More like the Temple of Pain, Suffering, and Doom.

The top title text is usually cut off on old TVs

To Beat: Reach the ending
Played: 7/5/18 – 7/12/18
Difficulty: 9/10
My Difficulty: 9/10
My Video: Indiana Jones and the Temple of Doom Longplay

I’m here to talk about Indiana Jones and the Temple of Doom on NES, but what I really want to talk about is La-Mulana. I’ve long thought the game La-Mulana is secretly the best Indiana Jones game, or at least the best interpretation of that concept. In La-Mulana, you play as the archaeologist Lemeza as you seek to follow your father’s footsteps in exploring and discovering the secrets of the ruins of La-Mulana. It’s a Metroidvania game with a huge emphasis on solving complex, intricate puzzles spelled out through cryptic textual monuments. You really need a pencil and notebook as you gather clues and piece them together throughout the journey, while also collecting various artifacts, battling huge bosses, and avoiding constant death traps. This is not a game for everyone, but I fell hard for it and it is one of my favorite games, both the original freeware version styled like an MSX game, and the newer remake available on Steam and elsewhere. Actual Indiana Jones games seem to take a safer stance in terms of gameplay. There are several Indiana Jones games on the NES that are standard platformers. Indiana Jones and the Temple of Doom, on the other hand, is less of a platformer and a lot closer to my La-Mulana-like ideal than I originally thought.

Indiana Jones is a well-loved film franchise. There have been four major films to date: Raiders of the Lost Ark in 1981, Temple of Doom in 1984, The Last Crusade in 1989, and Kingdom of the Crystal Skull in 2008. A fifth movie is slated for production beginning in early 2019 with a tentative release date in 2021. A TV series, The Young Indiana Jones Chronicles, ran from 1992-1993, and that series was followed by four made-for-TV movies between 1994 and 1996. There have been plenty of books, comics, video games, toys, and attractions revolving around Indiana Jones.

There are two video games based on Temple of Doom. The first was a 1985 arcade game that was later ported to various home computers. The NES game, Indiana Jones and the Temple of Doom, was released in 1988. It was developed by Atari Games and published by Tengen. In December 1988, Temple of Doom was licensed by Mindscape, so that’s the version I played for the project. Both the unlicensed Tengen version and the licensed Mindscape version are identical games. This version was also ported to a few home computers.

Whip it, whip it good!

I have seen all of the Indiana Jones movies, but it’s been a few years and I don’t remember much of anything about Temple of Doom. From what I’ve read, the story and gameplay both follow the movie. You play as Indiana Jones who, along with his companions Willie and Short Round, reach the village of Mayapore. The Sankara Stones have been stolen and the children of the village have been captured by evil people from the Pankot Palace, led by the high priest Mola Ram and his Thuggee guards. The children have been forced to mine for the missing Sankara Stones, so Indy sweeps in to save the children and recover the stones. The game consists of twelve levels, or waves, that you need to beat to complete the game.

Indiana Jones and the Temple of Doom is an action game from what I’ll call a near top-down perspective. You use the D-pad to move in all directions. Indy is armed with his trusty whip that you wield with the A button. You can whip in all eight directions by holding the direction and pressing A. The B button is for jumping. A for jumping was a standard convention by now, but nope, it’s B. If you just press B, you will jump downward. If you want to jump in a different direction, hold the D-pad in that direction and then press B. The Start button pauses the game and brings up a status screen. Use the Select button to switch weapons. You hold Select and press either Up, Down, Left, or Right to switch between the four weapons in the game.

You will spend a lot of time in this game saving children. They appear within holes along the cave walls. Simple walk or jump up to them to save them. You will earn some points and they often will leave weapons behind that you collect. Usually, they drop either a gun or a sword. These are limited use weapons that have secondary functions. In the first room of Wave 1, you can use the sword right away. There are small tunnels boarded off by wooden planks. If you slash them with the sword, they will reveal TNT to collect. These are your base weapons in the game that you switch between with Select. Left is for the gun, Right for the sword, Up for TNT, and Down to go back to your whip.

I’m coming to save you! (For equipment and points)

There is limited information on-screen during play. There is a countdown timer at the top of the screen that counts down from 99. The timer speed varies depending on the level. If it goes down to 0, Mola Ram appears, which causes you to lose a life and you have to start the wave over. Below the timer is an icon for the current weapon equipped if it’s something other than the whip. When you switch weapons, you briefly see the ammo count next to Indy. The Status screen when pausing the game gives you a lot more information. You are shown your current score and lives remaining. Below that are all your weapons and ammo accumulated. You also see any special items you’ve collected. Next are the number of children remaining in the wave and how many map pieces are remaining in the game.

