helps you go a bit faster. If you are pointing too much toward the inside of a curve, you might want to increase stagger. If you are sliding toward the outside wall too much, you might want to decrease stagger.

During a race you might need to make a pit stop to repair damage, adjust settings mid race, or refuel. There are red arrows along a portion of the track that point to the pit lane. Cross the red-dotted line and drive to the end of it to enter the pits. The view will change to a top-down view, and here you always drive automatic to help make this easier. You need to remember which position you started in so that you can stop at the same numbered pit area, and you want to come to a complete stop. If you go too far, you have to make another lap and try again.

Don’t forget to make an accurate pit stop.

On the pit stop screen, you have to work quickly. You see your position and stopwatch for time spent in the pits. There are a bunch of meters showing how different components are doing, and you see your spoiler angle and tire stagger at the bottom. You can tell your pit crew to focus on any of these items by selecting one with the controller. The top meter is fuel, followed by left side tires, right side tires, all tires, and general damage. Pick an option to perform repairs by replacing tires, fixing damage, or refueling. All repair or replacement options include refueling. Replacing tires or repairing damage take the longest. It’s up to you to decide what you want to fix to get better handling. The race is still going on in the meanwhile, so the less time you spend in the pits, the better your position.

As you could probably guess, this was my first time playing Bill Elliott’s NASCAR Challenge. I don’t remember where I got the cart, probably in one of my random eBay lots. It costs around $5 or a little more, so it’s not expensive. I bet there are more copies of this game floating around because it’s a Konami published title and that keeps the price down. In my experience, it’s a game I don’t see around much even though it’s readily available online. My collection copy is the only copy I’ve owned.

It really helps to read the manual for the game before playing it. There are hints for how you might customize your car to get the best performance. Unfortunately, it doesn’t tell you everything. First you have to select a car, and then the tweaks you need are dependent on the particular car. I think there are hidden stats on each of the three cars, and I bet one of them is geared toward the highest speed and other toward the best handling. I messed around with different cars and settings in the Practice mode. I started out with drafting practice since that seems like the most important skill in the game, and I couldn’t keep up with Bill Elliott at all. I got my car to top out at 199 mph but that was too slow.

After a few hours of getting nowhere, I took to the internet for help. There is not much to go on. GameFAQs has two FAQs on this game, and neither one is very detailed. One of them had speed/handling stats for the cars, but I have no idea where that came from or if it is even accurate. Ignoring that, I looked on YouTube. I found a video where the creator wins Daytona using the Chevrolet Lumina. He got the car to top out at 202 mph which was better than I figured out on my own for any setup. I copied his configuration to get that top speed, and now I was at least keeping pace with Bill Elliott in practice.

You can extensively customize what you want to fix.

It was time to start trying out the Championship Season. The first race was the oval track at Daytona. With the 20 mile default race, that meant 8 laps around the track. I decided to qualify myself. I wasn’t placing that well at first, about as well as auto-qualifying. The strategy is to take the turns as far inside as you can. Near top speed, you need to rapidly tap Left as you hold the gas the whole time through the turn. With the proper settings, you can stay on the inside without veering off line for best results. To get into the turn, I let off the gas briefly to help steer. It’s a precise setup and technique, and any variance means you can start sliding out and lose speed.

There is an easy trick that really increases the odds of winning a race on an oval track. At around four laps in, the low fuel light flashes and you have to make a pit stop. Everyone will pit halfway through the race. You have enough fuel to go further than that. I didn’t pit with everyone else and tried to do so on the next lap. If you are near the lead, that will put you in first place for a little while. Now I don’t think you can get by the whole race without stopping for fuel, which is too bad because that would almost assure first place every time. What you can do is make your pit stop and fill up your gas tank only about halfway. You can leave pit lane anytime you want for any repair other than tire changes. You can save several seconds by filling up a bit and leaving early. It doesn’t seem like much, but saving just a few seconds extends your lead by a lot. Once I figured out the driving and pitting techniques, I had no trouble winning first place on any oval track. So that’s half the game figured out.

The road courses, on the other hand, I found much more difficult. The imminent danger here is crashing. It only takes one crash to knock you out of the race entirely. The first road course is Sears Point, which in my opinion is the hardest course in the game. It is almost all turns with few places you can speed up. The opponents are strong at taking turns, and they tend to get in your way when trying to pass. My keys to success here were learning the course and determining what top speeds I could take each turn without crashing. A couple turns are so sharp that I have to slam on the brakes early just to go slow enough to clear them. You then have to remember to downshift to get the best acceleration and get back to good racing speed. I had to tweak the settings again, most notably increasing the gear ratio so that I could get better acceleration at the expense of needing to shift more frequently. The good news is that with the default settings, you only run three laps. The bad news is that no one pits so you can’t save time there. It’s best to finish at least 3rd, but maybe you can get by with a spot or two lower if you can make it up later.

I can barely see Bill Elliott behind all this traffic.

The other road course in the game is Watkins Glen. This course has fewer turns than Sears Point and contains some long straightaways where you can build up good speed. Again, it’s best to learn what speed you can take each turn for best results. I figured out an exploit on this course. If you stay on the far outside entering a turn, you can drive straight as fast as you want and the outside grass of the course nudges you along through the curve. That means for a right turn, get all the way left to start, and vice versa. As long as you get all the way to the side and drive completely straight, you won’t crash. You do lose a lot of speed doing this and it damages your car, but it is much more consistent than braking and steering into the turn yourself, plus avoiding crashes is wonderful. I learned I could also use this strategy on Sears Point, but it was not very effective since there isn’t enough room to build up speed for the really sharp turns. I didn’t crash, but I always lost position. But the strategy is perfect for Watkins Glen.

My entire run of the game took 12-15 hours to complete. I reset the game countless times after crashing or finishing poorly, and luckily the game retains your password when you reset so you can go right back where you left off. I managed first place on all the oval tracks and I always gained 10 points in the standings each time. The way the scoring works is that there is a 5 point difference between places within the top 6, a 5 point bonus for leading any lap, and a 10 point bonus for leading the most laps. You can’t get both bonuses. Bill earned the 5 point bonus since he led initially, but then I got 10 points for leading the rest of the way after pitting. The second race, Sears Point, was where I spent the bulk of the time playing. I managed a first-place victory after many attempts but broke even in the standings. Bill got the 10 point bonus for leading the first two laps before I won the final lap. Race 4 at Watkins Glen I won and extended my lead by 15 points by leading all laps. Race 6 was a replay of Sears Point and I just barely finished in second place, losing those 15 points right back to Bill in the process. That gave me a 40 point lead entering the final race at Watkins Glen. In my gameplay video I attempted the course a couple times and only finished once in 5th place. That was good enough to secure a 10 point season victory!

I found Bill Elliott’s NASCAR Challenge to be, well, quite a challenge to play. The game itself is well made. Graphics are quite nice. The physics and handling are about as realistic as you would expect on the NES. There isn’t a bunch of music in the game, but the few tracks are well composed. There is no music when driving. You hear the engine and squealing noises as you drive around, but the audio cues you get are very helpful as your attention visually is often divided. The passwords are awful, especially with punctuation like slashes involved. I think they could have been made smaller, but it’s really a minor gripe. Kudos to Distinctive Software for creating a quality NES racing title. This game did not turn me into a racing fan and I am not going to start liking playing racing games very much. I just think it’s important to give credit where it’s due. Bill Elliott’s NASCAR Challenge is a good NES game, even if I don’t care for it.

#81 – Bill Elliott’s NASCAR Challenge

Ward off the invasion in several different ways!

It’s not every day you see a white title screen on NES.

To Beat: Reach the ending
Played: 2/24/18 – 2/28/18
Difficulty: 8/10
My Difficulty: 8/10
My Video: Laser Invasion Longplay

I been plugging away at Take On The NES Library for over two years now, and I only have a little over 10% of the library completed. That is still a significant number of games with a wide variety of titles since I insist of having the bulk of these games chosen randomly. Laser Invasion at its core is a multi-genre game, but it just so happens that I’ve already beaten and written about enough games to make some comparisons and approximate what you get out of this game. Laser Invasion is part Top Gun, part Operation Wolf, and part Golgo 13. It’s even one of the few titles to support the Zapper. Let’s jump in and see what this game is all about.

The Famicom game Gun Sight was released in Japan in March 1991. The NES version was localized to Laser Invasion and was released in June 1991 in North America. It was developed and published by Konami in both regions. Laser Invasion was not released in PAL territories and is an exclusive game to the NES and Famicom. The name change for the NES version was likely done to tie this game to Konami’s Laserscope peripheral that launched at the same time.

I had no idea before starting this game that Laser Invasion is the only NES game to fully support the Laserscope peripheral. The Laserscope is a headset controller that functions like the NES Zapper. You start by plugging the Laserscope into the second controller port, and then you plug the attached audio cable into the audio port on the NES itself. The headset has speakers so that you can hear the game audio while wearing it, and the audio cable also powers the Laserscope so you don’t need batteries. It also comes equipped with a microphone. While playing a game, you use the attached sight to line up a target and then yell “Fire!” into the microphone to shoot. Basically, this is a set of headphones with a built-in voice-activated Zapper. It sounds neat, but in practice it doesn’t work too well. The Laserscope fires whenever the microphone picks up any sound so it can misfire often. I bet it has the speaker built in so that the game audio through the TV doesn’t accidentally trigger a misfire. This is just hearsay; I don’t own a Laserscope. Thankfully it is not required to play this game.

See the mission you are forced to accept.

Laser Invasion is a multiple-genre shooter game. The Sheik Toxic Moron (yes, that’s that bad guy’s name taken straight from the manual) is set on world domination with his all-powerful weapon the TechnoScorch Missile. It is up to you, of course, to infiltrate the Sand Storm Command Center and stop these events from happening. To do this, you must take to the skies in air combat as well as engage in gun fights on the ground and search enemy bases to advance your mission. Complete all four missions to beat Laser Invasion.

On the title screen, you can start the game right away or set some options. Press Select to choose and then press Start. Within the option menu, you can turn the music off and on. You can either enable or disable reverse controls for your aircraft. You can also choose the input method. Control Pad is for using the controller only, LaserScope is for using both the LaserScope and controller, and Zapper is for the Zapper and controller. You can also choose if you want to have three, four, or five lives. There is also an option for LaserScope practice. I never tried this, but I think it is a calibration screen for positioning your LaserScope properly. Use the D-pad to toggle all these options to your liking, then press Start to go back to the title screen.

