Get a lode of this classic game!

To Beat: Finish all 50 levels
Played: 6/19/20 – 6/22/20
Difficulty: 4/10
My Difficulty: 4/10
My Video: Lode Runner Longplay

I am sure I have written this time and time again, but one of the best parts of this project is getting to play classic games that I have either overlooked or not made time for.  Lode Runner seems like the type of game that I would enjoy, but for whatever reason I did not play it seriously until now.  Actually I am not sure I played it even casually for any length of time.  Thankfully the wrongs of yesterday can be righted now, even as Lode Runner has mostly become a thing of the past.

Lode Runner was first developed by Doug Smith in 1982 while he was a student at the University of Washington.  There he was working a computer lab job that gave him a lot of free time during the summer semester to begin work on the game.  He pitched a basic version of the game to Broderbund who rejected it.  He borrowed money to buy a color monitor and joystick, further refining the game before submitting it to four companies.  All four gave him an offer and he accepted the one from Broderbund.  Lode Runner became a huge success for both Doug Smith and Broderbund.

One of the reasons Lode Runner was so successful was because it was widely ported, sometimes finding big audiences.  The original game ran on the Apple II, Atari 8-bit computers, the VIC-20, the Commodore 64, and IBM PCs, containing 150 levels and a level editor.  The biggest hit was the Famicom version which was one of the first third party titles for the Famicom in July 1984.  The game sold well over a million copies there.  It was so big that Championship Lode Runner was released on Famicom only in April 1985, which contained 50 new levels of much higher difficulty than the original.  The NES version released in September 1987 in North America only.  The NES ports were developed by Hudson Soft in all regions, published by Hudson Soft in Japan, and published by Broderbund in North America.

Despite amounting to a fairly simple game, it has some surprisingly deep lore from reading the manual.  You play as a “Galactic Commando” within enemy lines.  The Bungeling Empire is at it again, this time by stealing piles of gold from the people via … fast food taxes?  That’s right!  In the game you will go into each of the treasury rooms, slip past the guards, collect all the gold, and get out.  There are 50 stages to clear in order to beat this game.

Lode Runner is a side-scrolling action puzzle game with a simple concept and controls.  Each level is two-screens wide that scroll freely as you explore the stage.  You move around the levels with the D-pad.  You can walk Left and Right, and you may fall down gaps or off ledges without damage.  There are ladders you can climb with Up and Down, and horizontal ropes you can scuttle across with Left and Right.  In this game you cannot jump, but you can escape the enemies by digging holes.  The B button digs a hole to the left of you into the floor, and the A button does the same but to the right.  Holes will eventually refill themselves after a short time, in part to keep you from trapping yourself if you dig holes on both sides.  Press Start to pause the game.

It’s worth noting that there is a very powerful feature available to you from the start.  Pressing Select at any time, either during play or before the level starts, brings up Stage Select.  Press A and B to toggle through the stages 1 through 50, then press Start to resume.  On the stage select screen, if you hold down Select, you can press A to speed up the game or press B to slow down the game.  There is no indication when you adjust the speed, so it is hard to tell what effect it may have until you start playing.  When I messed with this feature after I beat the game, I ended up slowing the game down to an unplayable speed.

Managing the enemies is a major requirement for beating this game.  There is only one enemy type in the game, but several can appear in each stage.  They move around the stage in the same way as you move as they try and surround you.  When you get cornered, dig a hole and the enemies will get themselves trapped inside.  They get stuck inside for a little bit, and you can walk on top of their heads to pass to safety.  It takes a little time to actually dig out the entire hole, which may give the enemy time to walk across if they are too close.  Also, the enemies wiggle themselves out of the hole quicker than the hole refills.  If the timing is right, you can get the hole to close up on the enemy entirely, in which case the enemy is defeated and another one respawns in the level somewhere else.

The object of the game is to collect the gold piles that are strewn throughout the level.  Simply move over it to pick it up.  Sometimes you will have to fall through gold from above to collect it.  When you collect all the gold in the stage, a sound will chime and a ladder will appear somewhere in the stage.  Now you can climb up and out of the stage.  Something to keep in mind is that the enemies can also pick up gold and hold on to it.  If you pick up everything and there’s no ladder, you’ll have to coax the enemy into dropping the last gold.  Sometimes they drop it randomly as they move around, but most often you will have to trap the enemy in a hole to get it to drop its gold.

Most of the stage designs consist of the diggable blocks, ladders, and ropes.  Although there are some complex and thoughtful designs with just those elements, there are a few more things that sometimes show up.  Solid blocks show up as nearly solid brown colored tiles, and you cannot dig through them.  There are false blocks that look like diggable blocks but you fall through them like they are open space.  These tend to be put in places just to be annoying, but the enemies fall through them the same way so if you pay attention you can notice them ahead of time.

There are a few tricks needed to solve some of the stages.  You dig diagonally down, so the rules of digging require the tile above the digging spot be open, which leads to a couple of interesting scenarios.  Some rooms require you to dig through more than one layer of diggable tiles.  You cannot dig straight down because you need the space next to you open.  If you are not careful, you can easily get stuck and have to reset the stage.  The idea is that you need to dig out a wider section of the floor before you can fall down and start digging out the next layer.  For example, to dig through two layers of dirt, you need to first dig out two adjacent tiles in the first layer, then fall into the double-wide hole and dig a hole through the second layer.  Once you get fast at it, you have enough time to dig through quite a few layers as needed.  Another little trick is that you can dig off of a ladder.  If there’s a column of dirt next to a ladder, starting from the top you can dig out the entire column one square at a time.  Sometimes you must dig out a wall in this manner to access a segment of the stage, in which case you will need to escape through the opening you made or you’ll get trapped.

This game also features a limited level editor.  You can only design single screen levels here, no scrolling.  You start off with permanent walls and flooring that surround the room.  Move the blinking cursor around with the D-pad, then press A and B to change the selected tile from all the choices.  You can add every object available to you in the main game.  The half dirt tile in the list is the fake floor tile, and the broken ladder tile is the hidden ladder that shows up when you collect all the gold.  Press Start to try out your level.  Press Select to go back to editing.  You also go back to editing if you die or clear the level.  Once you get into Edit mode, you will have to reset to go back to the normal game, and also there is no way to save your levels for later.

Even though you have free stage select at any time, this game still has a lives system.  You start the game with five lives and you earn a new one after beating any stage.  You can only have up to 9 lives in reserve, any more than that are lost.  Losing all your lives means your score goes back to zero, and that’s pretty much it.  To that note, I did not yet mention there are points in this game.  You earn 100 points per gold and 100 points per enemy kill.  You collect points after clearing each stage.  Every now and then, a piece of fruit will appear in the stage that you can collect for additional points.

I would say this was my first time playing Lode Runner, at least on NES.  The only other experience I had with this game that I recall was Lode Runner 3D on the Nintendo 64, but I barely played that game and don’t remember anything about it now.  Even then, I did know how to play this game, so maybe I tinkered with it sometime long ago or I read enough about it to understand the digging mechanics.  The NES cart of this game costs about $10 or so and I am pretty sure this was a bulk lot pickup for me.  I did buy a Famicom copy of Championship Lode Runner that I should probably try out now, and I even have the uncommon label variant of the Famicom version of Lode Runner.