There are other items to collect from the children. Some children have map pieces that you hold onto until a later event in the game. An arrow may be left behind. You can pick this up for points, but it’s main purpose is to point the way toward a warp room. Small jewels restore your level timer. Hats are extra lives, and they play a familiar tune when you earn a new life. The key opens the locked door to the next wave.

Most waves in the game follow a similar pattern. Each wave has two rooms. One is a cave room, and the other is a mine cart room. You can switch freely between the two rooms within a wave. The cave rooms have open doors that lead to the mine cart room, and the mine cart tracks may end in tunnels that lead back to the cave room. Each room has a locked door leading to the next wave. To open the locked door, you first obtain the key from the opposite room. The key in the cave room opens the locked door in the mine cart room, and vice versa. Each room has its own key so it is up to you how you want to approach clearing each wave.

Come along for a ride.

The movement mechanics allow for some complex scenarios that the game takes full advantage of. The rooms start getting really large within just a few waves. They also loop around in all directions, which makes them seem even bigger than they really are. Sticking to the main paths will not get you very far, especially in the mine cart rooms. You are going to have to leap from ledge to ledge to explore every nook and cranny of the rooms. Jump while holding Up to jump on the same ledge you are standing on. Otherwise, you fall through all solid objects until you reach a walkable area. The mine cart rooms have a bunch of disconnected conveyor belts so you need to jump to get around those for sure. You also must contend with lava rivers all over these rooms too. Falling onto a lava tile is instant death, so you have to be smart and not just jump all willy-nilly through the rooms.

The mine carts add some additional movement options within those rooms. First, you must jump onto the mine cart to climb in. Then you get to ride around! Carts move from left to right and you can slow them down by pressing Left and speed them up by holding Right. Press Up to lean the cart to the left and Down to lean the cart to the right. Sometimes lava or something is obstructing part of the path and you can lean one way to get through. Be careful as other mine carts appear periodically and they can get in your way, causing you to crash and die if you collide. Tracks sometimes merge which also facilitates collisions. Getting the mine carts to appear in the first place can also be a hassle. Usually you need to scroll the screen horizontally to get one to appear from the left side. In later waves, enemies are in the carts and you need to whip them or defeat them some other way before entering.

The enemies in this game as a huge nuisance. They don’t typically kill you, rather they stun you. This pushes you somewhat and often forces you to fall to the ledge below. Those falls can drop you to your death or leave you vulnerable in other ways. The most common enemy is the Thuggee guard. You can kill them with other weapons or stun them with the whip. You can knock them into the lava for an easy kill. Once a guard is whipped, he becomes an attacker and will kill you outright with a hit. There are bats, rats, snakes, and spiders that move erratically and stun you. Retractable spikes and lava pools kill you. Some guards drop boulders in the mine cart rooms that kill you if they drop on you, but the rocks also provide the benefit of temporarily stopping the movement of conveyor belts.

Whipping guards into lava seems excessive.

Indy has his set of weapons to help out. Furthermore, all of them have secondary uses for moving around the levels. The whip is your primary weapon for stunning guards and killing minor enemies. You will find hooks on the walls that you can latch onto with your whip to swing over gaps. The gun does not actually fire bullets, but instead does instant damage to the first object within its line of sight. There are skulls on the wall that you can shoot with the gun to reveal hooks for swinging with your whip. Swords kill guards and enemies, while they are also used to open up blocked caves containing TNT. The TNT can be thrown in eight directions and leaves a blast that kills enemies. This explosion removes spikes and certain lava tiles that obstruct walkable paths. I found myself switching weapons all the time for each need as it appears.

Another use of the TNT is to reveal hidden rooms. In waves 1, 4, and 6, some children will hold arrows that point in the direction of a hidden room. When you think you’ve found the spot, bomb it to hopefully reveal the door. This takes you to a warp room, which is its own unique stage. Pass through any door in the warp room to advance to a future wave. Doors farther out in the warp room advance you further along in the game. As a bonus, you earn all the map pieces in a wave where you don’t rescue any children, including the waves you skip via warp. Waves without a warp room also have hidden doors revealing either a large cache of normal items or a special item.

