You gotta beat down before you get beat down.

To Beat: Win a game
Played: 1/27/20
Difficulty: 2/10
My Difficulty: 2/10
My Video: Arch Rivals Longplay

Prior to this project, the only basketball video game I ever really played was NBA Jam.  I have had a lot of fun with that game, shoving guys around, stealing the ball, and going in for the big dunk.  Now that I have played a few more games that came before it, I am starting to build an understanding of how they paved the way to NBA Jam.  Back when I reviewed Magic Johnson’s Fast Break, I noted how it felt a little bit like NBA Jam but without all the visceral actions.  Arch Rivals is a much bigger step forward and feels a lot like a prototype for NBA Jam.

Arch Rivals originated in the arcades in 1989.  The game was developed and published by Midway.  Jeff Nauman and Brian Colin are credited as co-developers, with Jeff Nauman doing the programming and Brian Colin creating the art.  Dan Forden is listed as the composer.  The NES port of the game was programmed by Rare and published by Acclaim, releasing in North America in November 1990 and in PAL territories in 1991.  In 1992 the game was ported to both the Sega Genesis and Game Gear.  Arch Rivals also re-appeared in a few different Midway game compilations.

After booting up the game, the first thing you’ll do is set up the game on the selection screen.  There are six different teams in the game, but they only amount to a palette swap.  Press B to switch between pairings of teams until you get to the setup you want.  The A button brings you to some instructions screens so you can learn from the game without needing the manual.  Neat!  The Select button switches between single player and two player modes.  The Start button advances you ahead to the player selection screen.

Regardless of team, you can select from one of eight players to control.  Each player has a character portrait and a short description of his attributes.  Tyrone is the defensive giant.  Vinnie is a great player!  Hammer is the rebound king.  Moose is a real champ.  Lewis is a top shooter.  Blade is a crowd pleaser.  Mohawk is tough and mean.  And finally, Reggie is All-American.  Really stirring stuff here, am I right?  Anyway, choose the player you want and press Start.  For my game I chose Lewis because I always like to have a good shooter.

This is a pretty simple basketball game with one big gimmick.  Games are played two-on-two, you only play single games, each quarter is four minutes long, and there are no difficulty levels.  What sets this game apart is that you can hit and shove your opponents freely without fouling.  I mean, this is called out as “A BasketBrawl” after all.  The manual mentions a shot clock violation as the only penalty but I’m not sure even that exists in this game.  Every time someone scores, you’ll see a brief animation of either one of the coaches or a cheerleader, something like that.  I think that serves the purpose of lengthening the game since contests are short and the action is quick.

The control scheme depends largely on who is holding the ball.  On offense, you press A to shoot and B to pass.  When you are near the basket you will dunk the ball instead.  If your teammate has the ball, you can direct him to shoot and pass with A and B respectively.  If you have the ball, you can do a fakeout move by holding down B, then A to shoot.  After shooting the ball, either you or your teammate, you can press A to jump to try and recover a rebound.  On defense, you press A to jump or use B to fight your opponents.  Press and hold B to “charge up,” then release B to deliver a punch, hopefully clocking the opponent and letting the ball loose.  If you hold B and press A instead, you will do a lunge move.  You can use the lunge to steal the ball away, but if you miss you roll on the ground and lose control of your player for a little bit.

There are a few minor things during gameplay to be made aware of.  This game scrolls the length of the court, so sometimes you or your teammate will be off-screen.  In this case, an arrow will show where the player is positioned.  The referee is pretty useless in the game with not calling any fouls, and he will often get in the way of the action.  If you collide with the ref, you get knocked down and you’ll lose your ball.  Sometimes people in the crowd toss out trash onto the court and that will trip you up the same way.  Another purely cosmetic thing you can do is that sometimes during a dunk the backboard will shatter.  I loved doing that in NBA Jam.

There are some small events between quarters to break up the action.  In between the first and third quarters, you will get a small word from their sponsors, as well as some brief gameplay tips.  At halftime, you get a very short halftime show from the cheerleading squad.  The end of game features those sweet, sweet statistics.  You can enter your high score on the leaderboard, which is how many points your player scored.  Next, you’ll see stats from the game.  They are points scored, shot percentage, steals, and rebounds, which are compared to some fictitious averages.  Finally, you’ll see where you ranked on the leaderboard.  Very exciting!

This was my first time playing through Arch Rivals, as it was my first time for all these NES basketball games.  I first bought this game at my local store back when they had cheap and plentiful NES games.  I don’t remember for sure if this was a $3 or $5 game, but I bought it with others Buy 3 Get 1 Free which is always nice when you can cherry pick your titles.  I got a few additional copies through buying lots.

For this game, I had to use different strategies from my normal approach to basketball games.  My game plan is always to shoot threes, as often as possible.  For my player I chose Lewis as he is of course the “Top Shooter.”  This was the first time that my strategy let me down.  I had a really hard time getting open just to shoot the three, and when I did I missed most of the time.  I can’t tell if it was because I didn’t have a clear shot, didn’t time the shot well, or didn’t find the right spot.  My plan wasn’t working and I was losing badly.  Early in the 3rd quarter, I was down 36-21, which was when I finally figured out the trick.  Naturally it was right in front of me the whole time.  This is a game where you can foul freely, so at every opportunity I started punching the other team.  When they held the ball, I punched.  After they shot, I punched.  While waiting for the rebound, I punched.  When I got the ball, I tried to dunk which seemed to be the most effective method of scoring.  After scoring, when the other team gets the ball, that ended up being the perfect time to punch the ball away and dunk immediately, forming a nice scoring loop.  I mounted my comeback at that point, winning the game 65-54.

Arch Rivals is a little bit different from your normal NES basketball game, and certainly it is the predecessor to NBA Jam.  I would say the game has good presentation, with features like the in-game manual, a nice cast of characters to choose from, and some animated spectators in the background.  The music does not play a main role in the game, but it is fine nevertheless.  The gameplay is fast action.  Two-on-two suits this game well, though there is a lot of flickering especially when the players are all clumped together.  Punching takes a little while to get used to because it triggers when you release the button, not when you press it.  It’s such a vital weapon that you’ll figure it out.  The way I played the game mirrored how I used to play NBA Jam: Constantly knock guys over to steal the ball, then dunk.  In one way it felt right at home, but in another way it felt weird to deviate from my normal strategy that has worked in other NES basketball games.  This is not a bad game at all.  I don’t think it would hold up for repeated play, but one time through was nice.

Big money! Big prizes! I love it!

To Beat: Reach the ending
Played: 1/2/19 – 1/4/19
Difficulty: 8/10
My Difficulty: 5/10
My Video: Smash TV Longplay

I had Super Smash TV on the SNES growing up. I probably got it from a yard sale or something, but I remember spending a lot of time playing the game. I wasn’t really that good at the game though. Maybe that version is really tough to beat. I didn’t know the NES had a port of the game until I started digging deeper into the library. With as frantic and sprite heavy as the SNES version is, it blows my mind that they even tried to replicate this style of game on the NES, let alone pull it off. Even though I still can’t believe this game exists on the NES, I’m glad it does.

Smash TV is a 1990 arcade game both developed and published by Williams. The game creators are Eugene Jarvis and Mark Turmell. The game was ported to several home consoles under the title Super Smash TV. The home computer versions, as well as the NES version, retained the Smash TV name. The NES version was released in September 1991. It was developed by Beam Software and published by Acclaim Entertainment. The game also had a PAL release in 1991.

Smash TV takes place in 1999. Thankfully, we didn’t get this timeline where TV has become ultra-violent. Game shows have turned into life-or-death competitions with huge prizes at stake for the survivors. Smash TV is the biggest hit show at the time where one or two contestants fend off hundreds of opponents in the arena in hopes of becoming grand champions. You play the role of one of these contestants as you try to survive over four levels.

This game is a top-down twin-stick shooter game. Hordes of enemies appear from the four doors on each side of the room. Your job is to shoot down all of the threats that appear before you can move on to the next room. Of course, since it’s a game show, you also want to pick up as much cash or prizes as you can carry. Clearing each room opens at least one exit to an adjacent room. There is a map that shows which rooms connect so that you can plan your way to the boss room at the other end of the stage.

The basic controls are simple enough but tricky to use. Use the D-pad to move in all eight directions. The A button fires your weapons in the direction you are moving. The B button lets you focus your firepower in the last direction you shot so that you can shoot and move in different directions at the same time. This is a far cry from the arcade version where you had two joysticks for independent walking and firing at all times. The SNES version with the four face buttons on the controller worked well for a twin-stick setup. Fortunately, there’s a much better way. Smash TV on NES features a two-controller setup. Plug two controllers in and hold one in each hand with the D-pad at the top. The controller 1 D-pad moves the player while the controller 2 D-pad controls shooting. Smash TV has a two-player mode and supports four controllers so that both players can enjoy the two-controller setup. I highly recommend playing this game with the dual-controller option.