Having already understood the mechanics more or less, plus refining that knowledge through play, I was able to clear all 50 levels without that much trouble.  Overall it took a little over three hours, split up over three separate nights.  One thing I noticed was that the difficulty curve was uneven.  A few early levels, such as Stage 6, require some advanced techniques that I wouldn’t expect to use until much later in the level set.  On the opposite end, some of the later levels were straightforward enough to clear on the first try.  Overall, levels do get harder the farther you go, and some of them are pretty tricky to solve even without the enemies, let alone with them getting in your way.  Too bad there is no ending in this game.  You start back over at Stage 1 after clearing Stage 50.  I showed this by taking a picture with Stage 50, then another of Stage 1 with increased score.  I also have it all on video as well, which is nice to have in cases such as this.

Lode Runner is a classic game that I feel has limited appeal today.  As an early Famicom and NES title, it is a simplistic game all around.  The graphics consist of only a few enemies and tile types, with plain black backgrounds.  The level music consists of a baseline combined with the sound effects of digging and climbing.  There are a couple of nice sounding tunes during the title screen and level clear screen.  The controls are simple but straightforward.  The gameplay does a lot with only a few elements, and the level design has some interesting ideas and traps.  I think this probably has something to do with cart size limits at the time, but I think it’s a shame that this doesn’t include the full 150 stages as seen in other versions.  I think this is a fine game that doesn’t do anything wrong, other than being too simple for even NES standards.  

I sure bungled my way through this game.

To Beat: Beat 1 Loop in Game A
To Complete: Beat 5 Loops
What I Did: Beat 1 Loop in Game B
Played: 2/17/20 – 2/23/20
Difficulty: 6/10
My Difficulty: 6/10
My Video: Raid On Bungeling Bay Longplay

It’s been awhile since I’ve played a game that brought me to a point of real frustration and anger.  I think as I’m getting older, I am mellowing out a little bit and I put up with a lot more in my gaming.  I have to if I’m going to play all these NES games, and I also need to set a good example for my kids.  Thankfully as I played this game alone late at night, I could vent my frustration a little.  I didn’t go full out tantrum or anything, but I spent a fair amount of time visibly upset at this game.  I wouldn’t say this is a bad game either.  Hopefully I have your attention now to read on and see what you think of this game.

Raid on Bungeling Bay was first released on the Commodore 64 in December 1984.  It was designed by Will Wright and this was his first game.  Perhaps this game is best known as the gateway to Wright’s smash hit SimCity as his development tools for Raid on Bungeling Bay formed the base of SimCity’s gameplay.  The Commodore 64 version was published by Broderbund in North America and by Ariolasoft in Europe in 1985.  Other ports from 1985 were for the Famicom, the MSX, and Nintendo’s VS. System.  The NES version was delayed until September 1987.  It was developed by Hudson Soft and published by Broderbund.

Raid on Bungeling Bay has a simple story.  The Bungeling Empire is set to create a war machine to conquer the Earth.  In Bungeling Bay there are six secret factories, and your task is to pilot a lone helicopter around Bungeling Bay to destroy the factories and put the evil plans to rest.  This game is a top-down shoot-em-up where you fly freely across a large, open map.  This is the only level in the game, so once you destroy all six factories you win the game.  Seems simple enough!

You use the D-pad to control the helicopter.  Press Left or Right to rotate your aircraft.  Press Up to go forward and Down to go in reverse.  These are thrust-based controls with momentum similar to Asteroids.  You’ll keep moving in the direction you are going without adjusting any of the inputs and you can change course in a gradual way.  You can move backwards though top speed in reverse is much lower than top speed going forward.  The A button fires machine gun shots and you can keep mashing A to shoot.  The B button drops bombs.  You can only hold up to 9 bombs as indicated on the bottom of the screen.  You may drop bombs at a rate of about one per second.

Destroying all six factories is not an easy task.  First off, you have to locate them on the map.  It is a lot of ground to cover, roughly 10 screens high and 10 screens wide.  There is no in-game map to see where you are, so you’ll have to memorize where everything is.  Most of the map is open water too which makes navigation more difficult.  Once you find a factory, stop yourself over the top of it, and mash the B button to drop bombs.  The regular allotment of nine bombs may not be enough to defeat the factory however.  To reload bombs, you’ll need to go back and land on the initial aircraft carrier where you start.  Come to a complete or near-complete stop above the center of the aircraft carrier, then press A to land.  Doing so refills your bombs and repairs your helicopter back to full strength.  The aircraft carrier is at least easy to find because there is a navigation arrow at the bottom of the screen that always points you toward the carrier.  But going back out and finding the factory again might be difficult.  Making matters worse, the factories are slowly strengthened over time, requiring more bombs to destroy them the longer they are left alone.  This includes ones that you haven’t even seen yet.  You absolutely need a plan to beat this game.

There are plenty of enemies in the game, many of which are interconnected with each other in various ways.  The biggest relationship is that the factories produce nearly all of the enemies.  As factories are damaged, the lights can go out and then they won’t produce any enemies until they repair some.  Here are the enemies a lit factory will produce.  Tanks patrol the various islands.  They do light damage, but their bullets are invisible and seem to always hit you periodically when they are on your screen.  The boats patrol the water and function in the same way with their invisible, low-damage shots.  Boats, however, can relay the location of your aircraft carrier to the enemy and will also damage the carrier upon collision.  Gun turrets are fixed to the land and shoot visible bullets at you.  If the game goes on long enough, the turrets will sometimes fire homing missiles that do some severe damage.  You can blow up the missiles in the air or eventually they run out of fuel and disappear.  Radar dishes don’t do physical damage to you, instead opting to alert the enemy to start deploying fighter jets and bombers.  Fighter jets attack your helicopter with missiles, while the bombers only go after your aircraft carrier.

The aircraft carrier is vital to your success, so of course the enemies are going to go after it.  Typically, these will be the bombers circling and attacking your aircraft carrier.  When this happens, an ALERT message will blink across the screen.  You will want to drop whatever you are doing, follow the arrow, and defend it.  The alert continues until all bombers attacking the carrier have been dealt with, and when it clears the carrier is repaired instantly back to 100% strength.  You can’t land on the carrier during an attack.  If the carrier ends up destroyed, that is really bad.  Now only do you lose the place to restore health and bombs, but you also lose all of your extra lives so the next time you crash it is Game Over.  There is one location in enemy territory where you can land and get your bombs refilled from the enemy’s supply.  The caveats are that you can only repair your helicopter to only 50-60% damage and it takes longer to land and takeoff versus the aircraft carrier.

One more advanced enemy to deal with in the later levels is the battleship.  A WARNING message appears on screen once as the battleship is getting prepared, and a second time when it leaves port.  If you encounter it, you are greeted by its homing missiles.  You can destroy it but it takes a minimum ten bombs to destroy, so you’ll have to restore bombs at least once.  It moves slowly with the goal of intercepting the aircraft carrier.  Your carrier moves in a slow drift from south to north while the battleship goes horizontally.  When the battleship comes across the carrier’s path, it will wait for the carrier to approach and then destroy it completely in one shot.  The two options are to take out the battleship as quickly as possible or clear out the factories fast enough before the battleship does its thing.

There is only one map in the game but the game increases difficulty for several loops of the game.  On the title screen you can choose from the normal Game A mode or Game B which is equivalent to the third loop in the A mode.  There are several ways the game gets more difficult.  Damage incurred increases, the battleship appears sooner, bombers are more active sooner, enemies fire missiles earlier and more frequently, and the aircraft carrier can be destroyed more quickly.  According to the manual, the difficulty maxes out on the fifth loop.  Considering all the ways it gets harder, plus the fact that you can lose all of your lives when losing the aircraft carrier, it is quite tough to get that far.