The first eight waves all follow the two-room structure and get difficult fast. Wave 9, however, is where the game takes a turn into a devious direction. This wave contains only one room called the Chamber of Kali. Your goal is to reach the Statue of Kali and the three Sankara Stones at the top of the room. You have to forge a path across the lava river to get there. There are several locations where lava monsters appear randomly out of the lava. Hitting a monster with either the gun or TNT turns the monster to permanent stone and you can walk across. The idea is to find the area with the most lava monster activity so that eventually you will clear a path across. You are at the mercy of randomness as you wait for the monsters to line up properly. Once you get to the other side, retrieve the stones and then locate the exit door to Wave 10.

Building your own lava bridge is excruciating.

This is where the map pieces you have been collecting come into play. Before starting Wave 10, you are presented with a crude map of one of the rooms in the wave. There are 25 pieces of the map in all so you may see a partial map excluding sections at random representing map pieces you did not collect. The map shows skulls, doors, children, and an X indicating the exit door for the wave. This is the only time you see the map, so commit what you need to memory or make notes before proceeding.

Wave 10 consists of six large rooms with several doors connected to other rooms. Your task is to use the map to determine which room contains the exit and where the exit is positioned within the room. The exit door itself is hidden and must be revealed by TNT. Each room has four possible locations for the exit door, so there are 24 possible exits. When you find the exit door, you will not be allowed to exit the wave unless you are holding the three Sankara Stones. Unfortunately, if you die in Wave 10, you drop all the stones you are holding. Each room has three large skulls in it and these are where the stones are placed should you drop them. It would really behoove you to get all three stones back in your possession before moving to a different room. God help you if you drop stones in two or even three different rooms at once. All the while, you have to deal with lava pits, lava monsters, conveyor belts, swarming enemies, and all that good stuff. Without a doubt, this is one of the nastiest challenges I’ve experienced in this project to date.

If somehow you survive Wave 10, there are still two more waves to finish. These are more straightforward challenges, but you still need to hold all three stones to exit the wave and you must collect them from skulls if you die in the wave. These scenes are meant to follow the movie as you destroy the rope bridge and keep Mola Ram from escaping. The good thing is that you have unlimited continues throughout your entire journey. The bad thing is that once you get past Wave 9, you go back to Wave 9 when you continue. Still, it’s better than starting from scratch.

This just gets ridiculous.

This was my first time playing Indiana Jones and the Temple of Doom. I do remember that this game seemed awfully challenging when I tested out my carts, and I have heard that this is one of the most difficult games on the NES. This is an inexpensive game, but it’s not one I see a whole lot, either in licensed or unlicensed form. I think I owned the Tengen unlicensed version before I owned the licensed Mindscape version. Both versions cart only are worth around $8-$10.

I had what I consider an unusual path to completing this game. I struggled the first couple of times I tried. Wave 1 is really small, but after that, the rooms seem to increase in size drastically up through either Wave 5 or 6. There are several doors connecting each room together and I couldn’t keep track of where I was. I had a couple attempts where I gave up around the middle of the game, but it felt like I was on the brink of getting the hang of this game. One morning I got up early and tried again, and I finally reached Wave 9 without warping before I had to stop. I was able to leave the NES on all day and chipped away at attempting the end of the game, and then before bed I was able to beat the game. I didn’t expect to finish it, so I wasn’t recording, and I wasn’t exactly thrilled with the prospect of playing through the entire game again. So it goes. I was able to block out a few hours during the evening on another night to set up the recording and play through the whole game again. Sadly, this game is a little buggy. It crashed on me somewhere around Wave 7. I was able to jump straight to Wave 9 with the continue code but all my item counts were screwed up. I started over and then it crashed on me again in Wave 10. This time I was able to continue from Wave 9 with everything normal. I ended up going to bed and came back early in the morning before work to finish the game on video. I was running low on time but I managed to beat the game again with all the proper documentation.