Your standard weapon is a pea shooter with unlimited ammo. While sufficient, you will do better with different weapons. Pickups appear on the ground as square icons while you fight. There are three special weapons. First is the scatter gun. This gives you three-way shooting which clears up a lot of space. Next are the missiles. These are powerful, piercing shots that can take out a row of enemies or even some stronger ones in just one hit. The spew weapon looks like a grenade and fires a swarm of short-range projectiles out in front of you. Each of these three weapons has limited ammo. Underneath your score is a green bar that indicates how much ammo you have. Grab a new weapon to change weapons or grab the same one to top off your ammo.

There are other helpful pickups too. Cash, gold bars, and presents are just for points, so while not necessary for survival, this is kind of your goal and you might as well grab some. The shoes increase your walking speed, but it seems to last just for your current screen and you lose it if you die. A circular ring icon is the shield, which makes you invincible so you can defeat enemies by running into them. This is given to you by default when you begin a new life. The icon with triangles gives you ninja blades. These are five blades that circle around you and wipe out enemies. Individual blades eventually go away after hitting so many targets. This powerup stops you from moving all the way to the edge of the screen, so that’s something to keep in mind. A little person icon gives you an extra life.

There are several types of enemies to deal with. Most of the enemies are standard grunts that always move toward you. Others take more effort to defeat. Orbs bounce around the playfield and shoot lasers. Shrapnel bombs walk the perimeter before exploding into shards that kill you. Tanks absorb a lot of firepower before going down. Wall gunners are very resistant to firepower and repeatedly shoot at you. Huge robot snakes slide around the screen and you have to destroy each piece of it to put it down. Red swarmers are many little red dots that clump together and fly around the screen. There are also stationary mines that kill you if you take a wrong step.

After the first screen of each stage is completed, a map is displayed. This shows the end level boss room as well as any treasure rooms. These rooms provide you with a bunch of cash and prizes from the moment you step inside. The rooms then get filled with enemies and tend to be more difficult than other rooms. These are good places to go if you want a high score.

Each stage ends in a boss battle. The arcade version has huge bosses that weren’t possible on the NES hardware. On the NES, they are smaller in size and seem to be easier fights than on other platforms. The cobra boss takes on a different form than the arcade version so that fight is the most different from the others. No matter what, you have to use a lot of firepower to put them out of their misery.

You begin each stage with five lives. Extra life pickups appear at random, but they tend to show up often. Due to the nature of the game and all the constant enemies, death is common. This is a problem for a few reasons. There are no continues in the game so you have to start all over if you run out of lives. You are capped at nine lives and can’t pick up any more beyond that. Also, each new stage after the boss puts you back at the default number of lives, so there’s no benefit to stockpiling lives in early levels since they don’t carry over to later stages.

I beat Smash TV once before back in 2014 as part of the NA weekly contest. I got 4th place that week with a score over 12 million points. I don’t remember where I picked this game up. It’s not very common but not too expensive when you do find a copy. Carts cost around $10. An interesting side note on collectibility is that Acclaim at one point manufactured their own carts. This matters because their carts have poorer quality labels where the glue bleeds through the white part of the label and the label fold starts to chip a little bit. My copy of Smash TV looks really good all things considered, but some of my other Acclaim games are not so hot.

While Super Smash TV is challenging enough that I haven’t yet finished it on my own, the NES port of Smash TV is easier. That’s not to say the game is easy at all. I didn’t have a lot of trouble with the game playing it for myself. There’s a bit of luck involved if you happen to run into more extra lives than usual, but skill is king and what will push you through. To that end, using the two-controller setup is essential for succeeding in this game. I tried out the normal control setup for a level or so and managed okay, but that would become a problem in the later levels where the enemies get tougher and the screens take longer. There’s no substitute for having separate movement and shooting controls in all directions.

This game was tough to pin a difficulty on. I’m not so sure my past experience beating the game helped me that much. It was more my skill with this style of game. I don’t hear about people playing and beating this game very much. In the contest I played in 2014, only four people beat the game, and there were a lot of skilled gamers playing then. I don’t think this is an undesirable game that people are avoiding because they don’t think it’s fun to play. My gut tells me that this is an above-average game in difficulty that I happen to be good at. Having no continues bumps it up a notch too.

One thing I noticed playing this time was that my ending score was significantly lower than what I scored back in 2014. I played through all levels taking the top route just because I like consistency. The first stage has only one treasure room that is located on the top route so I just stuck with that path in the other levels too. Based on my 2014 score and forum posts from that week, I am pretty sure the lower routes in the other two stages are more lucrative for scoring. Points in this game are highly correlated with the number of enemies defeated. This leads me to believe that in general the upper routes have fewer enemies and therefore are easier than the lower routes. The ending doesn’t change on score or route or anything like that, and there’s no difficulty setting, so just pick whichever way you want.

There’s one more interesting tidbit about this game. The arcade version and at least the SNES version from my experience feature keys as item pickups. After the third stage boss, there are key rooms that unlock depending on if you hold enough keys. The manual for the NES game briefly mentions both key rooms and keys. However, there are no keys to pick up in the NES version at all. You still get to play the key rooms anyway between the third boss and the final boss which is often considered the fourth and final level of the game. It’s just a small, weird oversight of the NES port.

Smash TV is a really fun action game and the NES port is a great one to play. The gameplay and controls are both excellent. Movement is responsive and enemies get blasted constantly. The graphics are on the simplistic side, but the sheer number of enemies and bullets rendered on screen at the same time is awfully impressive for the NES. There is some sprite flickering which is to be expected, but there is either infrequent or no slowdown. The music is okay but gets repetitive and takes a backseat to the action anyway. The game is also repetitive and lengthy and will wear out your thumbs after some time. Smash TV on NES is an admirable port and worth playing for NES fans, even though I like the SNES version much better.

This game is not so bodacious, dudes!

To Beat: Reach the ending
Played: 11/5/18 – 11/28/18
Difficulty: 5/10
My Difficulty: 5/10
My Video: Bill & Ted’s Excellent Video Game Adventure Final Level

Another day, another video game adaptation of a movie I haven’t seen.  In this case, I have at least played the game before.  Bill & Ted’s Excellent Adventure seems like a strange choice for a tie-in video game.  It could make for a decent educational game with all the historical figures from different time periods.  Instead, we ended up with a game that’s not much educational but has all the fun of an educational game, meaning it’s not that exciting.  Kudos to the developers for trying, at least.

Bill & Ted’s Excellent Adventure is a comedy from 1989.  In the movie, two high school students from San Dimas, California get access to a time machine that allows them to collect various historical figures to help them complete a history project.  Stephen Herek directed the film which stars Keanu Reeves, Alex Winter, and George Carlin.  While not a critical success, it performed well at the box office.  A sequel, Bill & Ted’s Bogus Journey, was released in 1991.  A third installment is reported to be in the works as of May 2018.

The movie spawned several video games that are all unique from each other.  The NES game, Bill & Ted’s Excellent Video Game Adventure, was released in August 1991.  It was developed by Rocket Science Games and was published by Acclaim Entertainment under the LJN label.  This wasn’t the first game based on the movie.  The PC version from 1989 was a graphical adventure game.  The Game Boy game, aptly title Bill & Ted’s Excellent Game Boy Adventure, was a puzzle platformer.  Finally, the Atari Lynx version also from 1991 is a top-down adventure game.

Bill & Ted’s Excellent Video Game Adventure on the NES is an isometric adventure game with a plot loosely based on the movie.  Rufus from the movie summons both Bill and Ted to help on an important mission.  Space-time rebels have used the time machine to take historical figures and put them in the wrong time periods.  Both Bill and Ted must work separately to find each person and return him or her to the correct time period.  They need to do this because if history isn’t made right again, our heroes will miss the big concert that will launch the career of their band the Wyld Stallyns.  Unfortunately, they only have access to a pay phone that requires coins before they can time travel.  Your job as Bill or Ted is to find both the historical figure and a specific item that you can use to lure them back home.  You beat the game once you finish all six levels.

After finishing or skipping the introductory story segments, you are presented with a phone book of sixteen historical figures.  (Interestingly, none of these people played a part in the film from what I’ve read.)  The last page in the phone book is your password, which is a seven-digit telephone number that always starts with the fictitious prefix 555.  As you thumb through the phone book, you will come across a second telephone number on one of the pages that blinks red.  This is the number for the person you need to locate in the wrong period.  Press Select at any time to bring up the telephone.  Press A to dial digits and press B to undo them if you make a mistake.  When you have the blinking red number entered correctly, press A to connect the call.  You also use this same telephone screen to enter passwords.