A neat feature I wanted to draw a little attention to is this game’s two-player mode.  This is just like the single player mode but with a twist.  The first player flies and plays normally, and the second player controls any turrets out on the field.  The second player can rotate the turret with Left and Right and fire both normal bullets and sometimes the homing missiles.  I can see where this might be used both as a competitive element and also a way of making the game a little easier by having the second player do nothing with the turrets.  It’s a neat idea for a second player that is not often seen on the NES.

Here are some miscellaneous tidbits about this game.  In addition to the ALERT and WARNING messages, there is also DESTROY for when a factory is blown up, SUNK! when your aircraft carrier is taken out, and SPECIAL which is for bonus points when destroying a factory that I don’t understand how you earn exactly.  At certain damage thresholds, your copter has different levels of effectiveness.  From 0-49% is normal operation.  50-79% means you fly at about 75% strength while 80-99% is at about 50% strength.  The color of the ocean is another visual indicator of these levels.  At 100% damage or over, you are going to crash.  You can’t control your speed, your steering capability is reduced, and you can’t drop bombs.  The best thing you can try to do is crash land into a factory to damage it.  One time I destroyed a weakened factory by crashing into it, but it was both tough and lucky to pull off.  Damage can go way over 100% as it will take a little time to complete the crash.  It sort of adds insult to injury at that point.

This was my first time playing through Raid on Bungeling Bay.  When I tested the cart, I messed around for a few minutes and didn’t really understand the game.  Reading the manual definitely helped me.  This game doesn’t show up too often but it is not that expensive, roughly costing $10 for a loose cart.  The best way to acquire this cart is in a lot, which is how I got mine.  It doesn’t stand out much and I don’t think it is often sought out.

This is a fun enough game to start playing around with it.  Flying around freely feels pretty good especially for an earlier NES title.  There’s a lot to explore and see.  Targets are easy enough to shoot and aren’t too aggressive.  Alas, appearances are most definitely deceiving.  Once you blow up your first factory, the game begins its sharp ramp up in difficulty.  Factories start cranking out more enemies, enemy fighters circle you and eventually fire homing missiles.  After about three missile hits, you are done for.  You constantly need to return home to defend your carrier, and if you lose it, your run is pretty much dead.  The longer you play, the more enemies appear and the stronger the factories get.  Refilling bombs needed to destroy these strengthened factories means more retreating home, back and forth, often ending up lost or misdirected in the process.  This game is constantly out to get you and is ruthless in doing so.

At the start I had intended to play through five loops of this game, and after about a day or two I abandoned that idea completely.  I just could not build up the momentum or the interest to keep pressing on with this game.  Just too much failing with one or two factories left to go.  Fortunately, there is only the one level and one ending, so beating one round of it is good enough to consider the game done.  When TMR beat the game for NESMania, he beat two rounds of Game A and also one round of Game B.  While I could have followed suit, I figured one round of the more difficult Game B would be sufficient.  Still, Game B, which is 3rd loop difficulty, was tough for me to accomplish.  I didn’t keep track, but it was probably about a dozen tries or more before I finally beat Game B, each attempt more frustrating than the last.  There was no real strategy that saved the day this time.  It was a matter of learning the map, finding the enemy landing location for occasional bomb refills, and brute forcing attempts until I finally cleared it.  I even missed the photo of the ending “Complete” message just as one last frustration. I get the feeling the best way to clear five straight loops is to speedrun the game as quickly as possible with a route of picking off the most difficult factories first before they ramp up enemy production.  I’m not about to figure that out though, I’m done.

I know this is out of character for me to dislike an NES game like Raid on Bungeling Bay, but it’s a shame because there are some great ideas here that are unlike any NES game I’ve played to this point.  On the surface this is a simple game.  The graphics are simple, with crudely drawn backgrounds and recognizable enemy sprites that get the job done.  There is no real music to speak of here, just a jingle on starting a new life and some low base notes during gameplay.  The controls work well to me, though in general momentum-based controls and movement take some finesse.  Though it eventually became frustrating and tiresome, I can appreciate what Will Wright accomplished in terms of gameplay, particularly in terms of world design and interactivity.  Just about everything connects in some way, giving you the sense of a more coordinated and thoughtful enemy attack.  You know bombing an enemy factory means they are gonna try and fix it, and seeing an enemy satellite dish means you know to prepare for an oncoming aerial attack.  These are cool ideas in isolation.  I just found it all too overwhelming when the difficulty spikes in the second half of each mission, to the point where I found it unfair and wanted to quit playing.  It is an interesting game, it’s just not for me.

Felix the Cat, the wonderful, wonderful game.

To Beat: Reach the ending
Played: 10/28/18
Difficulty: 2/10
My Difficulty: 2/10
My Video: Felix the Cat Longplay

I’m starting to get a little worried that I’m running out of easy NES games to play.  Felix the Cat is another example of a solid platformer game that can be beaten with no prior knowledge in an hour or two.  Perhaps I never realized the NES has a bunch of easy platformers.  I have already beaten such games as DuckTales, DuckTales 2, Chip ‘n Dale Rescue Rangers, Puss ‘n Boots, and Wacky Races, all within the first 20% of this project.  Let’s see how Felix the Cat stacks up against those titles.

Felix the Cat is a cartoon character created in the late 1910’s.  Felix was either created by the cartoonist Pat Sullivan or his lead animator Otto Messmer.  His first appearance was in the short animated film Feline Follies in 1919 before he was even named Felix.  The cartoon cat’s popularity waned in the late 1920s in part due to making a late and poor pivot to movies with sound.  The Felix the Cat comic strips lasted in various forms from 1927 through 1966.  He also had a TV series from 1959 to 1962 produced by Joe Oriolo, who would go on to obtain the full rights to Felix the Cat in the 1970’s.  There have been a scattering of films and cartoon shorts related to Felix the Cat throughout the 1990’s and 2000’s.

Felix the Cat managed to get a single video game.  Felix the Cat was released on the NES in North America in October 1992 and a PAL release also in 1992.  A Famicom release in Japan appeared to have been planned but was cancelled.  A Game Boy port was released in North America and Europe in 1993.  It features the same game play but with fewer levels.  Hudson Soft developed and published the NES game.  The Game Boy version was developed by Hudson Soft as well but was published by Electro Brain in North America and Sony Electronic Publishing in Europe.

Felix the Cat is a straightforward platformer game.  The story is just another version of the typical trope.  The evil Professor has captured Kitty Cat and wants Felix’s Magic Bag of Tricks.  Felix of course uses the powers available from the Magic Bag to go and rescue his girlfriend.  The game takes place over nine areas, including multiple rounds per area.  You win the game when you clear all nine areas and save Kitty Cat.

The controls are what you expect from a platformer game.  Use the D-pad to walk around.  The A button jumps, and the B button attacks.  You can press Down to crouch for dodging, but it doesn’t make your attacks any lower.  The manual says you can hold Up and jump with A to jump higher, but it doesn’t work.  You don’t really need a higher jump anyway.

The primary gimmick to this game is that Felix has many different weapons he can produce out of his Magic Bag.  Felix can only use one of these at a time.  The default weapon is a punching bag which is a short-range attack.  By collecting hearts and powering up, Felix undergoes a short transformation and either changes his outfit or his gear, enabling him to switch up attacks.  One upgrade gives Felix a top hat and he can radiate a circle of stars that damages nearby enemies.  Other transformations give Felix a vehicle to ride in and some projectile attacks.  The effects of powering up depend on which level you are in.