Laser Invasion has three different genres of gameplay, and since all of them are included in the first mission alone, I’ll step you through what that first mission is like. All missions begin with a cutscene providing you with the mission briefing. Then you will go flying in your helijet aircraft, but first you need to choose which missiles you want and which secondary item you want. For missiles, you can choose from either 40 weaker missiles, 20 medium missiles, or 10 strong missiles. The stronger missiles have wider targeting ranges than the weaker ones. For secondary weapons, you can choose one tank of extra fuel, five ground bombs for destroying ground targets, or ten chaff dispenses to temporarily protect you from enemy homing missiles. After everything is set, it’s time for takeoff.

The Top Gun vibe is strong here.

Aerial combat in the helijet is just like it is in Top Gun. This mode is always controller only. Use the D-pad to steer the helijet. Up or Down may be reversed if you chose that option. The B button fires your weapons. Your default is a vulcan cannon with unlimited, although weak, firepower. Hold down B to fire. If you get an enemy in your sights, there will be an arrow pointing at it. Then you can double tap the B button to launch one of your guided missiles at the enemy. You may press Select to toggle between your missiles and your secondary item, and you use your secondary item by also double tapping B. The A button reduces your speed. The default is automatic full speed ahead and the A button acts like your brakes.

The top half of this screen contains all the action and the lower half is your control panel with lots of useful information. On the left is your fuel meter. In the middle there are two kinds of radar. The left one is wide radar that covers the entire playfield and shows points of interest as well as the position and orientation of your helijet. The right radar is local radar which shows where enemies are around you, including from behind and the sides. Below the radar is a long bar that indicates the health of your helijet. The right side shows your missiles, secondary items, ammo for each, and your current flying speed.

As you fly, you are approached by enemy aircraft that you can take out with your weapons. Many enemies fire guided missiles that you need to either dodge or blow up with your own shots. There are also stationary objects that you just dodge. You can also steer left or right and fly in any direction. Each flying area is its own contained open world and you can fly anywhere within the radar screen. On the wide radar, you will see a white circle in the upper left of the first mission. These mark enemy bases and you want to visit them to complete your mission. There is a plus mark around the middle of the map and this is your allied heliport, where you can refill your fuel and weapons if you want.

Hope you like missiles in your boss fights!

In the first mission, when you approach the enemy base you are greeted with an enemy helicopter. This is one of several challenging boss battles. The parts you can shoot are highlighted by the targeting arrow, so you can either use missiles or your cannon on those spots while also avoiding or shooting the enemy’s missiles. Destroy the enemy helicopter to move on to the next part. In this case, you go right back to flying. You want to center yourself over the enemy base and land there. If you fly over a place where you can land, and all enemies are out of the way, you will approach the heliport. Here you want to slam on the brakes and stop above the heliport to switch to the landing sequence. The view switches to looking down over the helipad. Use the D-pad to center yourself and press and hold A to ascend if you need it. You want to land close to the large plus in the center of the helipad, but cross winds don’t always make that easy. Just take your time. It doesn’t matter how fast you are falling because you can’t crash. If you make a poor landing, you get sent back to the skies and you have to try docking with the heliport again. When you land properly, you exit the helijet and move on to the next phase.

Now that you’ve landed, you hop out of the cockpit and get your gun ready. This next playstyle puts you in first person view and you shoot your way on foot to the enemy base. This part of the game is very similar to Operation Wolf. The playfield scrolls slowly to the right and as enemies pop up you shoot them with the controller you chose on the options screen. If you are playing with a controller only, you control a crosshair and can fire with the B button. With either the LaserScope or the Zapper, just aim and shoot. You will see your health meter, ammo count, and any items from the bases on the lower part of the screen. Aside from the different kinds of enemies, there are a few items to help. Crates appear periodically and you can shoot them to reveal either a heart or more ammo. Then shoot the icon to collect it. Hearts refill your entire health meter, and the ammo puts you back at the max of 99 shots. I found out that ammo drops always appear when you have 15 bullets or fewer. You are never in danger of running out of bullets unless you somehow skip the refill. There are also red barrels that destroy all enemies when shot. At the end of this section, you reach the enemy base. The door opens and you automatically enter.

Just blast away!

The enemy base is where the third gameplay style takes place. This is what the manual refers to as the 3-D Confusion Maze. If you remember the mazes from Golgo 13, this is what I’d consider an improved version of them. Press Up on the D-pad to take a step forward, or press Left or Right to turn in that direction. Press A to open doors right in front of you. The top half of the screen shows the corridors in the base from a first-person perspective. The lower left of the screen contains a mini map of the entire base. Each base segment is uncovered on the map as you step from screen to screen. That’s an incredibly helpful feature. The lower right of the screen displays your health, ammo count, items collected, and any messages you might come across.

Occasionally the music changes when you reach certain rooms, which is the trigger for an enemy encounter. Battles are gunfights also using the LaserScope, Zapper, or standard controller, just like in the Operation Wolf style segments. The Zapper is quite cumbersome to use since you have to drop the controller and pick up the gun quickly to transition from exploration to gunfight. Like in the other sections, there are items found in the maze to help you. Some rooms have a crate in them and all you have to do it move next to it to grab the item. You can find more ammo for your gun or rations to restore your health. There are also special quest items such as keys. One difference with maze combat is that you can get in situations where you run out of ammo. If that happens, mash the A button to retreat to the room you came from. Enemy encounters always appear in the same places and the enemies are gone when you clear them out. There is enough ammo within the base to get you through. I never got stuck in a spot where I couldn’t locate extra ammo to proceed.

At one juncture of the maze in the first mission, a time bomb is set and you have to hurry out of the maze. You can’t go back the way you came in, so you have to find a new way. Once you do, you go back into the helijet and take off as the base explodes beneath you. This marks the end of the first mission. But in other missions, sometimes this puts you back in the sky because there are other mission objectives to finish. This means the pacing of the game is a bit inconsistent. The first mission seems lengthy enough, but it is short compared to some of the later missions.

The minimap makes these sections much more enjoyable.

Depending on your option setting, you have either three, four, or five lives to work with in Laser Invasion. If you run out of lives, you can continue up to five times. Where you restart largely depends on where you last died. Continuing within a base is the worst from what I recall since it sends you all the way back to the helijet before even approaching the base. Then it takes several minutes to get back to where you were. You can gain extra lives to help a bit, but these are tough to earn. Laser Invasion has a scoring system and points appear on screen before each mission or after you take a death. Every 100,000 points earns you an extra life, but it takes so long to score that high that you may never get one. I think the highest I scored was 150,000 points.

This was my first time playing Laser Invasion. This is a game I originally took off my main list and pulled back in here. I don’t like flight games and my first impression was that was all Laser Invasion had to offer. I did decide to leave Top Gun in my main list for some reason, and I figured if I could beat that then I could figure out Laser Invasion. I didn’t realize it was also a Zapper game plus had all these other play modes, so consider me pleasantly surprised. It’s not a common game, but it’s not super expensive, selling for around $10 to $15 for a loose cart.

I beat Laser Invasion in only five days. That surprised me. I decided early on that I would play this with the Zapper since I don’t own a LaserScope. There are only 16 licensed NES games that are compatible with the Zapper and it feels wrong to not use it. I did a few attempts with the controller just for practice. I think the controller by itself is the easiest way to play Laser Invasion. Zapper play was a bit more challenging, and I bet the LaserScope works well since you don’t have to keep switching between controller and Zapper on the fly. However, the parts with the Zapper were much easier for me than the flying. The same homing missiles that bogged me down in Top Gun are here again, but they are not as bad this time because they are larger in size and thus easier to shoot down. The boss battles and areas leading up to them ate up the most lives during the learning phase of the game.

I’m happy that landing isn’t that stressful.

Once I got some practice near the end of the game, I fully switched over to Zapper control and the three default lives. I was very close to beating the game on my penultimate attempt, reaching the final boss for the first time on my last life and then immediately dying. In my longplay video, I used two continues to beat the game. I was used to using up all five, so this was a good run. This was my first time recording footage of a Zapper game off my CRT and I think it turned out well.

I have a few tips to share for Laser Invasion. There are three options for the secondary item and the one you want is the extra fuel. The ground bombs were completely useless to me. The chaff can be helpful since it takes homing missiles out of play when you use it, but for the rest of the game you learn to deal with them anyway. The extra fuel is the most important because a couple sections in the game are so long they require the extra fuel to make it all the way through without dying. This is an awful design decision that you normally have to learn the hard way. Outside of those sections, the extra fuel is a good safeguard if you are having trouble lining up on the map to land at a base and need some extra time. I liked using the twenty medium missiles. They are powerful enough to be useful against bosses and there are enough of them that you can get away with wasting a few. To stop above the heliport, all you have to do is hold down A as soon as you begin making the approach. This should stop you early enough so that you can do a release and hold pattern with the A button to inch your way into position. Those tips should get you started with the flying, and the rest of the game falls into place from there.

Laser Invasion is a game that surprised me and I’m glad I played it. It’s a Konami game and they almost always make quality games, including this one. The graphics are excellent and so is the music. The game controls well with the controller, and performs well enough with the Zapper. I found the shooting hitboxes pretty generous to help keep up with the action. It’s a tough task to cover multiple play styles. I think the quality is there, but the pacing and difficulty are unbalanced. The Zapper stages are easy compared to the rest, and yet they drag on much longer than I would like. You can traverse mazes quickly until you get blocked by a lengthy shooting match. The flying is so much more difficult than the rest of the game with things like one-hit kills and boss fights. Trying to trigger a heliport can also be frustrating when enemies just don’t get out of the way. These are valid complaints that hamper the overall experience, but Laser Invasion is still a pretty neat game.

#75 – Laser Invasion

Our hero teaches you to swear early and often!

Boring screen, but the next one tells you the rules at least.

To Beat: Finish Level 9 Round 4
Played: 2/1/18 – 2/18/18
Difficulty:10/10
My Difficulty:10/10
My Video: Q*bert Longplay

If you’re like me, your eyes got wide seeing another 10/10 difficulty rating appear. Indeed, Q*bert on NES is one of those games that doesn’t come up often. We have already seen a previous arcade port, the infamous Ikari Warriors, receive the only prior 10/10 rating. Ikari Warriors was a different case because it is a much more expansive game on NES than in the arcade. NES Q*bert on the other hand is close to the arcade experience. I think it’s neat to see how two arcade ports on NES go in different directions but still retain a very high level of difficulty compared with other NES games. Beating Q*bert is something you can feel proud of if you are one of the few that can conquer it.

Q*bert started as an arcade game that was both developed and published by Gottlieb in 1982. Jeff Lee is credited with both designing the character Q*bert as well as the initial ideas of gameplay. Warren Davis stepped in later as a programmer and further contributed to the game. David Theil was the audio engineer, and his trouble in finding enough time to properly add clear voices to the game led to the idea of having the sound synthesizer read random data, producing gibberish that composes Q*bert’s somewhat iconic swearing noises. The development team also included a pinball device inside the arcade cabinet that slams into the side of it whenever Q*bert falls off the board. Another risky idea was turning the game joystick 45 degrees for diagonal-only movement. All of the above pieces combined to make Q*bert a success for Gottlieb, so the game was widely ported to many home consoles and computers throughout 1983 and 1984.