Placing a call puts you in the Circuits of Time.  This is a mini-game that allows you to complete the call.  There are circuits in the background along with circled junctions, one of which contains a spinning phone booth.  Most of the junctions contain one digit of the call you are placing.  The idea is to move to the right from junction to junction until you get to the junction with the last digit of the phone number.  If you don’t do anything on this screen for too long, you will automatically transfer the phone booth to the next junction along the circuits.  You want to avoid this if possible because each automatic transfer costs two coins.  You start out with 15 coins but they get spent very fast this way.  What you can do is press A to launch the phone booth out of its junction in the direction it is facing.  This costs no coins and lets you skip ahead digits if you aim properly.  There is also a red floating junction that you can control with the D-pad used to catch the phone booth if it goes in the wrong direction.  Some junctions contain skulls which both deduct a coin and fire off the phone booth in a random direction, often setting back your progress.  When you reach the last digit, you will have to leave things alone and let the call finish.  The circuit ends in a three-way fork, and as the call is finishing you can take the top fork by holding Up, the bottom fork by holding Down, or the center fork without touching the D-pad.  This determines where you land in the next area.

The main part of the game takes place on the ground in one of five time periods: Medieval World, Western World, U.S. Revolutionary World, Modern World, and Ancient World.  These levels are in the isometric perspective and you can walk around freely.  Use the D-pad to walk around.  Pressing Up moves you to the upper-right and all the other directions follow from that same angle.  It acts just like the default movement in Q*bert.  Press the A button to jump.  You take pretty large jumps and you can leap over some areas you can’t normally walk on.  However, if you land in a non-walkable area you will fall down and get temporarily stuck.  The only way out is to jump your way out, and sometimes it can take several jumps to get back on the path.  Use the B button to toss out your Good Stuff to help ward off some of the angrier locals.

Pressing either Start or Select during gameplay brings up a menu screen where you can see and do a few things.  The upper left shows where you place another call, should you so choose.  Hold Up and press A to bring up the touch pad to place a call.  In the upper right are the keys you need to get you out of jail.  Your Good Stuff is in the middle, along with a red selection box that you can move to choose which item you want to use with the B button during play.  You also see your coin count and which historical items you have collected so far.

As you are exploring the worlds, there are locals also moving around.  There are three types of locals who are distinguished by how they behave.  One type is the standing local.  You can walk up to them and talk to them.  They can give you items, coins, or hints on where items or historical figures might be found.  They also might tell you to leave them alone.  After speaking with them, they turn into the second kind of local which is the walking local.  They move slowly and mind their own business.  Don’t try to talk to them or even walk up to them.  When they are on the move they get angry and standing in their way will cost you a coin.  If you don’t have any coins left, then you get thrown in jail instead.  The third kind of local is the angry local.  They will pursue you directly with arms outstretched.  If you get caught by one of them, you get thrown directly in jail.

When locals are causing you trouble, you can use your Good Stuff.  These are four different disposable items that affect the locals.  Press the B button to throw them.  You can throw different distances depending on how long you hold the button.  Pudding cups draw all locals toward them.  You normally want to throw them in the opposite direction you want to go.  Should a local grab the pudding off the ground, all the locals will go back to their original state except for the one who got the pudding.  That person mellows down.  Firecrackers have the opposite effect; when you throw one everyone runs away.  You can also throw a firecracker close enough to someone to blow them up.  Harsh!  Highly dangerous textbooks are smart bombs that clear the screen of locals.  Finally, cassette tapes start up some music that makes everyone dance.  Now you can go freely for a little while, but you still need to keep from running into a dancer or you’ll get tossed in jail.  Also, when the music runs out, any local on screen will switch to angry mode.

At the start, you are dropped off in a world you don’t know while trying to find someone without knowing their location.  You are going to need some assistance from the locals.  Occasionally, a standing local will provide some information on where you might look for items or which direction you should go to find the historical figure.  You will have better luck holding conversations with people indoors, but they aren’t always easy to find.  Throughout the worlds there are several buildings or houses with open doors.  Sometimes the door is locked and you can’t get in.  Other times you come into an empty room.  These rooms often act as warp rooms where you can jump to a different building across the map by leaving through the other door in the room.  Other rooms will have someone standing inside that you can talk with.

You can engage in conversation with a person within their home or building.  Walk up to them to start talking, then press A to advance the dialog.  When it is your turn to respond, you will see some possible numbered responses.  Press A to cycle through the different options, then press B on the one you want to say.  Each person has at least one possible conversation where they will be persuaded to help you out by giving you a hint on where you can find something outside.  Say the wrong thing and you will either anger all the locals outside or even get thrown directly in jail.  You get to learn which things to say to help get what you want.  After you leave, you can’t go back into the building you just left until you enter another one first.

The historical figures will always be located inside one of the buildings, however either they won’t be in the room or the outside door will stay locked until you first hold their historical item to lure them out.  There are both sixteen historical figures and sixteen historical items in the game, and it’s up to you to figure out which item belongs to which person.  All the people and items are listed out in the manual, so I did some pre-work to try and match them up beforehand.  Some pairs make sense right away, like King Arthur and the Holy Grail.  Some of them are silly matchups based on jokes, like Julius Caesar and Salad Dressing.  A few of them had an unexpected match.  For instance, I assumed Elvis would like the CD Player but that’s not the right pairing.

Finding the items is one of the biggest challenges in the game.  The items are located outside in very specific locations.  These are all off the main walking path and you have to reach them by jumping on top of them.  Did I mention they are invisible?  The hints you get for their locations are generally unclear, like “check the last fence” or “there’s something near a rock in the north.”  What helped me the most were the maps listed in the manual.  They give you the general structure of the world as well as a few specific locations marked.  They show you where the jail is, as well as the lower, middle, and upper portals, which correspond to which branch you took entering the world through the Circuits of Time.  The unmarked dots on the map represent either a building you can enter, a hidden stash of Good Stuff, or one of the historical items.  (I deduced that after playing for a while.)  The specific location of those dots on the map are not accurate, but they do help determine how many things you should be looking for between intersections.  You will still have to comb over areas well enough to find the item spots.  When do you find one, write the location down so that you can better find it again later.

The maps also indicate horse paths and canoeing sections.  You can take a canoe or ride a horse by approaching the path from the southmost entrance and hopping on.  Both generally function the same way.  Use Left or Right to steer, press Up to move faster and press Down to move slower.  On horseback you can jump over obstacles with A.  In the canoe you can find items on bubbling spots in the water.  If you make it all the way to the end, you earn some coins.  If you crash, then you don’t get anything.  Falling in the water pushes you all the way upstream, while if you fall of the horse you have to walk from where you landed.  I had a bad habit of missing the jump to the canoe at the start of the path, which also pushes you all the way upstream with no rewards.

When you find both the item and historical figure, you get a chance at sending them back to their own time.  You speak with the person and select the item the same way you handle conversation dialogs.  Pick the wrong item and you get thrown in jail, plus you have to locate the historical figure all over again.  Choose the right one and they will call a phone booth over so that you can complete the call through the Circuits of Time.  Completing the call returns the person, but if you run out of coins you get returned to the world and must collect enough coins to try again.

I’ve mentioned jail a lot and all the different ways you get sent there.  The concept is simple enough.  You can get out of jail by using one of your skeleton keys and walking right out the door.  It’s weird that the jailer doesn’t confiscate your things.  If you run out of keys, you are stuck there and it’s Game Over.  The worst part of jail is that it’s often located far away from where you need to go.

There are six levels in the game.  In Levels 1 and 2, you only have to return one person.  In Levels 3 and 4 you need to find two people, and in Levels 5 and 6 you get to return three people.  Each historical figure is in a separate world along with his or her corresponding item, so thankfully there are no crossing time periods to match an item up with its historical figure, at least that I noticed.  After completing each stage, you get to see the Wyld Stallyns in concert.  While not great musicians, they do progressively get better the further you get in the game.

I’m not sure how I ended up with this game, but I had just the loose cart in my childhood game collection.  I do remember spending some significant time with the game, but I have no idea how far I got or what I accomplished.  With no manual I had to go at it truly alone.  When you’re a kid who likes video games, you will spend a lot of time playing just about anything.  A loose cart is cheap, but in my experience, it was one I didn’t see much.  I believe my childhood copy is the only one I’ve owned.

It took me some time to get going on this game.  I managed to clear a couple of levels in the first week mostly by dumb luck.  A few days in I figured out what kind of information I could glean from the maps, so then I started mapping everything I could find.  Most of my time spent playing the game was doing the mapping and carefully examining every stretch of land.  I figured out most if not all of the possible landing spots for the historical figure in each world as well as all item locations but one.  Each world has four historical items but I only located three in the U.S. Revolutionary World.  The last level turned out to be pretty challenging and I just barely finished it in my video.  I ran out of keys after returning two of the three people and had to play super carefully.  The last person was in the U.S. Revolutionary World and the item I needed was found in the third and final position I documented, so I almost got stuck not knowing where the item would be.

Bill & Ted’s Excellent Video Game Adventure is always perceived as an undesirable NES game.  My view is that the game is essentially video game busy work.  The recipe for success in this game is having a good sense of direction and taking notes all the time, with a side of endless perseverance.  I made progress just about every time I played, no matter how little time I spent.  Every element on the map marked, every conversation I figured out, and every historical item properly associated with its owner helped the next time I played go a little bit smoother.  This makes the game tedious to play, but not necessarily difficult.  The number of angry locals increases in the final stages, but by then you know how to handle them with items or getting yourself off the main path where they can’t reach you.  The person’s location and items are always randomized, but there are only so many places they could be and you will narrow things down.  Sometimes you just get lucky and find what you need right away.  I imagine few people have beaten the game due to the time it takes to build up a knowledge base and catch a lucky streak, while stretching that out over several levels.  I feel comfortable saying it’s an average difficulty game with an above average amount of time and effort needed to see it through.