As you go through the levels, you will find tokens shaped like Felix’s face.  For every ten of these you collect, a heart appears that you grab to power up.  When you do this, the game displays a series of ten small hearts in the upper left corner of the screen.  This acts as your timer for the powerup as they slowly dwindle away as you play.  For every five Felix tokens you collect, you will create a few milk bottle powerups.  Each of them restores two hearts to your meter.  Collecting a heart also fills up your meter.  As long as you keep a steady pace through the stages and keep collecting tokens and powerups, it is not too difficult to remain powered up.

Felix does happen to be pretty fragile.  One hit from an enemy or falling into a pit loses a life.  This puts you back to the default state.  Levels have checkpoints at arrow signposts and you go back there when you die.  Powerups are great in that they also act as a shield when taking damage from one of the bad guys.  When you are powered up and take a hit, you simply drop back a level.  Many stages provide Felix with three distinct levels of powerups which gives you some leeway if you make a mistake.  I found that I played slowly and conservatively at the start, and then got progressively more aggressive and quicker once I knew I could take damage and still be alright.

Each of the nine areas in the game can have multiple rounds.  Levels are straightforward left-to-right affairs with some verticality to them as well.  The last round in the area ends with a large magic bag.  Stand on top of the bag and press Down to enter the bag and go to the boss fight.  The bosses in this game are simple and take just a few hits to beat.  You then earn a nice point bonus and move on to the next area.  Sometimes you are treated to a small cutscene where you take a phone call from the evil Professor before pressing onward.

You can also find the large magic bags within individual levels.  Some are on the main path and others are found high up off screen that you can reach through platforming or bouncing on large springs.  Enter these bags to go to a bonus room.  These rooms consist of several Felix tokens and contain an exit magic bag.  Leaving the bonus area can sometimes drop you off further ahead in the level.

There are other types of stages than just platforming levels.  There are swimming levels, flying levels, and even a space level.  There are different transformations you get to support these other stage types.  For example, you can fly in an airplane or man a hot air balloon.  In these levels you have to keep pressing A to stay afloat or to swim around.  Variety never hurts in a game like this.

Extra lives are very easy to come by in this game, even though there are no extra life pickups to be found.  For every 100 tokens you collect, you earn a new life.  Collecting a heart while fully powered up gives you an additional Felix, and you also get a life for every 50,000 points.  If you can get through the first area or so without taking any damage, you are well on your way to stocking up for the rest of the game.  Should you run out of lives, you can continue up to three times.  Continuing places you at the start of the current round, which is a slightly worse position than a normal death.

I have played and beaten Felix the Cat once before as part of the Nintendo Age weekly NES contests a few years ago.  It was a one-life contest and I got near the end on my first life over just a few tries.  I went ahead and beat the rest of the game then just to see what was left.  This is a later release that is uncommon.  I have owned a few copies of the game cart.  Two I bought at local game stores.  One cost $12 and the other cost $10.  They were selling for $30-$40 at the time so it was a no-brainer to pick them both up.  I acquired a third copy as part of a mega haul of games I found on eBay late in 2014.  A loose cart of Felix the Cat now costs upwards of $60.

I didn’t have any trouble beating Felix the Cat again.  This is an easy game to beat for the very first time playing if you are any good at platformers.  There are quite a lot of areas and the levels themselves seem to go on and on at times.  It feels that you are making progress for most of the game, with a few sections that seem like they will never end.  Some parts of the game do take some careful play to clear effectively, but by then you probably have a huge stash of lives to burn so it’s no big deal.  I think the game takes about an hour to beat if played blind, maybe longer that that if some of the later sections cause some problems.  My longplay video took a little over 45 minutes with a little over half a dozen deaths.

Felix the Cat is a good NES game but isn’t anything special.  The game plays and performs very well.  The graphics are cute and nicely animated.  Felix has a lot of expressions in all his movements and attacks.  The controls are spot-on and handle properly through all the movement variety the game has to offer.  The gameplay is solid but nothing more.  Don’t get me wrong, the game is good, it’s just that it feels so ordinary.  This is the kind of game that you can shut your brain off and mindlessly play.  You’ll have a good time doing it for the first or second time, and then there’s not much reason to go back to it.  I bet some players get bored of it and quit partway through.  From my perspective, it’s hard to have a problem with a game that plays great and is just a bit bland in gameplay. 

I like to think every castle has secrets like this.

To Beat: Reach the ending
To Complete: Beat the game twice to see a special message
My Goal: Complete the game and beat the first loop without dying
What I Did: Met my goal
Played: 9/8/18 – 9/17/18
Difficulty: 7/10
My Difficulty: 4/10
My Video: Milon’s Secret Castle Longplay

Here we are at triple digits! It took nearly three years to get here, but now that I’m at Game #100 there’s really no turning back. I could have picked any game I wanted to play here and I don’t think anyone would have complained. Instead I decided to keep on trucking with whatever happened to be here on the list. Milon’s Secret Castle is not a flashy choice for a milestone game whatsoever. The good thing for me is that I grew up with the game and have played and beaten it quite a few times before. For this special occasion, I was successful in beating the game without dying for the first time. I even learned a few things in the process. Let’s get started!

Milon’s Secret Castle first appeared on the Famicom in November 1986 titled Meikyu Kumikyoku: Milon no Daiboken. That translates to The Maze Suite: Milon’s Great Adventure. The NES version was delayed almost two years, appearing in September 1988. The game was both developed and published by Hudson Soft in both regions. Milon’s Secret Castle was re-released on Wii Virtual Console in Japan and North America in 2007 and in PAL territories for the first time ever in 2010. There was a sequel on the Super Famicom in 1996 called DoReMi Fantasy: Milon no Dokidoki Daibouken that made its North American debut on Wii Virtual Console in 2008.

Milon’s Secret Castle is a platformer game that takes places inside many rooms of a large castle. In the story, people communicate exclusively through music. Milon is unable to make music and can’t communicate with the people in his land, so he decides to leave hoping to find others like him. Before leaving he decides to visit the queen in the castle, which was a good thing. An evil warlord has stolen all the musical instruments, taken over the castle, and locked away Queen Eliza. Milon volunteers to resolve the problem. The castle’s magician provides Milon the ability to shoot bubbles. He also tells Milon that Eliza has left tools and money throughout the castle to help. Milon must seek and defeat the seven demon monsters inside this maze of a castle before taking on the evil warlord himself.

The game begins with Milon outside the castle. With limited abilities, he is restricted to the first floor for now. He can walk around, jump, and fire bubbles even though they have no use outside. Milon can enter doors by standing in front of them and pressing Up. The first floor has three doors. Two of them lead to maze rooms, and the third leads to a shop. You may also discover that you can enter windows outside the same way you enter doors. The solitary window of the first floor leads to an empty room and you can’t do anything here for now. The action takes place within the maze rooms so this is where you start.

Controls are basic, but movement takes some getting used to. Move left or right with the D-pad and press A to jump. You discover right away that Milon is slow to accelerate from standing skill. Once you get him moving by holding the directional button, he can go pretty quickly. You jump up quickly enough, but side-to-side movement depends on how fast you are moving before jumping. You need to get a running start to make far jumps. Milon can adjust left or right a little bit while jumping or falling. The B button fires bubbles that move in the direction he is facing at a slight upward angle. If you hold Down and press B you will shoot bubbles with a slight downward slope. Bubbles are used to defeat enemies and break blocks within the maze rooms. They travel a short distance before popping, and they also travel through walls unless they hit something significant.