Q*bert on NES was released in February 1989. It was developed and published by Ultra Games, the alternate publishing label of Konami. It wasn’t released on the Famicom nor outside of the US. This version is closely aligned to the original arcade game, but some later titles expanded on the idea. A unique sequel, Q*bert’s Qubes, was released in arcades in 1984. It is a more complex game and wasn’t as widely distributed. Q*bert on MSX was released in 1986. This version doesn’t feature Q*bert at all, but does include 50 different stage layouts. The Game Boy port of Q*bert in 1992 goes back to starring the original character while also introducing new stage layouts. Q*bert 3 on SNES in 1992 also has different levels. Q*bert also had different versions on Windows, mobile, and other platforms more recently.

Most of what you need to know is evident from the start.

Q*bert is a single screen action game with puzzle elements. You play as Q*bert on a triangular pyramid of cubes. It holds seven rows of cubes containing 28 total cubes. You hop along the top faces of these cubes changing the color of any one you step on. To complete each level, you must switch all the tiles to a specified target color while avoiding other enemies that try to get in your way or disrupt your progress. There are nine levels of four rounds each, so you have to complete 36 pyramids to beat the game.

The controls are simple and can even be customized, which is great because by nature of the game Q*bert’s hops are always diagonal. On the title screen, first select one or two players. Multiplayer is alternating play so this might as well be a single player game. The first thing you get to see is the control customization screen. It includes a demonstration of Q*bert hopping so you can see clearly which direction you are setting, and there is also an image of the NES controller. First you choose what direction on the D-pad you want to press to make Q*bert jump up and right, then down and right, down and left, and finally up and left. The initial setting is Up on the D-pad to move Q*bert up and right. You can press A to lock that in or press B to turn 45 degrees clockwise. You can keep pressing B to pivot this selection around to any direction you want. If you want inverted controls or something really bizarre, you can do it. After you make selections for all four directions, you must press A one more time to confirm. If you press B instead, then you have to re-enter all four directions again from the start. My recommendation is setting the default controls by mashing the A button right away. This locks controls to the main cardinal directions of the D-pad, so visually if you were to turn the controller 45 degrees clockwise the D-pad perfectly aligns with Q*bert’s movement on screen. The other common control scheme is locking in all diagonal D-pad inputs, but I didn’t bother with this because pressing diagonals isn’t always precise enough.

When you are playing the game, just use the D-pad. Press the direction you set to hop in the desired direction. Q*bert’s jumps are always deliberate and take time to finish. You may tap the direction you want to move when you are standing still. If you hold a direction while Q*bert is in mid jump, he will go ahead and jump in that direction after he lands. This acts as an input buffer so you can hold the direction you next intend to go early and Q*bert will transition as quickly as possible. Finally, the Start button pauses the game if you need a break in the action.

Q*bert’s biggest fan helps out with control customization.

There are several enemies that stand in your color changing ways. The rule of thumb is you can safely come in contact with green enemies, but any other color enemy kills you when touched. The one enemy that appears in every stage is Coily. He first appears as a purple ball falling from the sky and landing in the second row. He hops randomly downward until he reaches the bottom row and comes alive as a snake. Now he will follow you around in hot pursuit. The only safe way to deal with Coily is to use disks that can appear on either the left or right side of the pyramid. Q*bert is allowed to jump completely off the pyramid to his death if you aren’t careful, in which case you lose a life and he respawns on the topmost tile, just as he starts every level. Hop off the pyramid onto one of those disks, and it will carry Q*bert to the top of the pyramid. During this transport, if Coily was close enough to you he will also jump off the pyramid, and as a bonus this also removes all enemies from play, plus you get 500 points. You may only use a disk once and there are only a handful per level.

Ugg and Wrong Way are two similar enemies that have a strange movement pattern. Unlike other enemies, they appear from the bottom of the screen and hop on the sides of the cubes instead of on the top. Wrong Way begins on the bottom left and will either jump up or right. Ugg begins on the bottom right and only jumps up or left. Maybe it’s the opposite, I don’t know. Either way, when they reach the side of the pyramid, they jump completely off and go away. Because they don’t land on the top tiles, it takes a while to completely understand how to safely move around them.

The remaining enemies all move like Coily’s purple ball and they all jump off the bottom of the board. However, each one has other characteristics. Red balls are called Whammy Balls. They are simple, common enemies that hurt when you collide with them. The remaining enemies are green and can be touched safely. The green ball is a powerup. Grab the green ball to both freeze all enemies on screen and make Q*bert invincible. This lasts for several seconds which is perfect for flipping a bunch of tiles the way you want them. You also get 100 points from the green ball. The final two enemies are Sam and Slick. I can’t tell the two of them apart mid-game, but Slick wears sunglasses and Sam doesn’t. Like Q*bert, they change tile colors every step they take, and so they have a bad habit of undoing all your hard work. You can take them out of play if you grab them and you get 300 points for your efforts. I believe Sam advances each square one color ahead and Slick always turns tiles one of the non-target colors. Maybe their characteristics are level dependent and not character dependent. Either way, these are very annoying non-lethal enemies.

Early levels already have a lot going on.

Other than the enemies, there are some other ways to earn points. Flipping a tile earns you 30 points. You also get a bonus after each round. Any remaining disks give you 50 points, and then you earn the main round bonus. This begins at 1000 points for completing Level 1-1, and it steps up an additional 250 points for subsequent rounds. Around Level 5-1 it stops at 5000 points per round but then goes up to 6000 points for Level 8 and 8000 points for each round in the final level. Points let you earn extra lives. You get your first extra life at 6000 points, and then you get another one for every 12,000 points after that.

The main objective is coloring tiles, and this gradually gets more complex. Each level begins with a demonstration of how colors change when Q*bert hops on tiles. Levels can feature up to three colors which I’ll call Colors A, B, and C. The colors themselves vary just for aesthetic reasons. All levels begin with all Color A tiles, and the target color is B for two-color levels and C for three-color levels. Level 1 just has two colors with only A flipping to B. Color B is locked in for the round unless Sam or Slick get involved. Essentially, step on every tile once. Level 2 goes to three colors, with A flipping to B, B flipping to C, and C stays locked. Just step on every tile twice. Level 3 is only two colors, however, A goes to B and B goes back to A. Uh-oh. The puzzle element shows up here, but it’s gets better with experience. Level 4 goes A to B, B to C, and C to B. It’s more hopping, but eventually boils down to the same as Level 3. Level 5 and onward is just nasty, and I bet you can already guess where this is going. Here, A flips to B, B flips to C, and C flips back to A. This is the last pattern, but you have to suffer through 20 rounds of this if you are set on beating NES Q*bert. Each subsequent level gets faster too.

Now it all starts to come together why Q*bert is one of the hardest games to beat on the NES. The game does provide a bit of extra assistance. Each game of Q*bert begins with four additional lives. You can continue when you run out of lives, but only three times. The extra credits help tremendously, but this is still a steep mountain to climb.

I always like these stages with the black cube sides.

I had a little previous experience with Q*bert. I believe I mentioned this in my Snow Brothers review, but I originally played that game at a babysitter’s house long ago as a rental. The other rented game that day was Q*bert, and I remember getting as far as Level 3. I sought it out specifically when I got back into game collecting. I ended up buying a nice, clean copy with manual on eBay for $6 shipped. This is a silly reason, but I wanted to get it early on because one of my collection milestones was collecting all NES games that start with each letter of the alphabet. Q is the easiest to finish since it’s only Q*bert and Qix, at least for licensed NES. I do like the game though, so I was happy to own it. Nowadays a cart copy costs around $8-$10, same as it did around 2014 when I bought my own.

I’ve done a lot of research into the NES library and I already know several games that project to be among the most difficult. Q*bert was absolutely on my radar as a Top 10 candidate. Because of this, I kept track of my attempts including milestones anytime I reached a new stage for the first time. I was looser with this than my Ikari Warriors tracking, so I neglected to note exactly which attempts reached which stages. I also didn’t keep track of how many hours I spent playing. The stats I did collect are interesting enough. I beat Q*bert on my 67th attempt over 18 days of playing. I’d say I reset early on maybe a dozen or more attempts, especially toward the end of my grind when I knew I needed to play well early to have a better shot at the end. Later attempts took as long as 45 minutes, and earlier attempts were at least 20-30 minutes long. I’m pretty comfortable guessing that I played 30 hours of Q*bert before I won.

The road getting there was pretty long, despite what I consider a condensed timeframe. I started out very strong, reaching Level 5 on my first day playing. This is no small feat. The first two levels are challenging to start, but straightforward. Level 3 is the first big step up where you have to contend with pathfinding and Sam and Slick really hindering progress. It gets a little worse in Level 4, but Level 5 is where the gloves truly come off. I think it was huge for me to do well enough reaching Level 5 so early in the process. Who knows how long I would have spent playing Q*bert if I struggled earlier, like I’m sure many players do. But that’s where things stalled out for quite some time. I reached Level 6 on my third day and then got stuck for a few days. I was getting angry about losing in those later levels, and solving them more felt like I was lucky than I was skilled. After the first week of attempts, I had something of a breakthrough, reaching 8-4 in one of those magical runs. Following that were three days of heavy playing over the weekend where I didn’t come all that close. My Level 5+ technique was gradually coming together, and by the next weekend I was routinely reaching Levels 7 and 8, and even Level 9. Finally it all came together and I beat Q*bert!

Getting the jump on the green ball is huge.

My winning run was an attempt that I nearly threw away. I was gauging attempts based on how many lives I had entering 5-1. I had gotten there a couple of times with ten lives, but usually I had six to eight lives. This time I broke even and only had the starting four. I decided to try anyway and things were really clicking for me, at least until Level 8. From 5-3 on, both the disk layout and Sam’s tile flipping behavior are always the same. Later levels do speed up, but aside from that there’s no reason why Level 8 would be unique in its difficulty. Anyway, that’s where things looked bleak. I used all three continues here: One in 8-1, another in 8-2, and my last in 8-4. I wanted to at least get to Level 9, but I ended up playing very well and beat 9-4 with several lives to spare. I didn’t have any notes for 9-4 but I didn’t need them. It was a huge relief to mark Q*bert off the list!