I will say that Bill & Ted’s Excellent Video Game Adventure is mostly a technically solid game.  There aren’t that many NES games with isometric viewpoints, and this game manages that along with a jumping mechanic for veering off the path occasionally.  The graphics are nice, particularly the character sprites and some of the background elements.  The music is pretty good but they didn’t loop any of the tracks, while eventually results in silence a lot of the time.  The controls work well.  The only sticking point is that jumping when off the path only works if you allow Bill or Ted time to stand up first.  The music issue is kind of bad, but other than that the game works well enough.  It’s just that the gameplay is dull, repetitive, and dragging.  It’s like filling out a spreadsheet where the cursor repositions itself at random.  One wrong step and you get thrown in jail, and now you have to backtrack or try a different way.  You are asked to do this history hunting too many times over.  I’m not sure what they could have done to make the game more varied.  Maybe you already knew about this game and just thought maybe you misunderstood it.  I’m here to tell you all your assumptions were true.  I don’t hate this game, but I wouldn’t recommend playing it.

Whatcha gonna do brother when Hulkamania runs wild on you?

To Beat: Win the Tournament
Played: 8/6/18 – 8/8/18
Difficulty: 6/10
My Difficulty: 6/10
My Video: WWF WrestleMania Longplay

I was a teenage boy and for a season I was really into professional wrestling. I happened to get interested in WCW during the time when it overtook WWF in popularity, and then I unceremoniously got out of it sometime before WWF acquired it. The NES wrestling games vastly favored the WWF license over WCW with four NES titles to one. I am familiar with many of the WWF stars from this period as they eventually crossed over into WCW. Hulk Hogan on the cover of NES WWF WrestleMania, for instance, was a huge part of the nWo and his entry into that group was very shocking for me as a young fan. Playing this NES game rekindled a lot of nostalgia for that period in my life. Of course what matters now, nostalgia aside, is if the game is any good.

The current WWE began in 1952 as Capitol Wrestling Corporation and was created by Jess McMahon and Toots Mondt. It was part of the broader National Wrestling Alliance, or NWA. The owners at that time, Mondt and Jess’s son Vincent, withdrew from NWA in 1963 over a dispute and created the WWWF, which eventually rejoined in NWA in 1971 and was renamed to the World Wrestling Federation, or WWF, in 1979. Vincent McMahon Jr. created Titan Sports in 1980 and bought Capitol from his father in 1982. Vince Jr. helped usher in the WWF Golden Age in the 1980s. WWF acquired its main competitor, WCW, in 2001. In 2002, WWF was renamed to World Wrestling Entertainment, or WWE, after a dispute with the World Wildlife Fund. WWE is currently the biggest professional wrestling promotion in the world.

WWF WrestleMania is the first of four WWF licensed NES games. The other three games are WWF WrestleMania Challenge, WWF WrestleMania: Steel Cage Challenge, and WWF King of the Ring. WWF WrestleMania was developed by Rare and published by Acclaim Entertainment. It was released in January 1989 on the NES in North America only.

WWF Wrestlemania is a straightforward professional wrestling game. There are six characters to choose from: “The Million Dollar Man” Ted DiBiase, Bam Bam Bigelow, The Honky Tonk Man, “Macho Man” Randy Savage, Andre the Giant, and Hulk Hogan. Matches take place between two wrestlers in the ring until one of them wins by pinfall. The game supports up to six players though only two may play at one time. One or two players can play a standard match, or one to six players may compete in a Tournament format. To beat the game, you have to win the Tournament mode in single player.

At the start of the game you will choose the number of players and the corresponding mode. A name entry screen appears for each player after the mode is chosen. Use the D-pad to move the cursor and press A to make selections. Names are up to six characters long. For multiple players, odd numbered players use the first controller and even numbered players use the second controller. After name entry, choose from one of the six wrestlers. Press Up or Down to choose. You will see his profile picture and some short stats. Press A on the one you want. After all selections are made, you will see the Pre-Bout screen with the participants of the next match. Now the fun begins!

Fights take place on a single screen with the stats on top and the match on the bottom. On each side of the top of the screen are the character portraits and the vertical energy bars for each player. In the center is the match timer and the bell that rings at the end of the match.

The controls are a little more complex than they first appear. You walk around the ring with the D-pad and you can walk in all directions. You can press either A or B to do some basic strikes against your opponent. From here it gets more complicated as some wrestlers can’t perform certain moves. I won’t go into all these details, but the manual has a couple of charts detailing all this and I suggest you look that up before trying this game. One more thing all wrestlers have in common is running mode. Press and hold either Left or Right, and then hold A to engage running mode. You can let go of the D-pad, and then let go of the A button to stay locked into running mode without touching any of the buttons. You will rebound back and forth between the ropes until you press a button to get out of the mode or your opponent gets in the way.

The remaining moves can only be performed by some wrestlers. While in running mode, you can press A or B to do a running attack. You can do a different move by pressing either A or B while holding Up or Down. One of these, usually with the B button, is how you pin your opponent when they are laid out on the mat. If you have your back to the opponent and press A and B at the same time, you will do a strong back move. If you are facing your opponent and press A and B together, you can do a bodyslam. However, you need to have more energy than your opponent to pull off the bodyslam, otherwise you will default to the back move. Finally, some wrestlers can do a move off the turnbuckle. To climb up on the turnbuckle, you need to engage running mode while all the way at the bottom of the screen. Just as your approach the corner, press B. If your timing is good, you will climb onto the turnbuckle and then dive off all in one move. Even though there are turnbuckles at the top of the screen, you can’t climb on those. Weird, I know.

To win a match, first you need to drain all of the energy from your opponent. When he’s down, you need to pin him. Stand next to him and press either Up or Down combined with either A or B depending on your wrestler to pin. A three-count will start, and if your opponent is still down at three, the bell rings and you win the match. Often, just getting the energy bar emptied is not quite enough to keep him pinned down. Sometimes he will get up right away and other times he will stay down for quite some time. You can get a feel for when he will stay down longer than usual with some experience. On the flip side, your opponent is also trying to drain your energy and pin you too. You will rise automatically if you are knocked down with energy remaining, but if you don’t, mash the Up button on the D-pad to get up as quickly as you can.

There are a few additional mechanics and things to look out for in the game. Energy meters slowly grow over time. You have to keep up the offensive or your opponent can get back into the game. There is an additional way to earn back some energy in the form of a powerup. That’s right, this game has a powerup called the energizer. Each wrestler has his own energizer listed in the game manual. Energizers appear from the top left of the screen, go across the top of the ring, and then exit on the right side. You want to collect your energizer if you are near it, and likewise you want to keep your opponent away from his. There is also an anger mechanic. If someone gets hit a bunch, his skin will change color from pink to red. Moves do more damage while in this angered state.

The timer is of some importance as well. There is no timer in a standard match, either single player or two-player. In fact, a two-player match with one person is a great environment for practicing moves and timing, all without worrying about the timer. The timer runs in tournament mode only. It counts up to three minutes, and if there isn’t a winner to that point, the match is considered a draw. You will get an instant rematch, and these will continue until there is a clear winner.

To win single-player Tournament mode, you pick a wrestler and then you have to win against all other wrestlers in order. You can tie via the timer as many times as necessary, but lose once and you’re out. A multi-player tournament functions more like an actual tournament. The computer controls the remaining wrestlers and everyone plays each other once for a total of fifteen matches. Whoever wins the most matches wins the tournament, and the tiebreaker is whoever has the quickest average match time over matches won.

This was my first time playing WWF Wrestlemania. This game was originally on my deferred list, but I can’t remember why I put it there other than my general disinterest in sports games. This is one of the most common NES games out there. Right now, I have four extra copies I haven’t bothered to sell yet. It only costs a few dollars if you want a cart.

I did not have the easiest time beating this game. I decided to go with “Macho Man” Randy Savage (RIP) as he was one of my favorite wrestlers growing up. Taking the wrestlers in order means The Million Dollar Man is the first wrestler, and he really is a pushover for the most part. For a while I couldn’t beat anybody else. I found trying to beat anyone else in a fist fight is useless. Those guys can rifle off back moves quickly before I could barely get out one. Running attacks are more useful especially if you can knock the guy down with them. You can go right into another running attack and knock him down as soon as he gets up. This strategy doesn’t work on the heavier wrestlers. My path to victory was abusing turnbuckle moves. The problem then is getting the opponent into the corner with you to get in range for the move. I try to get the opponent to run after me into the corner so I can climb the turnbuckle. Knocking him down gives me enough room to back up and run again. I tried to time it so that I was climbing up when he got up. That way he will chase me into the corner, trying to take advantage of having my back to him. I can get into a loop, but it doesn’t always last. Your timing has to be really good too so that you don’t miss the turnbuckle climb. I think the presence of the timer, combined with energy regeneration, encourages repeating powerful moves over and over to win. It might be a cheap way to win but it worked for me. I can win most of the time with this strategy, but even then, winning all five matches was a little harder than it seemed.