The maze rooms for the most part have several things in common. There are different enemies wandering around that you can fight off with bubbles. Most enemies in the game take one hit to defeat, but some take a lot more. There are breakable blocks all over the place in this game. Usually they block off some path within the room, but other times you’ll find money tiles inside. Collect the money tile to add a dollar to his stash as indicated in the upper left of the screen. To exit the maze room you must find the hidden door that is revealed by firing a bubble at its location. You need the key to take the exit to go back outside the castle. The key appears within the room in one of a few predefined spots after defeating enough enemies or breaking enough blocks. The collected key is displayed in the upper right of the screen. Once you collect the key, you keep it permanently and can take the exit anytime. All this means you really need to cover these rooms in bubbles to reveal all of their secrets.

There are other items to collect besides money. Defeated enemies may leave hearts behind that restore a point of health. Milon’s health bar is the vertical bar on the left. After defeating several enemies, an umbrella may appear. This powerup floats up and can get away from you. Grabbing it lets you blow an additional bubble on-screen. Milon starts out with having one bubble on screen at a time and you can shoot up to three at once if you collect two umbrellas. Milon goes back to one bubble whenever you enter a maze room from the outside. Most maze rooms have a honeycomb hidden within a breakable block. This increases your maximum health while also fully restoring Milon’s health. You definitely want to find these. Shooting certain locations may also reveal the Hudson bee. This powerup flies away and can get out of reach like the umbrella. Collecting the bee produces a shield around Milon that lets him take a couple of hits without losing health. You can also collect hearts while holding the shield to strengthen it.

Spend Milon’s hard-earned cash within the shops. Some of the shops are found through doors or windows into the castle. Others are hidden within the maze rooms themselves. The shops double as an inventory screen, so you can see the items you’ve purchased and collected throughout the adventure. Milon can walk along the bottom of the shop and jump into a button with his head to interact with the shopkeeper. In addition to purchasing items, you can get hints here for locating items you need. The Power option in some shops let you buy health. You can even get free money occasionally. The main draws here are the permanent items that increase Milon’s abilities.

One of the first-floor shops contains the hint “Bump head to find box.” In each of the maze rooms, there is a music box. There is a specific solid tile that you need to jump into from below to reveal the box. Touch the music box to go to a musical mini-game. Musical icons will arise from the bottom of the screen and you want to grab as many notes as you can. There are three kinds of icons to collect: Notes, sharps, and flats. Sharps count as two notes, while flats take away one note. The number of notes collected is displayed at the top. After some time, the bonus game ends and you earn money. You get a dollar for every four notes collected. If you somehow grab 50 notes or more, then you get a dollar for every two notes. This is a good way to save up for expensive items. A great detail about this mini-game is that every time you play it, the background song gets more and more complex each time as new instruments are added. You can only use each music box once, so to get the full effect you have to find them all.

Armed with all this knowledge, it’s time to clear the first floor. There are two items you must collect to proceed, which are the shoes and the medicine. The shoes let you bounce up high on certain floor tiles, allowing you to reach areas too high to jump normally. The medicine causes you to shrink whenever you touch a green glove present in some areas. A smaller Milon can fit into tiny gaps to reach previously inaccessible areas, and also gives you a smaller hitbox. For some reason acquiring these two items allows a demon monster boss to appear in the empty first floor room through the window. Go there and beat him by shooting him a bunch of times in the head with bubbles. These bosses are no joke and quite challenging. The defeated boss drops a crystal ball that opens the door to the second floor. There are seven bosses and seven crystal balls in the game. Not only do the crystal balls open pathways deeper into the castle, but they also gradually enhance your bubble by making it bigger, faster, and travel farther.

Access to the second floor starts to open the game up more. Now there are more maze rooms and shops, as well as more money, items, and powerups to go with them. You also have access to the well in the lower right corner of the castle. This area and others like it don’t count as maze rooms. There’s no key and hidden door to be found, instead you exit off one of the sides of the screen. The areas often consist of multiple, connected rooms. There are still items to be found there, as well as money, honeybees, honeycombs, etc. The well in particular has a unique way to exit. There is an enemy resembling a small octopus that takes several hits to defeat and drops a balloon. Grab it before it floats away and it will take you up out of the well.

There are some inconsistencies and a couple other miscellaneous points I want to mention. In addition to the crystal balls, there are two secret items you must track down to beat the game. Money can only be collected once, which is a problem as some items are expensive. Fear not, for there’s one room in the game that replenishes most of its money each time. It does get tedious farming money. One of the maze rooms does not have a honeycomb in it. I went crazy looking for it until I gave up and looked it up after I beat the game. They made up for it elsewhere as another area holds two honeycombs. Another area has a hidden exit that is really tricky. This secret castle does have some baffling mysteries to it.

Milon dies when he loses all his health. Normally the game starts all over again when this happens. There are continues in the form of a continue code, but luckily for us it is spelled out plainly in the manual. On the title screen, hold Left and press Start to continue. This only works after you have collected the first crystal ball. It seems to me there are two different types of continuing. Sometimes continuing plays a different introductory tune and you get dropped off in the same room you died in. Other time, it plays the normal intro song and drops you off at the starting position with all your collected items and money intact. Either way, continues are unlimited and better than starting over each time.

Milon’s Secret Castle was a game I’ve had since childhood. It was bought used since I only had the cart and I read the manual for the first time playing it here. I remember seeing this game in the rental stores and reading about it in some old gaming magazines we had. That was how I knew about the continue code and how to make progress in the game. I distinctly recall getting stuck on the first floor for a long time until later seeing how to proceed in one of those magazines. The game is inexpensive at around $6 and easy to find.

Even though I picked the game up for the first time in many years, I still knew enough to clear the game on my own over a couple of hours. I tinkered a little bit more to locate all the hidden music boxes and honeycombs, and then set out to try and beat the game 100% without using a continue. It took a few attempts but I was able to get it done. Some minor missteps in routing and a little bit of health farming are the only issues with my recorded video. Somewhere in post-completion research I found out that there is a hidden ending screen if you beat the game twice in a row. The second loop is hard mode. The differences I noticed are that both the bosses’ attacks and the umbrella powerup move much quicker. Continues still work here thankfully because I needed them. Beating the game the second time gave me the additional screen for what I consider the best ending. It’s underwhelming but still a decent achievement.

In the interest of full disclosure, as well as make an interesting discussion point, due to my inability to set aside a large block of playing time, I used a cheat code to enable hard mode. This is a good of a time as any to talk about NES cheat devices. The most popular one of the era was the Game Genie. It is a passthrough device that you put your cart into and then insert the connected cartridges into your NES. A menu comes up when the game is turned on and you enter either six or eight letter codes to get different effects to appear in your game. You can get more lives, skip levels, jump higher, etc. I have a little bit of expertise in building my own Game Genie codes by using an emulator and debugger to find parts in the game code that I can change to trigger the desired effect. In this case I couldn’t figure out how to enable hard mode with a Game Genie code. There is another NES cheat device called the Pro Action Replay. It functions similarly to the Game Genie but uses a different set of codes. The primary difference between the two devices other than the code format is that the Game Genie can set different ROM addresses while the Pro Action Replay can set RAM addresses. The NES Ending FAQ author did some legwork for me by figuring out that setting the RAM address $00B8 to 01 enables hard mode. Don’t worry if I’m going a bit over your head here. The takeaway is that the Pro Action Replay is the more appropriate device for turning on hard mode. Now I don’t own the Pro Action Replay, but the AVS console I use does accept its codes. Even better is that the AVS also accepts what it calls RAW codes, which I figured out means if I enter the code 00B801 (meaning set $00B8 to 01), I can get hard mode like I want. I played normal mode and hard mode two separate nights and then combined the footage into one longplay video. I hope this was an interesting look into NES cheat devices. I also hope that this doesn’t cast any doubt into the validity of my playthroughs. I don’t use cheat devices even for practice and I didn’t know how to enable them on my AVS until now. You will have to take my word for it though, so I do hope you believe me!