There are a couple of optional special items that make this journey a lot easier. These are called out in the manual directly. There is a hidden door in Wave 7 that hides the special key, and another hidden door in Wave 8 that hides a secret idol. Both these items have their locations randomized at the start of their respective waves. The special key unlocks any locked door in the game but you can only use it once. There is a locked door in Wave 9 that can only be opened with the special key. It takes you to an island partway across the lava river in that wave, saving you a lot of time. The secret idol is much more useful. If you have it, the secret idol will appear within Wave 10 on top of the hidden door to Wave 11. It takes much of the guesswork out of where the exit is hidden. The secret idol item is permanent too. In my opinion, the secret idol might as well be mandatory to finish the game. The map, even a full map, is far too sparse and lacks enough detail to be useful. With enough plays, I suppose you could learn how to connect the map data to the location you need to search, but believe me, I’d rather not. If I have to find something hidden, I’d rather bomb around the two rooms of Wave 8 than the six rooms of Wave 10, especially since I can keep continuing on Wave 8 for as long as I need to.

Identifying the hidden exit is a huge relief.

Lastly, I want to discuss the difficulty rating. A fellow who goes by Electric Frankfurter helped compile a list of the Top 30 most difficult NES games. My two 10/10’s so far, Ikari Warriors and Q*bert, are both featured on the list, and so is Indiana Jones and the Temple of Doom. Make no mistake, this game is hard, ridiculously hard, with what is asked of you to complete the final stretch of the game along with unlimited enemies that are all over you all the time. It falls short of 10/10 for me because of the infinite continues. I have many of the 10/10 games already in mind, and I’m really going to have to take a deep look at the ones that have infinite continues to see if they are truly deserving of the hardest of the hard. The fact is that if you can reach Wave 9 with a good number of items (and hopefully the secret idol), you can just keep hammering away with the exact same item loadout until you beat it. Total play time is another factor I consider. I beat the game twice within a week and I don’t think I spent any more than 10 hours total. That’s not quite 10/10 for me either. I don’t do fractional scores, but I would say the game is more challenging than most of its peers in the 9/10 area.

I am more impressed with the idea of this game than how it actually turned out. There are some clever concepts here with collecting pieces of a map, locating secret items, and using multiple weapons that double as tools. Randomization adds some replay value to the mix. The rest of the game is kind of a mess. The rooms are huge, complex, and tough to successfully navigate under constant enemy threat. Whip swinging has poor hit detection, both on hooking with the whip and landing on the other side of the swing. The jump mechanics are confusing and many jumps to below ledges don’t make physical sense. Locating hidden doors are all trial and error that require limited resources to reveal. The controls for switching weapons don’t always trigger correctly, which always happens when I am in a rush. The graphics are okay and the music is poor, aside from the Indiana Jones theme. There is bad programming that can occasionally lead to crashes. The game is playable, but for the most part it is more frustrating than fun. If you are looking for a new challenge, this game certainly has it. Now if you’ll excuse me, I think I need to go play some La-Mulana.

#93 – Indiana Jones and the Temple of Doom

“I will get my revenge!”

A very unassuming title screen.

To Beat: Reach the ending
My Goal: Beat the game without continuing
What I Did: Beat the game using three continues
Played: 9/24/17
Difficulty: 9/10
My Difficulty: 3/10
Video: Ninja Gaiden Longplay

Traditionally, ninjas were ancient Japanese fighters trained in martial arts who focused on stealth, espionage, and assassination. With the rise in popularity of the idea of ninjas, and many Japanese game development studios looking for game ideas, it makes sense that ninjas would be well represented in video games. One of the most well-known games on the NES, and perhaps one of the more well-known ninja games altogether, is Ninja Gaiden.

Ninja Gaiden began as two separate games by two different teams from the developer Tecmo. The arcade game is a beat-em-up game in the vein of Double Dragon, while the NES game is a side-scrolling action platformer influenced by Castlevania. While the arcade game fared well, the NES Ninja Gaiden was a huge success, earning high praise and numerous honors. The Famicom version was released first in December 1988 under the name Ninja Ryukenden, meaning Legend of the Ninja Dragon Sword. The NES version was released in March 1989. The word gaiden in Japanese means side story, but Ninja Gaiden is not a side story in any way. The developers just like how the name sounded. Ninjas were considered taboo in Europe, and so their version of the game was named Shadow Warriors and was released in August 1991. It was also ported to the PC Engine in Japan in January 1992. Tecmo is both the developer and publisher for all versions.

He will, indeed!

Since the NES game, Ninja Gaiden has become a long running series. The NES got two more installments, and all three games appeared on the SNES compliation cart Ninja Gaiden Trilogy. Ninja Gaiden later had unique games on the Game Boy, Sega Master System, and Game Gear, as well as a cancelled version on the Mega Drive. The series went dormant until 2004 when the mobile game Ninja Gaiden X was released. That year also saw the beginning of the modern series with the 3D action game on Xbox simply titled Ninja Gaiden. That series would spawn two sequels in 2008 and 2012 respectively. There was also a Nintendo DS game called Ninja Gaiden: Dragon Sword.