Take this opinion with a grain of salt because I haven’t played any other wrestling games on NES, but I don’t think WWF Wrestlemania is all that good. Rare usually makes fun games but not this time. The level of presentation and polish from a Rare game is still there. There are some nice graphical effects on display. The character portraits look pretty good on the NES. Everything up to the gameplay is solid, and then the annoyances begin. I had a tough time lining up properly with the other wrestler, and when I did I would get beat down before I could get enough hits in. Movement around the ring is cumbersome and slow. It’s easy to get trapped in the corner and hard to get back out. The act of pinning a wrestler is a lot harder to perform than it should be. The timer gets in the way of a more thoughtful match, resulting in exploiting moves just to win in time. These control and balancing issues add up to a more frustrating experience than a fun one. I hope later games are better than this one.

Stab your way through the jungle in this action-packed movie tie-in.

To Beat: Reach the ending
Played: 12/18/17 – 12/21/17
Difficulty: 4/10
My Difficulty: 4/10
Video: Rambo Final Area and Ending

It’s time for another NES game based on a film license. John Rambo is a character ripe for a video game. He’s a tough soldier type with expertise in weaponry and hand-to-hand combat, and he gets to use his skills in the NES game to mow down enemy soldiers. Of course, he will also have to fend off snakes and birds and such because it’s a video game, but Rambo is more than up to the task. Rambo on NES is perhaps best known for its gameplay similarities to Zelda II: The Adventure of Link. Now that game may be one of the least heralded Zelda adventures, but it is still a great game that plays well. Let’s see if the NES version of Rambo can hold up to that kind of pedigree.

The Rambo series of movies began with the 1982 action movie called First Blood. It is based on the book First Blood written in 1972 by David Morrell. The film was co-written by Sylvester Stallone who also stars in the movie as John Rambo, a misunderstood Vietnam War veteran. Stallone would co-write and star in all four movies in the series. The next movie, Rambo: First Blood Part II was released in 1985 and this is the film the NES game is based on. Rambo III was released in 1988 and the simply-titled Rambo came out in 2008. The original series is effectively over as Stallone has stepped down from any future films. However, there is a Bollywood remake of Rambo slated for 2018 as well as a rumored future reboot of Rambo without Stallone.

The second Rambo film spawned three different video games. The first game is from 1985 that was released on the Amstrad CPC, Commodore 64, and ZX Spectrum and plays as a top-down action game. The 1986 Sega Master System game plays in similar fashion even though it is a different game. The NES version of the game is a side-scrolling action-adventure game. The Famicom version was first released in December 1987, and the North American version came in May 1988. This game was developed by Pack-In-Video and published by Acclaim.

Rambo on NES follows close to the story of Rambo: First Blood Part II. Rambo is imprisoned at the end of the first film and Colonel Trautman enlists Rambo on a mission that will allow him to get out of prison. He is tasked to go back to Vietnam to take pictures of the military bases to prove to the United States that there are no more POWs in the country after the war. Rambo discovers that there are still POWs in the country and he gets captured as he attempts to rescue one. You play as Rambo as you follow these and the rest of the main events from the film, and you beat the game once you reach the ending.

The game is an exploratory side-scrolling platformer in the vein of Zelda II. There is no overworld in Rambo and everything is played in the side-scrolling view. Play scrolls either left or right as you explore, and often you can venture off either side of the screen to different areas. There are also buildings you can enter as well as entrances to parallel areas. You may also talk to people you encounter to gain clues and figure out where you should head next. For the most part, the world is open to you and you can explore almost anywhere you want, although there is a critical path that is required to proceed with the story.

You use Left or Right on the D-Pad to move Rambo around. Press the A button to jump. Rambo ducks when you hold Down. You can jump down through some ledges by holding Down when you jump. Press Up when standing in front of someone to talk to them, although you can’t talk to everyone. Sometimes you can enter doors or buildings by pressing Up. You also use Up to move to different “rooms” either north or south whenever you stand on a tile marked with either an N or an S. You attack with your weapon with the B button. The default weapon is Rambo’s combat knife and it is a strong, close range attack. You can attack while standing and you may also perform a low stab by pressing B while ducking. The Start button pauses the game. The Select button is used to choose your weapon from the weapons displayed on the top status bar. You can also switch weapons when the game is paused.

Most of the game takes places within the action screens, but there are some additional actions you can perform during conversations. When speaking with someone you will see their picture and text on the top half of the screen. Rambo’s dialogue is on the lower half. Press A to advance the conversation. Sometimes you must choose your own response, in which case an arrow appears so you can select your choice with A.

Press Start during conversations to bring up the Status screen. I’m glad the manual explained this to me because I wouldn’t have figured that out on my own. There is some good information on the Status screen. At the top, you see your current health, the maximum possible health, your current experience points, and the number of points needed to advance to the next experience level. The middle of the screen shows your inventory. The lower part of the screen is your mission code, or password. These are complicated 32-character passwords that may contain numbers, lower case letters, upper case letters, and symbols. It’s on par with The Guardian Legend as far as passwords are concerned. You can input passwords when you select Continue on the title screen.

The top status bar contains information and weapon selection. Life and experience points are the same as show on the Status screen, and then the rest of the bar is dedicated to your weapons. First is the standard knife, and underneath that you see Rambo’s current strength level. To the right of that is the throwing knife which is a short range projectile attack. Underneath the throwing knife and every other weapon is Rambo’s current ammo count for that weapon. The bow and arrow has a longer range than the throwing knife and is more powerful. Exploding arrows do twice as much damage as the regular arrows. The machine gun is a powerful weapon that shoots quickly. Next are grenades which can be thrown a short distance in an upward-looping arc. Finally, you see the medicine bottle which restores 100 health when used. Rambo can have up to 99 of all weapons except for the grenades and medicine which max out at nine each.

You gain experience points as you fight enemies. Defeated enemies display the number of experience points earned when you beat them, just like in Zelda II. Gain enough experience points to level up and increase the strength of your weapons. There are seven experience levels in Rambo and you become a one-man wrecking crew by the end of the adventure.

Some enemies will give you ammo or item drops instead of experience points. Each ammo drop gives you ten shots to add to your arsenal, but medicine jars are only accrued one at a time. Here’s a tip. The same enemies always drop the same kind of item, so you can leave and come back and stock up on anything you want. There are also a couple of temporary powerups you may find when you defeat certain enemies. The S powerup lets you move faster and the J powerup lets you jump higher. These abilities only apply to the current room. You can also find item drops inside breakable boxes.

There are a few boss fights sprinkled throughout Rambo. These are more like unique enemy encounters and you need to land a lot of hits to defeat these bosses. Beating a boss drops a heart which restores all your health and adds 100 to your maximum health. It’s possible to skip some of these fights altogether if you aren’t careful, so I recommended taking the time to find and fight them.

This was my first time playing Rambo. I knew that it had the resemblance to Zelda II which is a game I really like, but I didn’t give the game a real try until now. It’s a common game that’s worth about $5. I do remember that it took me some time to get a copy of the game for my collection even though it should have been easy enough to run into by chance. It’s just a weird quirk of collecting that happens sometimes. Of course, since then I’ve had 5-6 copies of the game through buying game lots.

I found Rambo to be a pretty easy game, but maybe it shouldn’t have gone that well. The biggest issue with the game is that the map can be confusing to navigate. Screen exits off either side of the screen may behave differently depending on where you are. Sometimes they go to unique screens and sometimes they loop around to the other side of the area you just tried to leave. You get in situations where you exit the screen, then go right back where you came from and end up somewhere completely different. Some areas will let you fall to a different area below. There are also the entrances that take you either north or south, and occasionally these paths are one-way only and now you have to go around a different way to get back to where you were. It’s disorienting, and there is no in-game map to tell you where you are in the world. But somehow, it is less complicated in practice than it would seem. The characters give you a general direction you need to go and that was enough for me to figure it out.

My playthrough of the game was a little unusual. I struggled some with the combat at first and died a lot. I took every path I could find just to make sure I wasn’t missing anything. Maybe I took a little too long. In the middle of the game, you rescue one of the POWs and have to take him to the extraction point. You are supposed to get captured again and Co breaks you out of the enemy base. The game plays out these exact scenes, only that didn’t happen for me when I played. Co said that I was too late to meet the helicopter at the extraction point. Now I still had to go there, but instead of doing the following side section as Co, I had to wander back to the next location on my own with no real idea of where to go. In a way, it’s interesting that the game allows you a different way through the game under certain circumstances, but they definitely could have handled it better. The rest of the game took a little time to figure out, but it went well enough. The final boss was the most difficult part of the game and I ended up beating it just barely on my first attempt.