Milon’s Secret Castle has the reputation of a difficult game and I can see why. For a long time, I could not figure out how to get out of the first floor. I bought the medicine, but I couldn’t reach the green glove to use it. I believe the upper portion of the second maze room on that floor is unreachable from the start. It’s too high to reach with even a running jump. I found out there are shoes in a hidden shop up there, but I don’t see how to reach that shop without the shoes! The place I buy shoes is in a hidden shop in the first maze room. On the bottom right there is a discolored block next to two breakable ones. What you are supposed to do is push the block by walking into it for several seconds, then shoot a bubble to reveal the hidden door to the shop. I get that this discoloring is the tell, but this is a terrible idea. There’s no indication at all you can even push blocks, and then you have to push for what seems like forever before it actually moves. If you didn’t already know what to do, it would be hard to stumble upon it. There are other things about the game that can cause issues. Using the hammer item is not exactly obvious to me. The third floor has some rooms that are hard to understand without having certain items or seeing the proper pathway. Combat also proves challenging sometimes. Milon has a ridiculously short invincibility period upon taking damage, so if he gets stuck on top of an enemy his health drains fast. Bosses are difficult because they throw projectiles at random and Milon lacks the mobility to dodge them effectively. He jumps fast but otherwise accelerates slow, so quickly jumping to dodge projectiles is the only way. There are items later that allow you a different, safer strategy to boss fights. Until then, you either get lucky or get good at dodging.

I think Milon’s Secret Castle is an interesting NES game that was released too late on the NES. I’ve seen this happen quite a lot in this project already. For 1986, this is a complex game that plays pretty well. For 1988, while it still has good secrets and complexity, the controls and movement feel like a significant step back. The graphics and music are both pretty good. I like the different items and the effects they have on both Milon and the world around him. The main issues I have are the controls and the obscurity of some of the secrets and traps. Though they diminish the experience a little bit, I have seen far worse things already in NES games than this. This is probably nostalgia-tinged, but I do like this game. It’s worth a look for fans of Metroid.

You’ll get to blow up a lot of bricks and things over all these stages!

To Beat: Reach the ending
What I Did: Beat the game without dying
Played: 7/30/18 – 8/1/18
Difficulty: 2/10
My Difficulty: 2/10
My Video: Bomberman Longplay

The Bomberman franchise is one with a long history and a loyal fanbase. I think Bomberman really grew in popularity on the Super Nintendo with the Super Bomberman games. The simple nature of the game, combined with the SNES Multitap, made it a perfect party game for multiple people. He would have his solo adventures, and those games have their fans too, but the multiplayer is what most people remember and what they would prefer to play. I’m more a fan of the solo outings, and that’s what I got here with the NES version. Bomberman comes from a humble beginning, as this early title is a bare-bones adventure.

Bomberman got his start on home computers in Japan and Europe in 1983. The game was remade for the Famicom, releasing in December 1985. It was developed and published by Hudson Soft. The NES version would wait until January 1989. Since then, there have been dozens of Bomberman games spanning various consoles and computers. There wouldn’t be another Bomberman game after the Famicom/NES release until 1990, but then there were multiple games released every year all the way through 2010. There was another long hiatus until Super Bomberman R came out on the Nintendo Switch in 2017.

Bomberman is a top-down action game with kind of a sad story. Bomberman is named appropriately as he makes bombs all day in an underground compound and he doesn’t like his situation at all. He hears a rumor that if a robot like himself leaves the compound for the surface then he will become human. He leaps at the opportunity but other robots pursue him. Luckily, he has unlimited bombs of his own making which will help him. You beat the game by clearing all 50 stages.

The game has simple controls. Bomberman can walk in four directions with the D-pad. The A button places a bomb which is locked to one of the tiles on the playfield. Eventually it blows up leaving a brief trail of fire on the playfield. Later in the game, Bomberman can detonate his own bombs with the B button. The Start button pauses the game. That’s all there is to it.

Bomberman is a really simple game too. Each stage is two screens wide and free scrolls left or right to follow the action. The playfield consists of indestructible columns spaced evenly apart. Sprinkled among the level are bricks that can be destroyed with a bomb blast. Usually you are blocked from parts of the stage and you have to bomb your way through. The goal of the game is to defeat all enemies in each stage, then locate the exit door and leave. You have to drop bombs in spots where the enemies will walk into the blast and get themselves killed, or you can trap them with your bombs near an explosion. All enemies plus Bomberman are killed by a single bomb blast, so there is a strategy element as you also need to keep yourself out of harm’s way. A chime will play when all enemies have been defeated. The exit door is hidden behind one of the destructible walls. It’s completely random so sometimes you’ll find it without trying and other times it’s one of the last bricks in the whole level.

There is a little information on the top of the screen during game play. The level timer begins at 200. Now usually you would lose a life when time expires, but here a bunch of strong enemies are introduced when the timer hits zero. In the early game, that’s just as bad as death. In the middle is your score. You earn points through defeated enemies and you can score more points per kill if you defeat multiple enemies with a single explosion. On the right side, labeled Left, is the number of remaining lives. You start with three lives and you earn one after beating each stage. That’s very generous!

The primary mechanic in Bomberman is the bomb blast. When a bomb is placed it stays dormant briefly before exploding. The blast extends outward in the four cardinal directions. It won’t travel through the solid columns or the destructible bricks, but it will rip right through enemies and Bomberman himself. If an explosion hits another bomb, that bomb also explodes immediately. Naturally, you can set up multiple bombs and set off a huge chain reaction. It’s all very intuitive and satisfying to rain fire on large portions of the stage. The catch of course is that you should be thoughtful in your placement so that you don’t get yourself caught up in the blast, whether you get greedy with bomb chaining or trap yourself in an unescapable spot.

Bomberman can find powerups. Each level has exactly one powerup hidden somewhere within a breakable block, just like the exit door. Collecting the powerup causes the music to change, which is an interesting and unusual way of reminding you that you don’t need to hunt for the powerup anymore. Here are the powerups you can find. The bomb powerup lets you lay one extra bomb on screen at a time. The smiling flame powerup extends the bomb blast one tile in each direction. At the start of the game, Bomberman can only lay one bomb at a time with a tiny blast radius. By collecting multiple bomb and flame powerups throughout the game, your bombing ability grows fast. The speed skates let Bomberman walk faster. The wall walk powerup lets you walk through the breakable walls, and the bomb walk powerup lets you walk through your own bombs. The detonator powerup is a heart with a small bomb on it. This lets you blow up the oldest bomb with the B button, and also causes bombs to stay dormant until you blow them up yourself. The flame proof powerup looks like a little person engulfed in flames. This keeps you from being hurt by your bomb blasts. The mystery powerup looks like a question mark and gives you temporary invincibility from enemies and bombs. All powerups except for the mystery powerup last until you die, while the bombs, flames, and speed skates are permanent upgrades.