Ninja Gaiden is a side-scrolling action platformer where you play the role of Ryu Hayabusa. The Hayabusa family has guarded the legendary Dragon sword for many generations. Ryu’s father, Ken Hayabusa, engaged in battle with another ninja and was defeated. After Ryu learned of his father’s demise, he finds a letter from his father. Ken writes that Ryu must go to America with the Dragon sword if he does not return. Respecting his father’s wishes, Ryu heads for America to take on the danger he surely knows is laid out ahead.

Ninja Gaiden is heavily laden with story and this is the main feature of the game. This was one of the first games to feature cinematic cutscenes to advance the story. The game plays out over six acts, and before each act there are these extended segments detailing Ryu’s adventure. Sometimes there are cutscenes in the middle of acts, but this doesn’t happen often. It was very novel to see this story play out as you go through the game, for the first time through at least. On subsequent playthroughs they might become more of an annoyance. Fortunately, they can all be skipped quickly so you can focus solely on just the action.

Ryu hangs off walls a lot.

You control Ryu with the D-Pad. You can walk with Left or Right and duck by holding Down. Press A to jump. You have full control of Ryu from side to side while airborne. You can cling to walls by jumping onto them and Ryu will hang on indefinitely. Press the directional button away from the wall and jump to kick off the wall. You can jump back and forth between two walls close together to climb. If the wall contains a ladder, you can freely climb up the wall with Up or Down, otherwise you must jump off. The B button slashes your sword. You can attack with the sword while ducking or while in the air. If you slash while standing on the ground, you can’t move until the animation finishes. Attacks go quicker than the whip in Castlevania but it’s a noticeable delay. Hold Up and press B to use special attacks if able. The Start button pauses the game.

The status bar at the top of the screen gives you all the information you need. The top left is your score indicator, and below that is the level timer. Underneath that is P which indicates how many lives you have remaining. The counter next to lives represents your spiritual strength, according to the game manual. This represents your subweapon ammo, and next to it on the status bar is an icon for which special weapon you currently hold. On the right side of the status bar, you see the stage number, your health meter, and the health meter of the boss.

These blue lanterns hold all kinds of stuff for you.

In yet another similarity to Castlevania, each level features a candle or some other stationary object that you can slash with your sword to earn powerups. Enemies don’t drop anything in Ninja Gaiden so this is the only way to power up, but you see them all the time. The most common of these is a square icon that increases your spiritual strength. The common blue item gives you five points of strength, and the red one gives you ten. There is an item that looks like a pot with feet that just gives you points. The blue one is worth 500 points and the red one awards you 1000 points. An hourglass freezes time briefly, causing all enemies and projectiles to stop moving and keeping new enemies from spawning. A potion will restore six points of health. The Ryu emblem gives you an extra life but only appears a few times in the whole game. The icon with the ring of fireballs is called the invincible fire-wheel. As its name suggests, it makes you invincible for a short time while destroying any enemy you touch.

The other item drops you get are your special weapons. You can only hold one at a time and can’t switch back if you collect a new one. These cost spiritual strength points which may vary for each weapon. The weakest weapon is the small blue throwing star. You throw a tiny straight projectile and it costs three points. The windmill throwing star is a large orange shuriken that costs five points. You throw it ahead and it comes back at you like a boomerang. If you jump over or dodge it, it will go behind you and come back. If you keep avoiding it, you can keep it on the screen circling you for a while for maximum effectiveness. The powerup with a single flame on it is the art of the fire wheel. This weapon costs five points and throws large rings of fire up and away from Ryu. Lastly, the blue swirl weapon gives you the jump and slash technique. This deploys by pressing B in the air with no need to hold Up on the D-Pad. It causes you to ball up while slashing constantly, ripping you right through enemies and bosses. It is incredibly powerful. The major downside to this technique is that it replaces your sword attack while jumping, so it burns through your spiritual strength very quickly. But here’s a tip: If you hold Down and press B while in the air, you will always swing your sword, saving you precious strength points.

Poor enemy soldier!