I went through the game again with the intention of recording a longplay and checking out the content I missed previously. The first time through took around four to five hours, and the second time took under two hours. This time I did the scene with Co like I was supposed to, and the flow of the game and story was more sensible. Unfortunately, my computer crashed about halfway through the game and it ate the footage I had recorded up to that point. I think I’ve played enough Rambo, so my video of the final boss and ending will have to be good enough.

There are a couple of interesting things about the ending to the game, so this is your spoiler warning. In the film, Co gets shot and killed. The same thing happens in the NES game but there is a way to avoid it. You reach a screen with Co and a waterfall background. Talking to her here triggers the scene where she is killed. If you don’t talk to her, she never dies and you can speak with her again in the ending. After beating the final boss, you get to walk around the base until you talk to Troutman. Co will be here and she and Rambo share a touching moment. The other awesome thing you can do during the ending is turn Murdock into a frog! It’s totally weird, but you can do it. Attacking on that screen in the ending causes Rambo to spew out a huge Kanji character. It stands for Ikari which means rage. Your anger toward Murdock turns him into a frog. The only explanation for that is the experience meter is referred to as the anger meter in the Japanese version of the game. Thus, you are building up your rage through your journey and you are letting it all fly out quite literally in the end.

If I had to describe Rambo in one word, it would be janky. Enemy movement is often erratic. Bosses may spam floating projectiles. It’s tough to make contact with your knife, at least early on. Sometimes breaking a box with your knife destroys the wrong tile. Good luck trying to break a specific box that you have to jump to reach, by the way. Rambo’s character portrait can only be described as derpy. The experience point balance is way off. Early enemies give a point or two while some endgame enemies give you a whopping 500 points. The game feels unpolished, but it’s not necessarily a bad game. I think the game follows the story pretty well, and the music is good too. If Pack-In-Video was earnestly trying to make a Zelda II clone, I would say they didn’t hit the mark. It’s not nearly as good of a game and it was released almost a full year later. Still, Rambo is interesting enough that it might be worth a look.

Another day, another overthrown terrorist regime.

To Beat: Finish Level 4
To Complete: Beat three loops
What I Did: Beat two loops
Played: 10/19/17 – 10/20/17
Difficulty: 4/10
My Difficulty: 4/10
Video: Tiger-Heli Longplay

I have seen so many copies of Tiger-Heli in my life. It seems like every time I have seen someone’s NES collection, there is Tiger-Heli. Okay, maybe in a more curated collection you won’t see it, but as far as random NES games go it might as well be ubiquitous. I really wonder why there are so many copies of this game around. It’s not a flashy title, and not one that everyone has fond memories of. Maybe I am seeing the same set of copies passed around all the time. I will get to the bottom of it and see how Tiger-Heli plays on the NES. Then maybe these answers and more will be revealed!

Tiger-Heli was first released in arcades in 1985. The game was developed by Toaplan and published by Taito. In December 1986, the game was ported to Famicom. This port was developed by Micronics and published by Pony Canyon. The NES version came in September 1987 and was published in North America by Acclaim Entertainment. The NES box and manual also point to Taito, though they were not involved with the NES version. The European version of Tiger-Heli was delayed until early 1990. A spiritual sequel, Twin Cobra, was released in the arcades in 1987 and on the NES in 1990, and Twin Cobra II is its direct sequel that came out in arcades in 1996. That same year, both Tiger-Heli and Twin Cobra were released on a single disk for Playstation in Japan only named Toaplan Shooting Battle 1.

Tiger-Heli is a vertical scrolling shooter where you take control of an advanced “jetcopter” of the same name. This game has a typical shooter plot of one man attempting to defeat a terrorist regime. This time it is the fictitious country of Cantun with designs of taking over the world. The Tiger-Heli was specifically constructed as the ultimate stealth helicopter and is the only attack vessel that can sneak in to Cantun and destroy everything. The game takes place over four levels and if you can survive that long you have beaten Tiger-Heli.

The controls are simple. Use the D-pad to move Tiger-Heli in all eight directions. The B button fires missiles which are your standard unlimited weapon. Each shot is four tiny missiles wide and they only travel about half the height of the screen, but you can fire several shots at one time. The A button drops bombs which deal splash damage to a large area below Tiger-Heli. You can only hold two bombs at once and you can see them flanked on either side of your helicopter. If an enemy bullet hits a bomb, it will deploy automatically. This acts as a shield and it is typically worth the cost of a lost bomb. On screen, you see your score at the top, your remaining lives on the lower-left, and the number of bonus blocks you have destroyed on the lower-right. You begin the game with two extra lives and both bombs.

There are crosses on the ground that give you powerups when destroyed. They cycle between three different colors and the color determines what you get. Destroying either a red or gray cross generates a support helicopter at the top of the screen that drifts down slowly. Pick this up and now you have a small helicopter on your left that gives you extra firepower. The red support copter shoots to the side and the gray one fires straight ahead. You can collect a second one that flies to your right for triple firepower, and you can have both a red and a gray one at the same time. Support copters can be destroyed by enemy bullets, so you have to manage having a much larger hitbox to maintain full power. The green crosses generate a B powerup that restores a bomb when it’s collected. Acquiring another support helicopter or bomb when you are maxed out gives you bonus points.

There are also red bonus blocks in the stages. These are red diamonds that fade in and out and you can shoot them when they are visible. They give you points and add to the counter at the bottom. After you destroy ten bonus blocks you get an extra life. You also earn extra lives by reaching score milestones. You get your first extra life by reaching 20,000 points, and then you earn another life for every additional 80,000 points after that.

Enemies in the game are turrets, tanks, and boats. Turrets don’t move, tanks may or may not move, and boats always move. What they all have in common is their firing capability. Each enemy shoots at a steady pace and can only fire in eight directions. There is also a large tank that takes many bullets to destroy, and you get points for each shot landed so you can really rack up the score. There are many types of non-violent structures that you can blow up for points just because, such as cars, buildings, train cars, etc.

There are four levels in Tiger-Heli, and each one ends by landing automatically on a helipad. Here you are awarded 5000 bonus points for each support helicopter and bomb you have. At the start of the next stage, you get your bombs replenished. You also get your bombs back after you take a death. Sadly, there is no ending to the game and you may keep looping over the game until you lose all your lives. Just like with Sky Shark, loops begin at Stage 2.

This was my first time trying to beat Tiger-Heli. I was one of those weird kids that did not own a copy of the game until adulthood. I had friends who owned the game and I did get to play it some, but it wasn’t a game that we played very much. I was familiar with the first stage or so, but that’s all.

I had some free time after lunch one day and decided to try out Tiger-Heli just to see what I was up against. Turns out that wasn’t much, for I beat all four levels on my first try. I don’t think Tiger-Heli is exactly an easy game, but I picked up on it quickly. The next day I played a practice run, and then right after that I recorded my video. On the practice run I reached the beginning of the third loop, but I didn’t quite make it that far on video. The first loop is not that bad, but the difficulty picks up fast the second time around. The enemy’s rate of fire is much faster and therefore it is harder to avoid bullets and line up a shot. The little bit I played of the third loop was even faster. I suspect the third loop is the difficulty cap and if you can complete that you have mastered Tiger-Heli. I could have pushed myself to beat that third loop, but I’m satisfied with completing two loops and moving on to the next game on my enormous list.

The basic strategy for Tiger-Heli takes advantage of the enemies’ poor aiming capabilities. Enemies fire toward you but only in eight directions, so the idea is to sit inside the areas where they are unable to hurt you. Once they fire and miss, you then have a brief window to line up and destroy them. I found the red support helicopters quite useful because they fire sideways and then you can approach the bad guys from either the sides or below. The quicker you can take out enemies, the easier time you have dodging other attacks.

Here’s a fun little side note. As I mentioned earlier, Toaplan created the “Tiger” trilogy of Tiger-Heli, Twin Cobra, and Twin Cobra II, and the first two games received NES ports. I discovered this while I was writing up my review on Sky Shark a little while ago. One of my quirks of this project is that I switched games around on the master list so that sequels always come after I have played the previous installments. In this case, I had no idea Tiger-Heli and Twin Cobra were related at all. I normally avoid looking at the full list as much as possible, but here I had to see where both games landed on the list and swap them if necessary. Of course, Twin Cobra originally slotted here at Game #62 instead, so I had to switch them. I ended up with a free peek just a few slots ahead by coincidence. I also know now where Twin Cobra will appear on my list. I won’t spoil when that will be, but let’s just say it will be a very long time before I get around to it.

Micronics has a reputation for creating poor ports of NES games, but I think Tiger-Heli is one of their better ones. Now it’s not a great game, but it plays just fine. The gameplay seems to resemble the arcade version close enough. The graphics are a step down from the arcade version, but are passable on the NES. The music is neither notable nor annoying. Gameplay is on the slower side, but there are no performance issues like slowdown. There is a massive amount of flickering whenever there’s a lot going on, but they seemed to work around it about as well as they could without some of the more advanced techniques programmed into later NES games. I may sound a little down on Tiger-Heli, but the fact is that it is a simple game that is competent on the one hand and unexciting on the other. According to Steve Kent’s book The Ultimate History of Video Games, Tiger-Heli on NES sold over a million copies. That’s astounding to me. It also answers why I’ve seen the game so frequently. Today, it’s nothing more than a filler NES title, but you could do much worse than playing Tiger-Heli. Besides, you probably already own it!