The best advice I can give for beating Q*bert is this: The enemy movements are random, but the order in which enemies appear is fixed for each level. Armed with this knowledge, it is possible to map out exactly when certain enemies appear, especially the green ball. I had a few notes for the first three levels that I didn’t really use, but from Level 4 on I wrote down about when I expected the ball to show up. My strategy for those levels was to start clearing out the lower left corner, particularly the three corner tiles. Wait there for Coily to approach you and then take the disk in that corner. Repeat that step for the other corner. After that, try and work the board from the bottom on up. If you can stop Sam, by all means do it, but it’s not absolutely critical. Occasionally, Sam will hug one side of the board and mess up the corner, so when that happens I fix that as soon as possible. My notes indicated about how many times I could bait Coily off the edge with a disk before the green ball appears. I had to improvise somewhat since Coily can end up too far away from where I’m waiting, but for the most part I made it work. The green ball often follows a Whammy Ball in the sequencing, so I tried using that sometimes as a visual cue.

One super annoying thing from Level 5 on is that sometimes the board gets caught in an unwinnable state temporarily. This happens when all squares are the target color except the one you are standing on, which is one hop away. There are a few things that you can do to fix it. What I like to do is massage that final square up to the very top of the pyramid. This is generally a safe tile aside from Coily and, in rare cases, Ugg and Wrong Way. If Coily isn’t an eminent threat, wait here for Sam or Slick to show up. When he does, immediately land on his square before he gets away. His landing shuffles the corner enough so that you can finish it. You can also use a disk to flip the top tile and fix it, but this has to be one of the disks in an odd-numbered row for it to work. Finally, if you can work the final square to one of the tiles adjacent to the topmost tile, simply jump off the board. This method costs you a life, so keep that in mind. Q*bert respawns on the top tile but doesn’t shuffle it, so then you can hop directly to the last square and clear the board.

Even in the final levels, the same tricks apply.

There’s one last tidbit I have on NES Q*bert. After you beat the game and view the ending sequence, you start all over at Level 1. Q*bert gets even harder during the second loop, if you can believe that. The speed overall is increased, and if I’m not mistaken, the speed can fluctuate mid-level. If that’s not true, it sure seemed that way while I was playing. That adds a little extra unpredictability to a game that does not need to be any more complicated. Considering this is a Konami game, many of their games that repeat have three distinct difficulty loops. It would not surprise me if Q*bert also does this, although good luck finding out. I captured video of my winning run, and when it looped I decided to play it through to the end, reaching 5-1 on the second loop before biting the dust. I’m really happy I have video proof of this achievement to share.

I’m going to address the difficulty here, because I know I’m going to be asked about it. Q*bert is the second game I’ve given a 10/10 rating. Out of the entire NES licensed set, I expect to hand this out to around 20 games. Q*bert is deserving of the 10/10, no doubt in my mind. This should be reserved for the cream of the crop, the ones that take an extraordinary amount of effort to beat. The question I’m sure I’ll be asked is “How does Q*bert compare to Ikari Warriors?” That answer is crystal clear. Ikari Warriors is much, much harder than Q*bert. Within the timeframe it took me to beat Q*bert, I had not yet beat the first level in Ikari Warriors. I think it’s okay to have two games far apart in difficulty within this space, and I don’t want to get into half-ratings or anything like that. What I will do is rank the 10/10’s relative to each other as I beat new ones. This will be a glacially slow list to compile, but I think this is something people want to know. Maybe it will be worth the wait.

Q*bert is a game that, despite its rage-inducing difficulty, I had a good time with. Action games with puzzle elements are right up my alley. Now this is not a flashy game. The visuals are basic, but colorful aside from the plain black background. The soundtrack is almost non-existent. The developers opted for having sound effects as the main audio driver instead, but it is pretty helpful to have audio cues for enemies when your eyes are busy keeping Q*bert alive elsewhere. Considering this is based on an early arcade title, this is all to be expected. The controls are great, both responsive and accurate, within the limitation of Q*bert’s deliberately designed movement, at least. Q*bert is a well-designed game and the NES version hits all the right notes. It’s a fun game to pick up and play, and if that’s all you want out of it, you will have some fun. Beating it, however, is grueling and unforgiving. That will have you swearing more than Q*bert does.

#73 – Q*bert

No crowns required to be kings in this four-player volleyball game.

Very chill setting!

To Beat: Win a tournament
To Complete: Beat the game on the Difficult setting
What I Did: Completed the game
Played: 4/7/17 – 4/13/17
Difficulty: 5/10
My Difficulty: 5/10
Video: Kings of the Beach – Tournament Mode Final Matches

I am not good at sports. I still like to play them when I get the chance even though I wasn’t blessed with any ability. If there’s one game I am at least decent at, it would be sand volleyball. I organized a weekly sand volleyball night with a bunch of friends for several years, and that afforded me the opportunity to practice often. Now don’t let me fool you, I’m still not all that good at volleyball. However, I am pretty good at playing video games. Therefore, it shouldn’t be that much of a stretch for me to complete one of the few NES volleyball games.

Kings of the Beach is a volleyball game developed and published by Electronic Arts in 1988 on DOS. It was ported to the Commodore 64 in 1989 and the NES in January 1990. Ultra Games published the NES port. However, it is unclear if either Konami or Electronic Arts developed this version of Kings of the Beach. The game was only released in the US.

Kings of the Beach is a two-on-two beach volleyball game. You play as professional beach volleyball players Sinjin Smith and Randy Stoklos. In single-player mode, you only control one character and your partner is computer controlled. The main draw for single player is the Tournament mode. Here you will play against other pairs of players in five different locations all around the world. To win the tournament mode and beat the game, you must win three consecutive matches at each of the five beaches for fifteen total matches.

Interesting cursor choice!

At the start of the game, you move a green cursor around in an overhead map of the beach. This is your menu. The first place you will want to go is the registration tent, which is the game’s options menu. To start, you can assign either a controller or computer control to Smith, Stoklos, and two other competitors. Kings of the Beach supports up to four players simultaneously using the NES Four Score accessory. Next, you can choose between cooperative play or competitive play. This is only needed for a two-player game to decide if you want to play on the same team or not. You can set the difficulty of computer opponents to either Easy, Medium, or Difficult. You can choose if you want to play either a single set or a three-set match, and you can toggle the sound on and off. Choose Exit to Beach to go back to the main menu.

The other menu options are for practice or setting up a game. At the top of the screen there are three beaches labeled Bump, Set, or Spike. If you choose one, you are put in a practice beach where you get easy setups to practice the basic moves. Press Select at any time to exit the training and go back to the menu. At the lower left of the menu is the Match option where you jump directly into an exhibition match with the defined settings. This is the mode you want for a three or four player game. The bottom right part of the menu starts up the Tournament mode. You can select either a new game, or continue a previous game with a password. After that you jump right into the action.

Kings of the Beach plays by standard volleyball rules. Each side has two players and each point starts with a serve from the back of the court. Each side can hit the ball up to three times before hitting it over to the opponent’s court, and teammates must alternate hits. If the ball lands in your opponent’s court, the opponent hits the ball more than three times, or the opponent hits the ball out of bounds, then you win the point. The serving team is the only team that can score, otherwise the non-serving team gains control of the serve if they win the point. In a single set match, the first team to fifteen points wins. In a three-set match, teams play to twelve points per set. In either case, teams must also win by two points. This means play will continue beyond the required winning score until a team leads by two.

Bump, set, spike!

The basic strategy of beach volleyball is to use your three hits to bump the ball, then set the ball, and finally spike the ball. You will use the D-pad to move your player around the court. Quite often you will move on your own to the spot where the ball will land as it’s heading toward you, but sometimes you need to position yourself properly. The ball casts a shadow on the sand that will guide you toward where you want to stand. Press A to bump the ball in the air toward your teammate. To set the ball, press B. To spike the ball, press both A and B. The spike is a powerful jumping hit toward the opponent. You will need to focus on timing for all hits, but spiking the ball requires the best timing. The idea is to run up to the net and jump, meeting the ball with your hands at the top of your jump. For all hits, you can guide it in a direction using the D-pad in conjunction with the hit.

The above moves are mostly offensive moves, but you do have a couple of defensive moves at your disposal. If you know the opponent will spike the ball, you can move up against the net and press A and B together to jump up and attempt a block. Sometimes you can repel the ball right back into the opponent’s court for a quick point. Stoklos has his own signature block called the Kong block, which is very powerful. The other defensive move is called the dig. This happens automatically whenever the ball is just far enough out of reach normally. You will make a dive toward the ball to bump it back up into the air. I didn’t seem to put myself in good positions to do this very often, so in my experience it was left to chance.

Serving the ball effectively is a vital skill. When it’s your turn to serve, you can move up and down the line to put yourself in the position of your choice. There are three different ways to serve the ball. The easiest method is the underhand serve. Simple press A and B together to lob a slow serve at the opposite court. You want to pay attention to the flags that indicate wind direction because an underhand serve may come up short if the wind is blowing in hard. The overhand serve is more powerful. Press A to toss the ball straight up, wait for the ball to come down, and then press B to do a standing, overhand hit. You can use the D-pad to aim the ball while serving. The most powerful serve is the jump serve. Like the spike, it’s the most difficult serve to perform. Press A to toss the ball just before, but this time press A to jump and hit the ball. The more powerful the hit, the more likely the opponent will be unable to return the ball.

With the right timing, the jump serve is the best one.

One neat thing you can do is argue a call with the referee. Every now and then the line judge will make a mistake on a ball that lands near the lines. If you think a bad call went against you, then you can run up next to the judge’s stand and press Start to dispute the call. You will see your player make a scene as persuasively as possible. If you are successful, the referee reverses his call and you get the ball! If the judge disagrees, then he will shake his hand no and hold out a penalty card. This can be either a yellow card or a red card. The yellow card is just a warning, but if you lose a second disputed call in a set the referee will give you a red card instead and you lose a point off your score. Your opponents and even your partner can dispute a call on their own. One key thing is that if you want to dispute a call, you need to decide quickly and get over to the referee right away to plead your case. You lose your opportunity to argue a call if play advances to the next serve.

As stated earlier, to complete Tournament mode you must win fifteen total matches broken up into groups of three. After you win three consecutive matches on the same beach, you get a password for the next beach. The passwords are up to eight characters long and are normal words that are easy to write down or remember. I noticed that the passwords are the same for each beach no matter what difficulty or length of match. For instance, you can win the first round of matches on the Difficult setting with three-set matches, and the next time you play with the password you can select Easy difficulty and single set matches. You can play however you want!

This was my first time playing Kings of the Beach. The game was a later addition to my collection, but it is pretty common and inexpensive so I have had a few copies pass through my hands. I am not a huge fan of sports games even though I enjoy playing a little volleyball. Chances are I would not have given Kings of the Beach much of a chance if not for this project. Chances are I will also say this same thing about many other future games!

Digs are done automatically. This one was successful!