It does make sense that you could also blow up both the powerups and the exit door. You might not want to do that. Blasting either one spawns several enemies which are typically more challenging ones than the initial enemies in that stage. Not only that, but if you blow up the powerup you lose it, putting you at a double disadvantage. The lesson here is that you want to be careful with explosives.

There are bonus stages sprinkled between some levels. The standard unbreakable columns are still there but there are no bricks to deal with. Each bonus level features only one enemy type but there are a lot of them and they keep coming. Bomberman is completely invincible from both enemies and explosions here, so this is a great place to go wild and set up huge chain reactions. This is simply a point-scoring affair, but it’s a fun break while it lasts. The bonus levels occur after every five levels for most of the game. For some reason they put the bonus areas after levels 39, 44, and 49 instead of multiples of five like it started out. I get that they didn’t want the game to end on a bonus stage, but I think they could have just adjusted only the final bonus level instead. I’m all about the minutia here on the site, so I just had to let you know about this.

Bomberman also features some special, hidden items. These are nothing to get excited about and are just for points, but they might appear in a playthrough when you don’t expect them. There are six of them. Each stage has one and there is a specific method to get it to appear in the stage. I’ll spare you the details on this one. Most players will not come across them at all because the requirements are kind of ridiculous. I didn’t in my playthrough, though I believe I found one in a past playthrough.

Lastly, there is a password system. Lose all your lives to get the password. These are 20-character passwords consisting of the letters A through P only. Passwords save the stage you are on, the number of bombs you can deploy, the blast radius, and even your score. Nice!

Though I have played Bomberman before, I haven’t played it all that much. I am pretty sure I played the SNES Bomberman games before playing this one, and it feels primitive in comparison. At least I had the basic idea down for how the game works. I beat the game for the first time a few years ago as part of the NintendoAge contests. Bomberman is a common game but it’s one of the more expensive commons, selling for over $15 for a loose cart today.

I think Bomberman is a really easy game. I was able to beat the entire game on one life on my second try. While the difficulty of the levels increases as you play, I believe the first level is the hardest one. You have little explosive range so you have to get a little too close to the enemies and they are tough to reach with bombs. You start off with a flame powerup in Stage 1 which helps out greatly. In Stage 2 you can get an additional bomb, and in Stage 3 you can get the detonator, putting the game into easy mode. With the detonator and cautious play, you probably shouldn’t die anymore the rest of the way. The flame proof powerup comes late in the game and pairing it with the detonator is ultra-powerful. Then you can drop bombs and immediately detonate them at your feet, essentially surrounding yourself with a fire shield for as long as you keep pressing the buttons. Even without the best powerups, you can still password creep through the game the long way.

Bomberman is a basic, but fun game. The core gameplay is solid, laying the groundwork for future titles. Aside from that hook, the game was primitive by the time it released on the NES in 1989. From a 1985 perspective, I can see why this was well regarded. It’s a fun game with a bunch of levels, randomly generated obstacles, and some neat powerups that make you feel very powerful by the end of it all. The music is catchy enough in its simplicity. The graphics do well enough to carry the idea of the game, but don’t offer anything further. I’m glad to have played it, but I don’t plan to go back to it.

Shuffling panels has never been this much fun!

To Beat: Reach the Ending
To Complete: Beat both the game and the Extra mode
What I Did: Completed the game
Played: 8/7/17 – 8/18/17
Difficulty: 7/10
My Difficulty: 7/10
Videos: Mendel Palace Longplay and Mendel Palace Extra Mode Longplay

There are a lot of weird video games out there, especially today when the barriers to development and distribution are much lower. The NES was around in a time when some gaming conventions were being defined, so developers had the liberty to make some weird games too. Ghoul School is one that comes to mind that I’ve already played. I classify Mendel Palace as a weird game, and in this case I mean it in a good way. Mendel Palace is a frenetic action game that is dripping with character.

Mendel Palace was released in North America in October 1990. The game was developed by Game Freak, who are best known as the developers behind Pokémon. This was the first game they developed. The NES version was published by Hudson Soft. This game debuted first on the Famicom under the name Quinty. There it was released in June 1989, over a year earlier. Quinty was published in Japan by Namco. Mendel Palace has not been re-released, nor are there any sequels.

Mendel Palace is a single-screen action game. You play the role of Bon-Bon. The princess Candy has become trapped in a dream that she cannot escape, and so you might fight all her dolls that have come to life and free Candy. It’s the typical save the princess trope. The object of the game is to defeat all the enemies in each stage. There are 100 total levels spanning several different worlds. If you clear all the stages, then you save Candy and win the game. You can go at it alone or play with a friend in the two-player mode.

The main gimmick to Mendel Palace is how you attack enemies. Each stage is in a top down perspective consisting of a 7×5 grid of large panels on the floor. You can walk around in the four cardinal directions using the D-pad. When you press the A or B button, you will shuffle the floor panel in front of you. It is a little tricky at first to determine which panel you will move. If you stand on the edge of the panel facing the middle of it, you will shuffle the one you are standing on. Otherwise, you will shuffle the next tile over in the direction you are facing. The idea is to shuffle tiles when enemies are standing on them, which causes the baddies to get pushed away a short distance. Enemies are defeated when they get shoved into the side of the screen or against a solid object. Sometimes enemies can push you into the wall as well, but if an enemy touches you then you can also die that way.

The other side effect with shuffling panels is that you can reveal other panels underneath. This is not merely a binary flip. Sometimes there are three or more different layers underneath each panel that continuously cycle as long as you keep shuffling. There are many kinds of tiles that can appear in Mendel Palace, including several different item tiles. The most common item tile is the star. You must stand exactly on the center of an item tile to collect it. Stars are accumulated through play and you can see how many you have in a counter at the bottom of the screen next to the amount of lives remaining. The final star tile in a level will blink and you get 10 stars if you grab that one. Collecting 100 stars awards you an extra life, and it also makes you walk faster.

There are two more item tiles that are not as abundant as the star tiles. The first of these is the roulette tile. This cycles between four different items and you get whichever one is face up when you collect it. You can get either a puny 10 point bonus or a generous 10,000 point bonus. You can get a 10 star item for more precious stars. The best award is the 1up! Aside from star collection, this is the only other way to gain lives. The other item panel is the time panel. This is labeled FIVE SEC when you see it in the game. Each level has an invisible timer that causes the enemies to become very aggressive when it runs out. Grabbing these panels extends that timer.

There are a few panels that can affect nearby panels. The most common of these is the cross panel. When you step on it, the tiles in all four cardinal directions will shuffle chain reaction style. If you can get an enemy caught up in the shuffle wave it almost always sends them all the way to the wall. There is a similar panel that does not show up often called the clock and time panel. This one looks like the cross panel but with only one direction lit up at a time. Like a clock, the lit direction changes rhythmically. Stepping on this panel causes a wave in only the direction it is pointing. The sun panel is the most powerful of these in that it shuffles all tiles on the screen radiating outward from the sun panel. Most of the time this wipes out all the enemies in one shot, so it can be very nice to find.