Is it a run-and-gun game or a maze game? Well, how about both!

To Beat: Reach the ending
To Complete: Beat the game on Hard difficulty
What I Did: Completed the game
Played: 9/25/16 – 10/2/16
Difficulty: 7/10
My Difficulty: 8/10
Video: Alien 3 Longplay

Hot on the heels of Bram Stoker’s Dracula comes another licensed NES game based on a movie. Both games are late, obscure NES releases that even share the same developer. I thought that Bram Stoker’s Dracula was pretty fun, so let’s see if the same holds true with Alien 3.

The film Alien is a 1979 science fiction movie about a crew who comes across an old alien spacecraft. One of the crew members becomes the host to one of the aliens who then attempts to kill every living thing on their spaceship, and the crew is forced to come up with a way to get rid of the alien to ensure their own survival. (Hopefully this is a sufficient explanation since yet again I have not seen the movie.) The film was both a box office and critical success and is widely regarded today among the best movies ever made. Later there would be three movie sequels, a prequel movie, and a spin-off series Alien vs. Predator. Currently there is another prequel movie in the works and possibly more in the future.

This popular series made its way into several video games based on most of the movies. Alien 3 was the base of three distinct games. The SNES game was released in 1993 and it is run-and-gun platformer with a mission-based style. The Game Boy game is a top-down survival adventure style game. The Master System version is a run-and-gun platformer with maze-like levels. This version was also released on the Genesis, Game Gear, Commodore 64, and Amiga. The NES version of Alien 3 has the same format as the Master System version but it has a unique set of levels. Because of the different stages it can be considered a fourth unique adaptation of Alien 3. The NES version was developed by Probe Software and published by LJN. Acclaim manufactured the carts and may also have had a role in its publishing. It was released in March 1993 almost a year after the film and also has a PAL version that was released in Europe and Australia.

In Alien 3 your goal is to guide Ripley through the prison on Fiorina 161. The aliens have taken the prisoners captive and along the way you must seek out and free each of these prisoners as well as escape safely to the next area. There are many aliens that will stand in your way including the guardian alien boss battles. There are eight levels total in the game as well as four boss levels. Clear all the levels and you win the game!

Before starting the game there are some options available on the title screen. You can turn both the music and sound effects either on or off. There is also a Configure menu with more options. Here you can set the difficulty level to either Easy, Normal, or Hard. You can also play any of the songs and sound effects, as well as set the number of lives from one to nine. The defaults are Normal difficulty and three lives.

The game has pretty nice graphics. The backgrounds and sprites are clear for the most part and there is a fair amount of color considering the mostly drab setting of a prison. However, what stands out the most in this game is the music. The soundtrack to Alien 3 was written by Jeroen Tel and the sound to me is both atmospheric and tense. It’s worth listening to outside of the game for sure.

The controls are straightforward. Use the D-Pad to walk around. You can use Up and Down to climb ladders, and Up is also used to open and close doors. The A button jumps and the B button fires your weapon. Weapons can be aimed diagonally upward as well as straight up for a total of five different firing directions. Press Select to change weapons and press Start to pause.

You begin the game with a full assortment of four weapons. The base weapon is the pulse rifle that is weak but has a high rate of fire. It is an effective weapon but burns through ammo very quickly. The flamethrower is an excellent close range weapon with a large swath of flame to engulf nearby aliens. The grenade launcher is a powerful weapon at long range with a lower rate of fire as a trade off. The hand grenades can be tossed and bounced on the ground and they pack a pretty good punch if you can get the timing right. All of the weapons prove useful especially when utilized in the correct situation.

There are a number of pickups as well that will help you out. There are ammo refills for each of the four weapons. First aid kits will restore your health just as you would expect. There is also a radar item that will active the tiny radar in the corner of the status bar. The radar generates a little blip in the direction of a nearby prisoner.

There are only a few enemies that show up in the game. The most prominent enemy is the adult alien though they do have a variety of patterns and moves to mix things up. Some move fast and some move slow. Sometimes they spit acid at you. Other times they latch on to the ceiling and drop down right in front of you if you get too close. The other enemy type is the face-hugger. These are small aliens that burst out of pods and latch onto your face if they touch you. If this happens you need to shake Left and Right on the D-pad to get them off. I never let them latch on to me in all the times I played but that is how the manual describes it. You can also destroy their pods before they come out and defeat them that way which is much easier.

The game is an action game on the surface but it really plays like a maze game. Each level is an arrangement of corridors, shafts, and dead ends. You need to search out all of the paths in order to locate the prisoners and find out which sections are best left ignored. Each stage has a set number of prisoners that you must untie and free, and then once all the prisoners are saved you will need to locate the exit in order to escape.

The aliens in the game are not nearly as scary as the time limit. On the one hand you need to take the time to explore everything in order to find both the prisoners and the proper route through the facility. On the other hand, you need to rush through everything to make it to the end in time. There’s nothing more frustrating than seeing the last stretch of the stage just as you run out of time knowing you will need to repeat the level all over again. The one nice thing the game does for you here is that if you missed any prisoners the game pans through the level revealing the location of each missing inmate. However you also get to see that prisoner get murdered right before your eyes as a little mental punishment.

After every two stages there is a Guardian level where you square off against one of the boss creatures. The levels themselves are small battle arenas so the focus is purely on combat. There is still a relatively strict time limit in place so you need to work quickly. You might think the Guardians would actively hunt you down, but instead they have a set pattern that they patrol constantly. The key here is to find where the save spots are and fire away until you defeat the boss. I found these fights to be much easier than the normal levels.

I mentioned earlier that there were three difficulty levels. I only played the game on Hard difficulty and tinkered a bit with the lower settings. As far as I could see, the only difference is that the time limit is lower on the harder settings. I think everything else is the same though I haven’t played enough to see if there are other changes.

This was my first time playing through Alien 3. I remember acquiring this game in an eBay game lot in the summer of 2013. I think it was in the first batch of games I bought whenever I decided that I would pursue NES collecting for good. I would say it’s an uncommon game so that was a good pickup for me at the time. I know I had a double of the game that I sold off at some point as well.

Alien 3 is the type of game where you need to play it over and over again just to make a little bit of progress each time. I finished the game in a week over close to a dozen attempts. I insist on beating the game on the hardest difficulty right off the bat, but in this case I could have benefited from learning the levels on Easy and then putting it all together for a run on Hard. I think there is at least some benefit to learning the levels under a tighter timeframe that probably helped me out a little bit. A week is a good amount of time to spend on a game anyway!

I was able to capture my winning run on video. It was a really solid run with only a few minor mistakes and stumbles, but that is only because I had to hone in my strategy through repetition. It was very close to being a deathless run as well. It was close enough that I decided to leave that death in there as a reminder of how mean this game can be sometimes. Other than that one big mistake it was a nice run for my first time clearing the game.

I decided to rate Alien 3 with a 7 on difficulty just because it is a game you have to learn over time. There are no continues so you can’t really grind through the game apart from starting from scratch each time, though you can set up to nine lives for the most opportunities to practice the later stages per attempt. Actually, I was all set to give it an 8 in difficulty but I realize that I only made it harder on myself so that I could clear it on Hard.

Alien 3 is a competent and playable game, but it has a few issues that make the game not as much fun as it could be. The most notable issue is that the screen scrolling only kicks in when you get really close to the edge of the screen. You can hardly see what is in front of you and it is very annoying. I actually wonder if that was done intentionally to introduce the element of surprise when an alien shows up in your face. Either way it is not a fun gameplay element to have so little visibility. The other somewhat related thing is that I don’t find the aliens to be that much of a threat in the first place. I found that unless you play very carelessly you are more likely to run out of time than to run out of health, at least on Hard difficulty. I was more concerned with running recklessly through the stage to outrun the clock and just take damage in places to get through quicker. There are other more minor issues as well. The jumping is kind of loopy and slow, and the screen scrolling stutters sometimes. The boss battles are pretty lame. There are also a lot of dead ends and loops in the stages that are frustrating to pass through.

Alien 3 is a competent and playable game, but it is these issues that really hold the game back from being a better game. I can see that there is a good game there that just can’t shine through like I would want. Mediocre games such as Alien 3 are really not that bad for me in terms of my project, but I would not give them a strong recommendation either. Alien 3 is fine but there are better games out there that are more worth your time. If anything it is worth checking out just for the music!

All the shorts-eating you could ever hope for!

To Beat: Reach the Ending
Played: 9/5/16 – 9/14/16
Difficulty: 8/10
My Difficulty: 7/10

I think it’s safe to say that The Simpsons has been the most successful US cartoon of all time. Such success leads to branching out all over the place and particularly into video games. There are many Simpsons games and today I will be writing about the first one!