For my playthrough, I decided on playing single set matches on Medium difficulty. I played as the default Smith and let the computer play Stoklos for me. My intent was to learn the game on Medium difficulty and then go back and play the game again on the Difficult setting. At first, Medium difficulty was enough of a challenge. I understood the fundamentals early on, and other than some mistakes with spiking I was already playing well enough to make some progress. My struggles came in the third match of any beach. I could play well enough to win the first two matches, and then I would lose the third and have to start over at the top. That is awfully frustrating. Kings of the Beach became a fight of attrition and required some good old fashioned grinding to seal the win.

It seems like many sports games have some kind of exploit or tactic that makes life much easier. I found one such tactic that helped me win points much more often. The first thing is I needed is the setup to spike the ball myself. Usually this required getting the first hit on the return so that I could get the third hit and spike, but sometimes I would take the spike myself on the second hit instead. It’s a little riskier but it can catch the opponent off guard. My spike position was up against the net either slightly above or below the center. I would spike toward the corner of the net and the closer side line. For example, if I set up below center, I would aim for the lower line near the net, and do the opposite when closer to the top. The opponent tended to favor guarding the larger area so I could sneak it in on the other side close to the line without either player getting to it. That trick does not always work, but it works often enough to be useful.

My partner is disputing a call unsuccessfully.

I beat the entire game on Medium over the course of a few days. Once I accomplished that, I bumped up to the Difficult setting and repeated the final three matches with the last password. If I can beat the last beach on Difficult, then I should be able to beat any other configuration, so I didn’t bother repeating anything else on Difficult. I did not notice any significant changes between Medium and Difficult settings. Perhaps the opponents make fewer mistakes or make powerful serves more often on the higher settings, but I could not tell the difference. With my spiking tactic, I could score more often than not regardless of difficulty. I recorded my video of the final set of matches on Medium difficulty, and then played the final matches again on Difficult unrecorded. The ending is the same on either difficulty.

I would have considered the game more difficult overall if not for the fact that the computer controlled Stoklos handled nearly all the defense for me. Actually, my computer partner played very well in general and handled many situations better than I could have. Most of the time he plays close to the net so he can utilize his powerful Kong block. My job was to back him up and try to get to anything hit past him if I could. We worked together well on the offensive side too. He is a good spiker and serves very well. He’s not a perfect partner and makes mistakes that are unavoidable, but in my opinion he is a more consistent player than I am. It’s a pleasant surprise to have a competent computer player for once!

There are not many volleyball games on the NES to compare, but I think they did well with Kings of the Beach. The game sets itself apart somewhat for having a simultaneous four-player mode. It also performs well as a single player game. The computer controlled players are competent both as opponents and partners. The graphics and music are well done, just as you would expect in a Konami game. The game is a tad lengthy and repetitive, but it’s just the nature of the game so it hard to fault Kings of the Beach for that. If you are looking for an NES volleyball game, you won’t do wrong with Kings of the Beach.

#49 – Kings of the Beach

Maybe this game should have been called Skate or Die instead.

They aren’t even shy about this being a Konami game.

To Beat: Reach the Ending
Played: 12/30/16 – 1/2/17
Difficulty: 6/10
My Difficulty: 6/10
Video: Rollergames Longplay

I used to go roller skating often growing up. The local roller rink was the place to be for young kids on a Friday night, and even though I was not particularly good at skating I still enjoyed being there with my friends. It wasn’t until years later that I learned about the contact sport roller derby, and it just so happens there is also an NES game based on the sport. With a library this vast, I guess I should not be so surprised!

The sport of roller derby originated in the 1930s. The game is played with two teams of skaters who skate laps around a banked track. The object of the game is to score points by having a designated member of the team lap opposing players. The sport grew in popularity during the 1940s and 1950s. As interest started to decline, and as television became more prominent, the sport shifted more toward storylines and theatrics and away from pure competition. Since then the sport has shifted back toward its competitive roots. Roller derby has seen a resurgence beginning in the early 2000s, predominately in all-female leagues.

In the middle of all this is Rollergames, a 1989 TV show that went all in on the theatrical approach to roller derby. There were changes made for Rollergames, such as introducing a figure eight shaped track instead of the traditional banked oval track. Rollergames is like the WWE with a heavy focus on rivalries and storylines. The show was quite popular, but despite that it only ran for one season because some of the show’s producers when bankrupt.

Complete with broadcasters!

There are two video games based on Rollergames. The first is an arcade title of the same name developed by Konami in 1990. The gameplay is modeled closely after the TV show. The second name is the NES version of Rollergames, also developed by Konami and published under the Ultra Games label. This version is also influenced by the show, but it plays more as a classic beat-em-up game. It was released in the US in September 1990 and in Europe in October 1991. It was not released in Japan or ported to any other systems.

Rollergames is a side-scrolling beat-em-up game with some platforming elements included. Members of a criminal organization have corrupted three of the Rollergames teams leading to the capture of the league commissioner, and the only people that can save him are the members of the other three good teams. The introductory cutscenes frame the game as a storyline fitting of the TV show. You must complete all six levels to save the commissioner and win the game.

At the start of each level, one of the sideline reporters asks you which team you would like to choose. You can pick either Ice Box of the Thunderbirds, Rolling Thunder of the Hot Flash, and California Kid of the Rockers. Each character plays differently so that you want to choose the team best suited to clear the current level. Ice Box is the slow but powerful character, while Rolling Thunder is the weak, but speedy character. California Kid is naturally the balanced choice.

You can knock down the bad guys quickly.

The controls are very natural. Use the D-Pad to skate in all eight directions. The A button is for jumping and the B button is used to attack. The standard attack is a basic punch, but you can do a jump kick by pressing B during a jump. You also have a special attack that you trigger by pressing both A and B at the same time. Each character has a slightly different special move. Ice Box does a body slam, Rolling Thunder does a spinning jump kick, and California Kid has a double jump kick. The moves are powerful but you are limited to only three per level, so use them wisely.

The levels all play from a side-scrolling perspective, but there are two different types of levels. The normal levels can scroll in all directions and you progress linearly through the level. There are many slopes to navigate and pits to jump across, as well as other enemies and traps that stand in your way. These can be quite tricky to clear while on roller skates! As you go, you will run into groups of enemy skaters and you must beat them all up before moving forward. Three normal levels revolve around each of the bad teams, which are the Bad Attitude, Maniacs, and Violators, and these levels have two sections each. The final level is in this normal style but it has four parts.

The other type of level is an auto-scrolling level. The skater of your choice is always moving forward here and the goal is to survive to the end. These levels follow along a broken highway so there are many gaps to cross. Of course, there are also various obstacles, traps, and enemies to contend with. These levels also feature boss-like encounters, but all you need to focus on is dodging the attacks until they go away, ending the stage.

Roads are always under construction!

At the top of the screen, there is a timer in the middle. This countdown only applies to the normal stages where you have to move ahead on your own pace. At the lower left is a vertical health bar. Your skater can suffer several hits before losing a life, though falling down a pit or landing on spikes results in immediate, swift death. The lower right area shows markers that indicate how many special attacks are remaining for the stage. There is a separate screen at the start of each stage that displays your score, high score, current level, and number of lives remaining. There are no powerups in the game for replenishing any of these elements. However, you can earn an extra life when reaching either 20,000, 50,000, or 80,000 points.

The obvious gimmick to Rollergames is that you play the entire game while on roller skates. As a result, your character controls in a fitting manner. It’s akin to playing a game with nothing but ice levels and ice physics. The skaters are generally slow to accelerate and slow to come to a stop. Often, I found myself making quick turns in a different direction than where I was moving to keep myself from falling. The game has various sections of platforming where you need clear gaps of different sizes. Not only that, but there are falling platforms, moving platforms, and crumbling floors to deal with. It’s a tough combination to work with and there is much trial and error involved to learn the right moves.

Slopes and tiny jumps on roller skates don’t mix.

The game balances this difficulty out in several ways. The levels tend to be reasonably short with checkpoints after every sublevel. The hand-to-hand combat is simple and the enemies themselves don’t pose much of a threat. Lastly, there are infinite continues in the game, so you can keep banging away at each level until you clear it. You always start at the beginning of each sublevel if you die, so once you reach the checkpoint you don’t have to play past sections again.

Seeing as it’s a Konami game in the middle of the NES lifespan, Rollergames is a quality title. Not only do the controls make sense, but the game has good graphics and some excellent music. It’s the soundtrack that really stands out overall. In my mind, it has a similar sound to TMNT II and III. Maybe that is because both games are beat-em-ups, but regardless it sounds good and it suits the game well.

I first played Rollergames last year for the NintendoAge weekly contest. Unfortunately, I did not have much time to play that week and I only reached Stage 2. That was barely any experience so this was the first time I seriously played Rollergames. This was one of those filler titles that I acquired in a random NES game lot that I purchased back in my collecting heyday. When it showed up on the list, I knew that Rollergames was a pretty good game that is easily overlooked, so I was happy to play through it.

This part is particularly devilish.

I beat Rollergames over two days and those two days just happened to fall on either side of New Years, making this the first game I have played for the project over two separate years. On the first attempt, I reached Stage 5-1 and this is where I got stuck. The first part of level isn’t all that bad, but the section right before the checkpoint is pretty nasty. You have to cross along the edge of a cliff where the ground periodically crumbles away in front of you. It forces you to move slowly to reveal the hidden gaps, and then you must back up enough to get the momentum to leap to the other side. But you must be careful not to go too far past the hole or you will fall into the next one. It wouldn’t be so bad if the controls weren’t slippery, but here it’s a pretty evil little section under the game’s ground rules. After several attempts at Stage 5-1 I turned the game off for the night.

The next time I sat down to play, I performed decently up to 5-1. After many new attempts, I reached 5-2 and from there I pushed my way through to the very end. I recorded my playthrough on video, but it was the ugliest playthrough I have recorded so far. There are several sections that must be practiced, and without any of that experience I died a bunch of times until I made it through. There are enough problem spots that I would have to beat the game a few times just to record a decent run. However, a game finish doesn’t have to be pretty to count, so I’ll accept this one and move on!

Rollergames is a fun game that I enjoyed playing. It’s got that Konami standard level of polish to it with solid controls, good gameplay, nice graphics, and catchy music. The one problem with the game is that there’s a significant amount of platforming that doesn’t properly fit the game’s slippery physics. It makes this game less accessible than other NES games of similar style right off the bat. If you can get by the initial hurdles, I think you would enjoy playing the game. It’s also an inexpensive cart for the collector or player insisting on the original cart. It’s too bad that it is overlooked because I think it deserves more recognition than it receives.

#45 – Rollergames

Go ahead … give it a spin!

Yay starfield!