There are a couple of bonus panels that transform the game board in ways that can be helpful. The more common of these two is the moon panel. This one dims the lights in the level and replaces all walkable tiles with stars. There is a tradeoff with this one however. Solid panels remain solid but you cannot see them in the dark. If you are being pursued by enemies in a level with now invisible solid panels, it may not be worth the extra stars. The better bonus panel is called the special bonus panel. It has a swirl design on it and flashes colors. Run into this panel and you will be whisked off into a bonus screen filled with stars and no enemies. There will be an additional counter at the bottom of the screen indicating how many stars are available in the bonus area. Sometimes you need to shuffle panels to reveal stars, but most of them are visible from the start. There is a time limit indicated by faint color changes in the small tiles around the border of the level. If you collect all the stars before time runs out, then you get bonus stars. Play proceeds to the next level, so using the special bonus panel is an easy way to clear a stage for free.

Here are the remaining panels in Mendel Palace. The metal panels are solid panels that appear raised on the screen. You cannot pass through them, but you can shove enemies into the metal panels to defeat them. Some enemies can smash through the metal panels leaving behind a broken panel, which acts like the standard blank panel. The lock panel has screws in the corners indicating that this square can no longer be shuffled. The attack panel is an orange panel with the same swirl design as the special bonus panel. This launches you forward in the direction you enter the panel. It’s called the attack panel because you can defeat enemies if you collide with them after this panel pushes you. It spins for a little while so you can run back into the panel to do more damage. The final panel is the game is the enemy panel. It looks like a warp portal, and it acts like one too. New enemies will spawn from the enemy panel if there is room for them in the level, and then the panel transforms into a blank panel. Revealing these panels can keep the level going even if all other enemies have been defeated.

At the start of the game, you are shown a map screen with nine different houses. You can choose any of the houses except for the one in the center which is saved for last. Each house is based around a specific enemy type and consists of ten levels. The enemies themselves may have multiple variants, and the more difficult versions appear in the later levels of the house. The final level in each house is a boss fight that somehow incorporates the base enemy for that house. Let’s talk about each one!

The upper left area is the house of Moko-Moko, and this is the recommend level to begin the game. Moko-Moko is a rather plain enemy that doesn’t do anything other than walk around. The second form of Moko-Moko has light blue coloring, and he splits into two smaller enemies whenever you push him.

The upper area is the house of Dragon. This enemy moves by making small jumps across the board. You can only push Dragon whenever he lands on the ground, so you have to time your shuffles to fight them. There are three different versions of Dragon. The normal one wears pink pants. The second version wears green pants and they don’t start hoping around until you approach them. The third version wears red and makes longer jumps.

The upper right area is the house of Vinci. These are often referred to as doodlers. They move slowly around the level and will occasionally stop on a panel to draw on them. This leaves them vulnerable to attack. If the finish their drawing, that panel becomes locked. The normal doodlers wear pink, and the green ones can also generate a ghost enemy upon completing a drawing. One interesting tactic is that is it possible to leave every tile in the level locked by either doodles or lock panels. If this happens, you win the level automatically and get a large point bonus to boot.

The right area is the house of Toby. These enemies take a long jump straight up if you try and shuffle the panel beneath them, but they are vulnerable when they land. While waiting for one to land, you can easily get surrounded by other ones. The ones with red hair jump higher than the ones with brown hair.

The lower right area is the house of Mira. They attempt to imitate your movements. They take a step forward when you do, and they shuffle panels when you do. They will even move if you simply turn your body in another direction. If you stand still they don’t move at all and the music even stops. They can shove each other so you can get them to defeat themselves sometimes. The red versions move faster than the yellow ones.

The lower area is the house of Wasser. They are swimmers and are often referred to as such. They will walk around the perimeter of the level and then swim straight across the stage when they line up with you. As they swim across, they shuffle the panels behind them with their feet. Wasser is a clever enemy type in my opinion. The regular version of Wasser is colored green and they swim in straight lines, while the harder blue version swims at angles and can also turn toward you mid-swim.

The lower left area is the house of Tako. These enemies are dancers and resemble ballerinas. Most enemies cannot move diagonally, but Tako can. They glide around the level homing in on you, but they take time to turn around if they pass you. Eventually they wear out and stop for a break before moving again. The normal Tako is orange, and the red ones move much faster and can break through metal panels.

The left area is the house of Sumo. These are large, slow enemies that only get pushed a short distance, so the idea is to keep pushing them several times consecutively. After a Sumo is shoved, he will attempt a sumo stomp that shuffles a wave of panels away from him. The white Sumo is the regular type, and the purple one is heavier and takes more shuffles to move.

Once all eight houses are finished, Mendel Palace in the center opens. This stage features ten more levels that use all the enemy types so far. After that, there are ten final levels that feature one last enemy type.

Mendel Palace is a difficult game to take on all at once. The enemies swarm constantly and it takes either good technique or luck to get the breathing room to start defeating them. The difficulty is mitigated heavily by unlimited continues. After Game Over, the title screen displays the word Continue and all you have to do is press Start to resume play at the same level you lost. As long as you keep the NES powered on, you can brute force the entire game one level at a time. Holding the A button causes the Continue text to disappear, so if you want to start all over you have to press Start with A held down. It’s very kind of the developers that they made it simple to continue and you have to go out of your way to start completely over.

I have played some Mendel Palace before for the NintendoAge contest. I got a taste of each of the houses as I tried to figure out the best way to score the most points. The later part of the game was all new to me. Mendel Palace is not exactly common, but it is not hard to find online. I picked up my copy at a local store during a buy two, get one free promotion. I believe I bought Mendel Palace, TaleSpin, and Whomp ‘Em together for $16 total. That is a little more than what Mendel Palace is worth alone at the time of this writing, and I did particularly good on Whomp ‘Em given its current price.

I intended to play Mendel Palace for about an hour, but like most good intentions of mine that turned into me beating the game over about two hours. Some of the later levels are very challenging and it made me want to keep playing until I could surpass them. However, not only was I not recording my playthrough, but I also forgot to take a picture of the TV when I finished. It took me about a week before I got the time to play through the game with everything set up. I think I played the second time a little better but I still died plenty.

Mendel Palace has a secret Extra mode containing 100 new levels. Nothing in the manual or the game mentioned this mode. To play Extra mode, first make sure the NES is powered off. Then hold down Start and Select and turn on the NES. If successful, you will see the word Extra on top of the title as well as a different color on the title text. This mode has a few differences over the normal game. The biggest change is that there is no map or level selection. Instead you play all 100 rounds in the same order. There are stars but there is no counter displayed like in the normal mode. The number of extra lives caps out at five and even the lives display is different. You will get different enemies from level to level instead of grouped together. This mode is significantly harder than the normal game. It took me almost three hours to finish all the levels and I stayed up way too late to get it done. The ending you get is the same as the normal game, so this is purely an optional mode. I beat it anyway because I really like Mendel Palace and I’m not going to leave new levels on the table.

Mendel Palace is a very fun game and one that I give my full recommendation. There’s not another game quite like it, and all the different enemy types, stage layouts, and the action all bundle together nicely. The music is upbeat and catchy, and the graphics have a pastel and almost cell shaded look to them. There’s a lot of stuff going on at one time, from the multiple panel shuffling animations to the marble spray when an enemy bites the dust. Mendel Palace manages to run fast despite all the action on screen. There is a lot of sprite flicker, and that’s a negative you have to accept for a game like this on the limited NES hardware. A few stages and bosses are very frustrating in their difficulty too. Aside from those complaints, Mendel Palace is this weird game that’s a blast to play.