The Simpsons show was created by Matt Groening and debuted on FOX on December 17th, 1989. The family was actually created two years prior appearing in animated shorts for The Tracey Ullman Show before appearing in their own half-hour show, and the series has lived on ever since. As of this writing, The Simpsons is in its 28th season spanning just over 600 total episodes. It is the longest running American sitcom and is near the top of many other lists of long running television programs. I have watched several episodes of the show but not regularly since I was a teenager.

There are over 20 Simpsons video games spanning the NES all the way to Xbox 360, PS3, and mobile. Bart vs. the Space Mutants was released in February 1991 and it is the first game with The Simpsons license followed just one month later by the arcade game simply titled The Simpsons. The most recent game is Tapped Out on iOS and Android which is still receiving gameplay updates today. The NES had four titles in total: Bart vs. the Space Mutants, Bart vs. the World, Bartman Meets Radioactive Man, and Krusty’s Fun House. Bart vs. the Space Mutants also appeared on the Sega Genesis, Game Gear, and various PCs. The NES version was developed by Imagineering and published by Acclaim. It was also released in Europe in late 1991.

Bart vs. the Space Mutants is a sidescrolling platformer. Aliens are attempting to take over the world and Bart Simpson eavesdrops in on their diabolical plan. They need to collect specific items in order to build an ultimate weapon, and so Bart sets out to remove those items before the aliens get them first. The story plays out exactly like this in the gameplay. Each level begins with the aliens discussing what object they need to collect, and then you set out to collect a specific number of that item to help clear the level.

The graphics have a cartoon look to them that is pulled off well on the NES. All the characters are recognizable and there are many objects that only appear once in the game so there is a lot of variety. The main issue with the graphics is that it can be tough to distinguish which background elements you can interact with in some areas. The music isn’t that bad either. The rendition of The Simpsons theme is done quite well, and there are some voice samples included too. However much of the soundtrack isn’t all that memorable.

The controls in this game are more involved than your typical platformer. The D-Pad moves Bart and the A button jumps. Bart can do a super jump by pressing both A and B at the same time and the feel for this is important as this move is used often. The run button is also A, so Bart jumps first and then he runs once A is held down. The run button is not obvious but it does come in handy. The B button is used for specific weapons. The game also has an inventory system. You can cycle through the inventory by pressing Select, and if you hold Down and hit Select the items will scroll in reverse order. Press Start to use the selected item. The Pause option shows up as part of the inventory so you will need to select the Pause option and press Start to pause the game.

One of the default items is the X-Ray Specs. The aliens disguise themselves as ordinary humans walking the streets, so the X-Ray Specs can reveal if a person of interest is either a normal person or one of the aliens. When you use the Specs the entire screen color changes to sepia tone and the alien heads are revealed if a person is indeed an alien. If it’s an alien Bart can jump on his head to defeat him. However if it is not an alien then Bart takes damage for trying to hurt an innocent bystander. When an alien is bopped a trinket is left behind that represents the proof of their existence. That’s how it’s described in the manual! Collect enough of these proof tokens in a level and one of Bart’s family members will help out in the boss battle at the end of the level. Progress is tracked by spelling out the letters of the name of the family member. For instance, the first level spells out MAGGIE and so six proofs need to be collected, one for each letter in her name. It is not required to do this but it can be helpful.

The other default items are coins. Bart can find these behind objects in the levels by jumping around. Do this in the right places and bouncing coins pop out. These can be spent just like money in certain places in the game. They also grant Bart extra lives if you collect enough. When you earn 15 coins you automatically earn an extra life, but it only costs 10 coins to buy one. I assume this was done so that you will never have fewer than 5 coins at any time unless you intentionally spend them.

There are some other items that appear but are not part of your inventory. Krusty the clown emblems give Bart an extra life and they are most helpful. Jebediah Springfield bestows the power of invincibility if you are able to locate his severed statue head powerup.

The status screen at the bottom has all the necessary information for playing the game. It shows which family member is featured in the stage along with how many letters are currently spelled out. Next to this are tiny Bart heads that show how many hits are remaining. For each life, Bart can take two hits from enemies. If he has been hit once already then one head will display and the next hit will cause a loss of life. Next to that in the status screen is the current inventory item, the score, remaining lives, the level timer, and the number of remaining goal items required to complete the level. If you reach the end of the stage without meeting the goal requirement, then the boss will not appear and you will need to backtrack to find more items. Finally on the far right the current weapon ammo is displayed.

Here are each of the five levels in the game:

Level 1 is the streets of Springfield. Bart must collect (or destroy) purple colored objects. These take all kinds of different forms and there are a number of ways to deal with them. The most common way is to collect the spray paint weapon and change the color of purple items to red, rendering them completely useless to the aliens. Other purple things need to be hidden or removed in specific ways. The first level of the game has a puzzle feel to it that is kind of a novelty for its time. This is also the main level where you purchase items to help with the purple cleanup. For instance, you can buy a wrench and use it on a fire hydrant to spray a stream of water that washes off fresh purple paint from a nearby awning. The level is challenging because there are only a few excess purple items that can be bypassed. Maggie is in this level and she will help by rolling bowling balls that Bart can use to damage the boss.

Level 2 is the Springfield shopping mall and the goal items are hats. There are stray hats all over the level but you can also lift them off a person’s head if they are wearing one. This is where the game ditches the puzzle elements of the first stage and switches to a more straightforward platforming challenge. There are lots of enemies that walk and fly around and you just need to get by them since there are no weapons in this stage. There are also areas of wet concrete that kill Bart if he sinks in them. These sections have tricky jumps that are pretty unforgiving. Marge is in this level and she will help deflect some of the boss projectiles for you.

Level 3 is Krustyland and Bart must get rid of balloons. There are some carnival mini games that Bart can play as well as one puzzle challenge for free balloons if you can figure it out in time. Bart can find slingshots here. They only damage a couple of enemies but they are most helpful in popping floating balloons that are too high to reach. There are some neat setpieces here and some tough platforming as well. Lisa can occasionally stun the boss to give Bart a breather during the fight.

Level 4 is the Springfield Museum of Natural History and Bart is collecting the exit signs. You only need to deal with six exit signs, so the level is more about surviving the obstacles than any other level in the game. Bart can get a dart gun here that can hurt some enemies as well as blow away the exit signs that are otherwise unreachable. This stage has the toughest platforming with sections that must be navigated perfectly. In some areas it is really difficult to tell what is a platform and what is just background detail, and also some of the platforms are not as big as they appear. I found it very frustrating. At the end of the stage, Homer will drop wet towels that block projectiles and cause the boss to slip up a bit.

The final level is the Springfield Power Plant and Bart must find all of the nuclear power rods. This is a large maze with multiple floors to explore. Bart can take the elevator as well as emergency stairways and he must take every path to explore every nook and cranny of the place. There are doorways here that are blocked off unless you have the keycode to open the door. There are 16 rods to find but Bart can only hold four of them at once. You have to go into the basement and drop them off at the reactor to collect more. All of the family members are here and they assist Bart in their own way. Lisa knows the door codes and she will share one if you talk to her. Marge will take your collected rods to the reactor for you sparing you a trip to the basement. Homer will scare off all the enemies from the screen if you give him a box of donuts that you find throughout the maze. Maggie wanders around but she does help you out in a specific way.

In Bart vs. the Space Mutants, you begin with 3 lives and can collect up to 9 total. There are no continues and no passwords, so the game must be cleared in one try. The challenge here comes in several ways. The first stage requires the most thought initially but it is the easiest level once you know how to do it. The three middle stages have some tough platforming and several instant kill spots. Sometimes you will have to spend all your lives getting the feel for overcoming an obstacle and then you have to start all over again. The final level doesn’t have a map of any kind, so if you miss a rod or two you are up against the clock if you get lost. The penalty for failure is steep and the game is lengthy enough that it takes several long attempts to get good enough to beat the game. I think 8/10 difficulty is a fair assessment.

I have played and beaten Bart vs. the Space Mutants but not since I was a kid. I owned all three of the “Bart” NES games in my childhood collection and I beat all three back then, but I didn’t retain a whole lot of knowledge from prior play. I remembered all of the puzzles in the first stage but that was about all I could recall.

I foolishly thought that my old knowledge would be good enough to clear the game quickly. I beat the first level with relative ease on my first playthrough, but the rest of the game featured the same kind of incremental progress I experience when playing new games. I think it took me around a dozen tries to finish this game. The latter part of the museum level took a lot of practice, and the final maze really got to me. I am generally good with maze levels and mapping things out in my head, but I got down to the last two rods and got completely stuck until I got Game Over. It’s frustrating getting so close to the end like that. Luckily the next run was the winning run and I had plenty of lives left over for a comfortable win.

The Simpsons is such an iconic television series and by extension I think there is a lot of nostalgia for Bart vs. the Space Mutants. The development team managed to put in a lot of Simpsons references in the game and the Simpsons theme sounds nice on the NES. From my playing experience, the game is rough around the edges and not all that fun to play at times, but the first level at least is genuinely clever and holds up nicely today. It’s a mediocre game with a few redeeming qualities.