To Beat: Reach the ending
To Complete: Complete 2 Loops (maybe 3?)
My Goal: Beat 2 loops
What I Did: Reached about halfway through Loop 2
Played: 10/16/16 – 10/17/16
Difficulty: 7/10
My Difficulty: 4/10
Video: Gyruss Longplay

One way I have seen people try and describe a game is by forming it in terms of one or more other games that have shared elements. For instance, the term Metroidvania is widely used to describe a game that contains elements of both Metroid and Castlevania. Even though these comparisons may not always be the best, I think I can sum up Gyruss in this way. A cross between Galaga and Tempest, Gyruss is a fun shoot-em-up that is unlike anything else on the NES.

Gyruss originally is a 1983 arcade game developed by Konami. It was designed by Yoshiki Okamoto. He worked on only two games for Konami, Gyruss and Time Pilot. The arcade version was also published by Konami in Japan and Centuri in the US. Gyruss was later ported to five other home platforms by Parker Brothers. The NES version is not an arcade port, but a complete remake of the game by Konami. It was first released in Japan on the Famicom Disk System in November 1988 and in North America on the NES in February 1989, published by Ultra Games.

This is probably a good time to explain the relationship between Konami and Ultra Games. Nintendo decided to implement strict licensing agreements with companies that wanted to release games on the NES, and one of their policies was that companies were allowed to produce no more than five titles on the system per year. These policies were not in effect on the Famicom and some companies such as Konami were releasing many more titles. To get around the restriction, Konami created a separate publishing label named Ultra Games that received its own allotment of five games per year. So when you see Ultra Games on a cart you know the game is really developed and published by Konami. Nintendo certainly did a lot of hand waving here to let Konami release extra games, but I won’t complain since for the most part it works to our benefit!

Quite the generic story!

As I mentioned earlier, Gyruss borrows elements from both Galaga and Tempest. The game play is similar to Galaga in that each level has a few waves of enemies that enter in and all of them must be eliminated to proceed to the next stage. However the style is a tunnel shooter very reminiscent of the arcade hit Tempest. Your spaceship can orbit in a fixed circular path around the screen and enemies sit in the center of the screen moving outward toward your ship.

To beat the game, you must clear all 39 levels. You do this by planet hopping every four levels starting from Neptune going all the way to Mercury, and finally finishing off at the Sun. You can logically break down the level structure in groups of four. The game begins as you approach Neptune with the text “3 Warps to Neptune.” This level is the basic level type where four waves of enemies fly into the stage and you must defeat all of the enemies to warp to the next level. The second level “2 Warps to Neptune” has the same four enemy waves but with four enemy bases stationed in the middle of the screen. These take a lot of firepower to destroy so this type of level takes a little longer. The third level is “1 Warp to Neptune” which mirrors the first stage and includes a boss battle at the end. After reaching Neptune, the fourth level is a Chance Stage which plays out just like the Challenging Stages in Galaga. Here you get different enemy formations than the previous levels but the enemies cannot hurt you and your only goal is to defeat as many of them as you can for a point bonus at the end of the stage. This set of four stages repeats with the approach to each planet. There is no Chance Stage after the final boss so that sets the level count at 39.

When you begin the game you have the option of selecting either Control A or Control B. These determine how your control the movement of your ship. Control A boils down to pushing the D-pad in the direction you want to move regardless of where you are on the screen. So if you want to move to the left, you press left and you will travel the shortest path to the left side of the screen. If you keeping holding left you eventually will lock your ship in the farthest left position which can be handy at times. You can use up, down, left, and right to move to whichever side of the screen you want. Control B only utilizes left and right on the D-pad. Press left to move clockwise and press right to move counter-clockwise. Up and down do not do anything in this control mode. I have always used Control A and in my opinion I find it way more intuitive and useful than Control B. I think the only benefit to Control B is that you get continuous movement all around the screen by only having to hold down one direction on the D-pad.

Knowing where the enemies spawn helps you clear stages quickly.

You have two different types of attacks in Gyruss. The standard unlimited bullets are fired with the B button. You have a limited-use phaser attack by pressing A button. The phaser is a concentrated blast of fire at one position on the screen that plows through just about anything in its path. When you fire a phaser the screen pauses briefly for you to charge up and fire off the shot which is a nice touch to demonstrate the power of this attack.

There are a few powerups to help along the way. During the standard levels, a formation of three enemies in a row will appear on screen. The two outer enemies are cross shaped and the middle one is generally a powerup. The blue cross item upgrades your standard shot to a double shot. The orange cross item adds an extra phaser shot to your reserves. There is a round item with an orange center that gives you points. The round item with a blue center automatically destroys all enemies on screen aside from the enemy bases in the “2 Warps” levels. There is also a 1-up item that gives you an extra life. You also earn an extra life at 50,000 points and for every 100,000 points after that. You can have a maximum of seven lives and seven phaser shots in reserve.

The Chance Stages all have five formations of eight enemies for forty enemies in total. A few of the enemies in these formations will be a different color than the rest. These enemies bestow a powerup when destroyed so these bonus levels are good for upgrading if you get lucky enough with the item drops. You also get 100 points at the end of the level for each enemy you destroy. If you get all 40 enemies you get a 20,000 point bonus instead. Performing well at these stages goes a long way toward earning lives at a fast enough pace to keep going in the game.

That hairy blob enemy is really annoying.

The approach to each planet typically contains a unique enemy type or two in addition to the standard set of enemies across all levels. As an example, the approach to Neptune has indestructible asteroids that fly in a straight path at you. These special enemies can complicate clearing levels because they also must be dealt with before you can finish the stage. Several of them are shielded or have complicated movements, and that means they tend to linger around for awhile until you can defeat them. Others you simply have to wait out until they go away. You will have to learn what to do for each enemy to make progress in the game.

As mentioned previously Gyruss has a boss battle before warping to each planet. About half of these bosses are the same type consisting of a core surrounded by pods. These pods open up to shoot at you and that’s the only time they are vulnerable. The boss is defeated when all of the pods are destroyed. The remaining bosses are unique from one another and they are the ones I enjoy fighting the most.

Gyruss is a pretty difficult game on its own merits, but it is made more challenging due to the lack of continues. If you run out of lives you have to start over at Level 1. It is also frustrating that the stock of lives has a hard cap at seven. Granted, if you are maxed out on lives you are likely playing well enough to make a deep run, but it would be nice to have a larger buffer. I have had runs come crashing to a halt even with a full complement of lives. Gyruss has a lot of stages but they typically go fast so it isn’t that costly timewise to put in several attempts in a row to try and get the hang of it. I thought about going higher with the difficulty assessment, but perhaps fittingly I decided to give it a 7/10.

This boss has waving arms that are difficult to avoid.

Gyruss is one of the games I had in my childhood collection and I had played it enough to beat it many years ago. I had also beaten the game a few months earlier as part of the NintendoAge contest. Combining both of those experiences left Gyruss relatively fresh in my mind.

My first run of the game was one of those where I lost all of my lives in one spot. The boss at Jupiter I find to be very troublesome. Sometimes I can defeat him pretty quickly, and other times I simply can’t do anything to him and burn through all my lives. This time he wiped me out completely. Starting over, I managed to beat that boss and the entire rest of the game without much trouble.

Gyruss starts over after the final boss with increased difficulty. The enemies shoot more often and some of them move more quickly. The real problem for me is that one of the recurring boss attacks becomes significantly more deadly. I wanted to clear the second loop but I was not successful. I understand that some of the Konami games that loop like this actually have three distinct difficulties, and considering that Gyruss is basically a Konami game it figures that it could follow that pattern. Unfortunately I have not found any evidence of how many difficulty loops are in Gyruss, and I was not able to clear the second loop to find out for myself. I believe that completing all the levels once and getting the ending is sufficient for completion.

Hello, recurring boss of death!

I had recorded my winning run on video, but when I went back to watch it later I found out that the recording had a glitch in it near the beginning. It bothered me enough that I played through the whole game again to get a better capture. This time it worked and I managed to set a personal best in progression on that second loop. I was doing great until I had a complete meltdown on one of the bosses. It’s so bad that it almost looks like I was trying to fail out on purpose! I might end up going back to beat both loops one day just for my own personal benefit, but for now I’m satisfied.

Gyruss has a secret bonus! During the Chance Stage, if you manage to defeat the same number of enemies as the current level, you are awarded with 30,000 points. For instance, the first Change Stage is Level 4, so if you destroy 4/40 enemies then you get the bonus. This is more lucrative than the point bonus for shooting all of the enemies, and in some cases it is easier to pull off too. In my run I tried for the bonus every time as well as trying to hit as many of the powerup-giving enemies as I could. I only missed the bonus one time during the first loop. I abandoned that strategy during the second loop because I was more interested in the powerups.

I think Gyruss is a really fun game to play. I have always enjoyed Galaga so I already like the play style, but with the gameplay perspective, additional enemy types, powerups, and bosses, it makes it a more complete experience with significantly more depth. The graphics are very nice and the music is catchy as well. The game performs well with only the occasional slowdown, and when it does go slow it’s actually welcome. Finally, Gyruss is still a cheap cart to buy if you’re into cart collecting. If anything about the game sounds the least bit appealing to you, I think that Gyruss would be worth your time.

#34 – Gyruss

I feel the need … the need for speeding this game back to my shelf!

It’s nice to have a white title screen for once!

To Beat: Finish all 4 missions to get the ending
To Complete: Beat the 2nd loop
My Goal: Beat the game
What I Did: Beat the game and a small part of the 2nd loop
Played: 3/5/16 – 3/16/16
Difficulty: 9/10
My Difficulty: 9/10

Please forgive me if I screwed up this blog post already with that initial reference. I haven’t actually seen the movie. Now before you leave in disgust, at least stick around to hear about the NES game. But first, and bear with me, let’s discuss the movie.

Top Gun was released in theaters in May 1986. The movie tells the story of Pete “Maverick” Mitchell, a US Naval Aviator attending the Top Gun school in order to follow in the footsteps of his father who was killed. Maverick is a reckless and aggressive pilot and his techniques eventually lead to the death of his wingman during a training exercise. Despite his struggles with the incident he eventually graduates only to be thrust into an emergency situation right away. Maverick and the team are able to overcome the conflict and make a triumphant return in the end. I hope I summarized that well enough. The movie had mixed reviews by critics, but it was a box office smash. It was the highest grossing film of 1986 with over $350 million earned worldwide. It would spawn several video games including two on the NES. There is also a movie sequel in the works as of this writing.