You will travel through many interesting locales and fight different types of enemies throughout the game. You visit the city streets, a mine, snowy mountains, a cliffside, and various temples just to name a few. Enemies often consist of other people who punch, swing swords, fire guns, throw knives, etc. There are also animals that are out to get you like tigers and bats. Anyone who has played this game know that the birds are the worst. They fly at you and turn around to make another pass if they miss, and you need good timing with your sword to defeat them. They often show up near pits and they can easily knock you down to your death, and they drain your health quickly to boot.

There is a boss battle at the end of each act. Each boss gets a full health bar and your sword does one point of damage, so you must keep at it to take them out. The game manual explains that most of the bosses are members of The Malice Four and were hired by the main villain. Defeating the boss awards you points for both time and spiritual strength remaining, and you get to watch the bad guys explode as score is added up for a pleasant bonus!

Ninja Gaiden is a challenging game, no doubt, but there are a few ways the game gives you breathing room. Each act is split up into several levels, and sometimes the levels have checkpoints within them at screen transitions. Ninja Gaiden only scrolls horizontally, but sometimes you need to go up or down a screen and that counts as a checkpoint. Losing a life within a level sets you back to the checkpoint. If you lose all your lives, you can continue from the start of the current level. You get infinite continues which is a great help in beating the game. Dying on the boss, however, sends you back to the start of the previous level. This is a more severe punishment than dying prior to the boss, but it’s bearable.

Action-packed boss fights are always a plus.

The reason why a game with infinite continues like this gets a 9/10 difficulty rating is what happens at the end of the game. I’ll say this is a spoiler, but if you’re reading this you probably already know what happens. The final act in Ninja Gaiden is quite challenging, featuring large sections of bottomless pits with plenty of enemies to knock you into them. The end of the act contains not one, but three final bosses. Contrary to the rest of the game, taking a death at any one of these bosses sends you back to the beginning of the act. This makes the first time through the game very difficult because you have to slog through all these tough levels per each attempt at this final set of bosses. The only solace is that once a boss is defeated, he stays dead and you don’t have to refight him. I know one of you readers has already turned your nose at my rating here, and to you I say that it’s easier for me too because I’ve beaten the game so many times. Undeniably, it’s a steep challenge the first time through!

Ninja Gaiden is one of the games from my childhood collection and I have beaten it countless times. I didn’t read many gaming magazines, but it was all over the ones I had and so I had to own this game. We bought it used somewhere, and that led me and my family to track down the other two games individually. Today it isn’t a hard game to find and it consistently costs around $10 for a copy. I’ve had several copies pass through my hands that I’ve sold, and I still have a few extra copies as of this writing.

I don’t remember the first time I beat Ninja Gaiden. I was probably 9 or 10 years old when I first beat it, and it has been one of those staple NES titles that I replay at least every couple of years. I beat the game this time with little trouble. I had in mind to beat the game without continuing but I wasn’t sure if I would. After all, that final level still trips me up after all these years, and I have only done it once before a few years ago. Lately, I have been playing these NES games through a couple of times just to have a decent enough run for YouTube. I don’t recall the last time I beat a game once and then moved on. The only deal breaker here was that I wouldn’t accept a run where I died on any of the final bosses. On this run, I needed three continues to clear the final area but I did beat the final bosses without dying. That’s good enough for me, and besides, I’m sure there are plenty of people out there that have beaten the game without continues or without dying on YouTube. If you need to witness something closer to perfection, then you can watch someone else do it. I have so many more games to play!

Clearly, I have no chance here!

I have a few streamers on Twitch that I watch regularly. One of my favorites is Arcus87, the current world record holder for speedrunning Ninja Gaiden. He has beaten the game in 11:39.93 as of this writing. In the beginning of this year, I watched him put in hundreds of attempts just to improve upon his own record by a tiny margin. I missed watching him set the record live, but I saw a couple of near misses and some other incredible moments. I learned a lot about this game just by watching, but I can’t say it translated into making me a better player.

Ninja Gaiden is one of those classic, essential NES games that should be considered for any NES collection. It has nice graphics and music, good boss fights and enemies, good control with versatile weapons, and a story that ties it all together. It is also the very definition of Nintendo Hard, with constantly respawning enemies capable of knocking you into pits at any time, especially those birds. The endgame cruelty is quite extreme as well. The difficulty may be a turn off, but the game is relatively kind in the early going and the story might grip you enough to want to grind through it. Ninja Gaiden is fun to play, and if somehow you haven’t given it a chance, I give it my recommendation.

#59 – Ninja Gaiden