Top Gun on NES was developed and published by Konami. It was released in the US in November 1987, in Japan in December 1987, and in Europe in November of 1988. It is the first of several flight simulation games on the NES. In Top Gun, you play as Maverick on a top secret assignment spread out over four in-game missions. The game plays from the cockpit view of an F-14. There is a lot of information available here such as your altitude, speed, missile count, missile type, radar, damage indicator, fuel gauge, and plane orientation as shown from behind. Then in the windshield there is a targeting reticule that shows where your cannons shoot as well as the targeting area for launching a guided missile. Enemies will fly in from behind or come right at you and you can use the unlimited shots of your cannon by pressing A to take them out, or you can use homing missiles with the B button. When an enemy is within your targeting area, hit B once to lock on and hit it again to launch a missile.

Line up your shot and take them down!

At the start of each mission you get to choose from one of three different missile types: 40 T-11 Hound missiles, 20 T-22 Wolf missiles, and 10 T-33 Tiger missiles. It’s the typical quantity for damage tradeoff as the T-11’s are weak, T-22’s are average, and T-33’s are strong. You can choose the missiles you deem suitable for the mission at hand.

Now there is more to it than just taking down enemy fighters. At the end of each mission, you must land your plane on the aircraft carrier. The game switches to landing mode and you can control your speed as well as the angle of your aircraft. The radar screen shows the current orientation of your plane as well as giving you recommendations such as “Speed Up!” or “Left! Left!” The idea is to get your plane as close to 200 altitude and 288 speed as you can when you reach the carrier. The game provides a moderate range of acceptable values that will allow you to land successfully so you don’t need to be exact. Too far off from those measurements will cause a crash that is shown in the landing cutscene and it will cost you a life, but if you are successful you get to watch yourself make a graceful landing.

The second, third, and final missions are long enough that you won’t be able to make it all the way through on a full tank of fuel, so in the middle of the mission you’ll hear an alarm indicating low fuel. When that happens, you press Start to call in a refueling tanker. When everything is clear, your jet automatically flies upward, the radar zooms in, and you see the tanker come into view dropping its refueling boom in front of you. There is an ‘X’ on the hood of your jet as shown on the radar screen and you must align your fighter properly to latch on and refuel your plane. This reloads all of your missiles too. This plays out very similar to the landing sequence although this time there’s no numerical range to aim for. It’s more visual and it requires more of a feel for it, but it is similar to getting a feel for landing. If you are unable to refuel the game will resume, however with not enough fuel to survive you will soon crash and lose a life. In a way it’s worse to miss refueling because you have to wait out the inevitable death.

Everybody, get down!

The missions all play out typically the same way. You are approached by a number of enemy formations from the air, sea, or land. You can take them out with your weapons or you can dodge their attacks and keep moving forward. Many enemies are passive and are just there for points. Other fighters will attack with cannons that deal damage to your aircraft and some other fighters launch guided missiles of their own. They seek out your plane and they are fatal. One hit and you are a goner no matter how much damage your jet has suffered. You can maneuver your way around them or if you are really bold you can shoot them down with your cannon. It is practically essential to learn how to destroy enemy missiles to survive this game all the way to the end.

The first mission is a training mission that takes place above the clouds. No refueling is necessary and there are no ground targets so it is a good introduction. The second mission takes place over the ocean so there are boats and battleships to deal with below. The third mission is similar except it is over the desert and there are enemy jeeps and tanks to fight on the ground. The air attack gets more difficult here as well. The fourth mission is a nighttime mission and the difficulty is cranked up to the max. Expect a lot of evasive maneuvers and guided missiles.

Occasionally during the mission an enemy fighter will lock on to you from behind. When this occurs an alarm sounds and you see the enemy’s location in your radar screen. You must shake them off of you by moving from side to side. It takes a more rhythmic rocking back and forth to get them off. At the same time you can still be attacked from ahead so it can get a little frantic sometimes. If you can’t get them off they will shoot you down so getting rid of the rear enemy is always the priority.

Shake it off, shake it off!

Aside from the first mission, there is a target that you are required to take out as part of the mission. It’s a fancy way of saying there is a boss battle at the end. The target is stationary but it has a health meter that appears on screen and it take a lot of damage before being blown to bits. During the fight you are being attacked constantly by enemy fighters while enemies at the target are firing at you as well. Take out the target and your mission is successful after you land the plane of course.

This was my first time playing Top Gun. I don’t care much for flight simulators so it’s not a game that I would normally play. In fact I know I moved several games like this all the way to the bottom of my list for the blog. I only kept it on the normal part of my list since it is developed by Konami and they typically make great games.

Top Gun is a cheap, common game but it took me a really long time to acquire a copy for my collection. If memory serves I had over 500 unique NES carts before I owned Top Gun. I have owned the sequel Top Gun: The Second Mission since childhood and I had multiple copies of that game before I owned the original. It’s just one of those strange, loopy coincidences. Of course, as soon as I finally got one then they started pouring in from all the eBay lots I was purchasing at that time. I was up to six copies before I sold them all off.

You need this fuel and they will leave you behind if you mess up.

Top Gun is a really hard game. My biggest struggle with the game was dealing with enemy guided missiles. At first, I was always getting hit by them while banking away as far as I could away from it. I eventually learned that I could dodge them by flying away from them either left or right while rocking up and down. It’s harder to hit a more randomly moving target. That strategy failed whenever an enemy straight ahead decided to fire a missile at me. Then I realized I could shoot them down but it took some serious practice to get the hang of it. If you miss then that pretty much spells the end of your fighter and your life. It gets worse. Starting in Mission 2 some enemies fire three guided missiles at once. This frustrated me so much! I did develop a strategy. The set of three missiles always come in the same formation: one high, one low, and one middle-right. I would destroy the top missile, then fly high and left to completely skip the bottom missile and do the up and down wiggle to dodge the right one. If the enemy is just a little bit to the left to start with, then I would have to destroy the top two missiles and dodge the bottom one. The bottom missile was almost never a factor, although one time I managed to destroy all three in a crazy moment of panic.

The real reason this game is so difficult is that you only have three lives to work with for the entire game. There are no extra lives and there are no continues. Not only do you have to contend with so many homing missiles and all the enemy fire, but you also need to learn how to refuel your plane as well as land your jet consistently. Every mistake is magnified. The only saving grace is that the game is relatively short. The missions tend to drone on for quite awhile because the pacing is slow, but the entire game can be beaten in under 30 minutes.

I saw this so many times!

After much frustration and a bunch of attempts I finally managed to beat Top Gun. I wasn’t keeping track of how many tries it took before I won but I am estimating 15-20 attempts. The second mission is a large bump up in difficulty and that is where I cut my teeth on everything the game has to offer. I found the third mission easier than the one before, but the final mission was quite the challenge. The third time I made it to Mission 4 I was completely in the zone and I made it through to the boss with two lives remaining. I lost them both. I was really upset at that loss. By that point I was getting good enough to get to the final mission nearly every run. My real vice in all of this was the second mission. No matter what I did I always lost at least one life there. I said to myself that once I cleared Mission 2 without failure, then that would be my winning run. Wouldn’t you know it, I was right! I no-deathed the game up to Mission 4 only to lose two lives in the first half of the mission. I kept my cool, beat the final boss, and landed the plane without any problems. I’m sure I would have lost my mind if I failed to land the plane at the very end of Top Gun!

Since beating Top Gun I have learned a few additional things about it. The game loops once you beat the game and in my brief experience with it after winning it is indeed harder than the first run. I encountered more guided missiles than the first loop. However, according to the NES Game Endings FAQ there is no different ending upon beating the game again so I am not going to bother with it.

Blowing up enemy fighters feels pretty nice, I have to admit!

Another tip is that you can cheese your way through the game by flying up and right the entire time. Doing this will avoid all enemies and missiles so you will only have to deal with the refueling sequences, landing sequences, and the targets at the end of the mission. I didn’t try it so I don’t know for certain. Even if I knew about it before hand, I wouldn’t bother beating the game that way. I suffered through it the right way!

There is another ending of sorts to Top Gun that is quite a bit better and easier to achieve than the actual ending after Mission 4. If you are able to best the high score of 50,000 points, you are awarded the designation of Top Gun indicated by a screen that acts like a certificate of achievement. It’s pretty neat. I’ll include a capture of the screen from my best score during my winning run so you can see what it looks like!

From a technical standpoint, Top Gun is a well made game. It looks nice graphically and it controls and plays well, especially considering that it is one of the earlier NES game made. There is a variety of activities in the game to mix things up a bit. Overall, I don’t really care for it. The difficulty is a big turn off here, and the game eventually get monotonous after playing it over and over again. The first mission amounts to a forced five minute tutorial which is great for just starting out but it doesn’t take long for it to be so dull. This is not really my type of game anyway. Still, I consider beating Top Gun to be quite the achievement. I feel it’s the hardest game I’ve conquered so far. I hope it has prepared me well for playing the sequel whenever it comes up!

#19 – Top Gun

#19 – Top Gun (High Score Screen)

Whipping your way through a horror movie is certainly no picnic!

The film strip is such a nice touch!

To Beat: Reach the end credits
To Complete: Beat both loops
My Goal: Beat the game without continuing and see how far I can get in the second quest
What I Did: Beat the game with continues and made it halfway through the second quest
Played: 1/2/16 – 1/3/16
Difficulty: 8/10
My Difficulty: 6/10

Castlevania is yet another classic game series that got its start on NES, though technically I should say it really made its debut on Famicom under the title Akumajou Dracula. It was released in Japan in 1986 on the Famicom Disk System and the game made it on a NES cartridge for US release in 1987. It is the 4th NES release from Konami following Gradius, Rush ‘N Attack, and Track & Field.

I couldn’t really track down much history on the development of the game or the series, although some information can be gleaned based on a sort of companion release to Castlevania just a month after its Famicom debut. Bearing the same title Akumajou Dracula, a different take on this game was released on the MSX2 computer in Japan and it was also released in Europe renamed as Vampire Killer. Castlevania is a very linear game and Vampire Killer took a more open-ended approach. In Vampire Killer, the player must find keys to progress to the later levels which I believe are hidden in alternate paths in the levels. Castlevania II: Simon’s Quest refined upon the open-ended concept that Vampire Killer started. The series as a whole after that had more or less two separate phases. Beginning with Castlevania III, the games were mostly linear stage-based affairs, and then Castlevania: Symphony of the Night in 1997 for Playstation firmly pointed the series into the open-ended platformer style again. It’s really interesting that the series started off not really knowing which way to go before ultimately going both ways over a long period of time.

The one thing nearly all the games have in common is candle desecration.

Castlevania on NES is a stage-based platformer game. You play Simon Belmont traveling through the different areas of Dracula’s Castle as he fights his way toward a battle with Count Dracula himself. He is armed with his trusty whip that can be upgraded twice along the way. He also acquires subweapons through item-bearing candles or as an occasional enemy drop. The subweapons available to Simon are the dagger, axe, cross, holy water, and stopwatch. Subweapons have limited ammo and this is represented by hearts that can be picked up along the way. Simon can only equip one subweapon at a time –- grabbing a second one causes him to lose the one held previously — and having the right subweapon in his inventory at the right time can really sway the difficulty of the game. The game has 18 levels in total and they are broken up nicely into six areas of three levels each. Each level serves as a checkpoint and each area ends with a boss encounter. Dying puts Simon at the start of the level, but if all lives are lost Simon can use a continue though he has to start back at the beginning of the area. Fortunately there are unlimited continues and it’s a good thing because this game is quite difficult. The game is not all that long so the difficulty is ramped up to make up for it. So typical of NES!

Holy water is great, but triple holy water is best!

Similar to the Mega Man series, the Castlevania games have been a fixture of my NES collection for as long as I can remember. I was fortunate to have acquired most of the major NES game series very early on before NES collecting got crazy popular and expensive. Even though I have owned all three NES Castlevania titles for a long time, the first one is the one that I have played the most over the years. It’s been awhile since I have played it but I more or less remember the game well enough that I figured I could make it through without too much trouble.

Now having said that, Castlevania beat me up way more than I expected going in. I’m not sure if I have ever done this before, but I thought after a try or two I should be able to 1CC the game. In two different attempts I knew I had virtually no chance without a lot of extra practice. The first night I played I had to continue in Level 6, and I stalled out in Level 15 and decided to drop it and come back fresh later. I got as far as the Grim Reaper fight but I wasn’t able to get past it. It may be a little unfair, but a good strategy is to spam holy water right on top of where Grim Reaper first spawns so that he never has a chance to attack if you have enough holy water. Otherwise, the fight to me is the hardest in the game. For the life of me, I couldn’t get there with holy water. I would either lose it to another weapon drop or die before I could get to the boss. My best chance came with about 3/4 health and double crosses. In a straight fight, the crosses are very useful for taking out the sickles that float around the screen, but even then it is so hard to move consistently in a way to avoid everything while still damaging the boss. I believe I took out half his health bar on that shot and I never got particularly close in this session otherwise.

This fight is just flying pain everywhere.

The next night of playing was when I was able to beat the game. I ran out of lives and had to continue in Level 9, but this time I got holy water all the way to the Grim Reaper and beat him with the stun lock strategy. It’s shameful, yes, but it’s not against the rules! It took me a few attempts to get to Dracula, and then I completely forgot the strategy for beating him once I got that far. I did end up figuring it out again and beat the game. Even that wasn’t without some fault as I failed to capture a proper picture of the ending screen. After the credits roll and you see the message “Thank You For Playing,” the game drops you off right back at the beginning pretty quickly with no way of stopping or delaying it. I figured this had to happen at some point, but in this case I snapped a picture of the victory stance at the end of the Dracula fight so that is proof enough to me that I did indeed beat the game. I messed that up too because I forgot my name tag in the picture. It’s been rough going for me lately! 🙂

Mmmm wall meat, my favorite!

Now not many people realize this, but Castlevania has a sort of a second quest or hard mode that amps up the difficulty even further. The only way to get to it is to beat the game and keep on playing afterwards. The level layouts are unchanged, but enemies do more damage and there are generally more enemies thrown at you. I noticed in the first area that the zombies appear more often, and there are sections of the game that spawn infinite medusa heads that do not appear in the same locations the first time through. Furthermore I don’t think anything special happens when the game is beaten the second time. I still think a complete run of the game would include beating both quests. I am sure I could have beaten it if I had enough time to play, but since I have never done it before I decided instead to see just how far I could make it. I played until midnight which on that night gave me about 40 minutes or so to play the hard mode. I got to Level 29, or about halfway through the 4th area before I stopped. I only got through Level 28 one time though. The enemy spawns were tweaked and I kept getting knocked into the water by a specific enemy and I only made it through that part once somehow.

So you may have already picked up on this, and I kind of alluded to it above, but this is the first game for my project where I failed to meet the goal I set for myself. I guess this is a good of a time as any to clarify my intentions on my project. Ultimately, my goal is to beat as many NES games as I can, so the “to beat” criteria at the top of each post is the absolute minimum to consider the game done. However, I want to get the most out of these games and so I will try to meet the “to complete” criteria where it makes sense. This is very much on a game-by-game basis, but this will generally include getting the proper ending or best ending, winning on the highest difficulty level, and playing every level and mode in the game as is reasonable. The real end though is to beat the game – the rest of it is icing on the cake.

Castlevania whipped me more than I expected *groan*.

For Castlevania, I decided that beating the game once is good enough. Hard mode has no apparent different ending and there is no way to reach it other than beating the game first, so I would have to start from scratch every time just to maybe make some progress if I am struggling. This is where I decided to draw the line for this game. If there was a hard mode code or a unique ending, I would have worked through it. I don’t intend to be lazy here, but I am working with a limited time budget and I have hundreds of games left to play, so I think this is a good way to go about things. Trimming just a little bit for the sake of overall forward progress is something I will value here and in the life of this blog.

Update 5/27/16: I had a discussion with NES master Tom Votava and he told me that Castlevania actually has three distinct difficulty loops instead of just two. He said most Konami games that let you restart upon completion loop three times before the difficulty stop increasing, and Castlevania is one of those games. It’s hard enough just beating it once, but three times through is something I could accomplish with enough practice.

Castlevania is a great game and worthy of its status as an NES classic. It has that “Nintendo hard” difficulty, great atmosphere, a nice assortment of weapons and enemies, great boss battles, and just the right amount of length. It’s a quality game particularly for an early title in the NES catalog. It’s not a perfect game, but it has a lot going for it and I’m glad I played through it again and at least started to play the game a little bit differently than I have ever done before.

#8 – Castlevania

One of the most popular games on the NES is regarded that way because it is still one of the best games around.

Musical accompaniment by the sounds of controller mashing for the Konami Code.

To Beat: Reach the ending
My Goal: Loop the game twice
What I Did: Reached Loop 3, Stage 7
Played: 11/24/15
Difficulty: 7/10
My Difficulty: 2/10

Konami was responsible for many of the best NES games made and Contra may very well be the cream of that crop. It is based on the arcade game of the same name that released in 1987 but the NES version of Contra is widely regarded as the better version at a time when arcade machines were at the bleeding edge of video game technology. I played through the arcade Contra earlier this year and I can personally attest that the NES version is much more fun to play. The main difference is in the physics and in particular the jumping. The jumps in the arcade have more float to them than the NES port and it is more difficult to dodge anything oncoming since the hangtime is longer. If I remember right the NES port has a bit more content as well.

One of the most famous things about Contra is the Konami Code. It did not make its first appearance in Contra but it is almost certainly used most often in this game to get started with 30 lives. This is nearly essential for the new player because with bullets flying all over and one hit kills it means death is all too common. The Konami Code definitely helped me when I was younger. I haven’t used the code in years in single player because I don’t really need it but it would have been a lot harder to get good at the game without using it early on.

Contra has 8 missions in total: Jungle, Base 1, Waterfall, Base 2, Snowfield, Energy Zone, Hangar, and Alien’s Lair. I recited that from memory! I would say that most players could get enough practice quickly to make it up to the Waterfall level, which is where the game bumps up in difficulty mostly because the screen only scrolls up and falling back down gets you killed. That happens a lot.

There is nothing more “video game” than shooting at walls

The base levels are played with a behind-the-shoulder perspective instead of the side view in all the other levels. It can be a bit tricky to dodge attacks from that perspective but fortunately the levels are short enough that it’s not too bad. Well, the first base is short. The second base feels at least twice as long as the first!

The latter half of the game features some sort of gimmick in each level. The snowfield mission’s background chucks these weird baton-shaped grenades all over the place. The Energy Zone has plumes of fire that blast out of the background pipes conveniently timed to when you are in the way. The Hangar has spikes that drop down and spike walls that pop up. Finally the Alien’s Lair features a fight against a huge alien head right off that bat. That one is especially intimidating and awesome the first time you see it.

This isn’t even the final boss!

Contra also has a pretty nice set of special weapons that usually fly in on these little pods. There’s a machine gun, a spinning fire shot, a laser, and a spread shot. There is also a bullet speed upgrade, temporary invincibility, and a smart bomb that kills all enemies on-screen. Surprisingly to me there is debate about which weapon is the best and frankly I don’t get that at all. Spread shot is my weapon of choice and the others don’t come close.

I have played this game dozens of times over the years and I expected it to be a cakewalk this time, and I was sorely mistaken. For the first 15-20 minutes I played downright awful by my standards. I got Game Over in the Waterfall stage TWICE! It was some kind of rust I had to shake off and I hope this is not a trend going forward. I simply don’t accept using continues on a game I am so familiar with so I chose to start all over. The third time was indeed the charm and I cruised through the game after that.

Just one of the huge memorable boss fights

When you beat the game and go through the credits the game starts over with your lives and score intact (maybe your weapon too but I don’t recall what happened to me on that) and a corresponding bump in difficulty. I had not played through the game more than once at a time until this run. As I understand it it takes a few loops before the difficulty becomes evident. For me the second time through wasn’t that much different than the first, and the third time through I only noticed it getting harder a few times. I think the game pushes out more enemies each time through and the bosses require more damage. I noticed it for sure at the end of my run at the end of the Hangar level in the third loop. I got pinned between a turret gunner and enemies constantly spawning from behind and I wasn’t able to take advantage of a brief window in between attacks to finish off the gunner.

This is what we missed out on in the US

Contra was also released on the Famicom about the same time it was released on NES. The Famicom version is even better than the NES version if you can believe that. It has extra cutscenes between levels and some other visual effects not present in the NES version. The difference has to do with a custom chip on the Famicom cart not present on the NES cart that allowed for the extra content. I have yet to play it but I hope to own a cart of my own someday for the best possible experience.

Lastly, Contra was released in PAL regions in late 1990 but this is the weakest of the releases in my opinion. It was renamed as Probotector and the human sprites were replaced with robot sprites. The game is still the same fun but with different visuals. I guess it does make more sense for defeated robot enemies to explode instead of human enemies.

Update 5/27/16: Contra has a reputation as a difficult game, and while the game is challenging I don’t think it’s nearly as hard as the general perception says it is. With limited lives and limited continues, it does take some practice to learn how to deal with the enemy spawns and bosses. I believe many people, myself included, made themselves better at Contra by using the Konami Code to have enough lives to beat the game. It’s a good method of practice and after a few runs through it that way, I imagine many players are equipped to take on the game with the normal allotment of lives.

It’s really no secret why Contra is just as fun today as it was back in the NES heyday. It has a good amount of challenge, impressive visuals and effects, fun powerful weapons, and awesome boss battles. It’s also really fun in 2-player mode that I completely failed to mention until now. I had a blast going through the game again just like always.

I like this shot better than the end of the credit roll.

#2 – Contra