More like the Temple of Pain, Suffering, and Doom.

The top title text is usually cut off on old TVs

To Beat: Reach the ending
Played: 7/5/18 – 7/12/18
Difficulty: 9/10
My Difficulty: 9/10
My Video: Indiana Jones and the Temple of Doom Longplay

I’m here to talk about Indiana Jones and the Temple of Doom on NES, but what I really want to talk about is La-Mulana. I’ve long thought the game La-Mulana is secretly the best Indiana Jones game, or at least the best interpretation of that concept. In La-Mulana, you play as the archaeologist Lemeza as you seek to follow your father’s footsteps in exploring and discovering the secrets of the ruins of La-Mulana. It’s a Metroidvania game with a huge emphasis on solving complex, intricate puzzles spelled out through cryptic textual monuments. You really need a pencil and notebook as you gather clues and piece them together throughout the journey, while also collecting various artifacts, battling huge bosses, and avoiding constant death traps. This is not a game for everyone, but I fell hard for it and it is one of my favorite games, both the original freeware version styled like an MSX game, and the newer remake available on Steam and elsewhere. Actual Indiana Jones games seem to take a safer stance in terms of gameplay. There are several Indiana Jones games on the NES that are standard platformers. Indiana Jones and the Temple of Doom, on the other hand, is less of a platformer and a lot closer to my La-Mulana-like ideal than I originally thought.

Indiana Jones is a well-loved film franchise. There have been four major films to date: Raiders of the Lost Ark in 1981, Temple of Doom in 1984, The Last Crusade in 1989, and Kingdom of the Crystal Skull in 2008. A fifth movie is slated for production beginning in early 2019 with a tentative release date in 2021. A TV series, The Young Indiana Jones Chronicles, ran from 1992-1993, and that series was followed by four made-for-TV movies between 1994 and 1996. There have been plenty of books, comics, video games, toys, and attractions revolving around Indiana Jones.

There are two video games based on Temple of Doom. The first was a 1985 arcade game that was later ported to various home computers. The NES game, Indiana Jones and the Temple of Doom, was released in 1988. It was developed by Atari Games and published by Tengen. In December 1988, Temple of Doom was licensed by Mindscape, so that’s the version I played for the project. Both the unlicensed Tengen version and the licensed Mindscape version are identical games. This version was also ported to a few home computers.

Whip it, whip it good!

I have seen all of the Indiana Jones movies, but it’s been a few years and I don’t remember much of anything about Temple of Doom. From what I’ve read, the story and gameplay both follow the movie. You play as Indiana Jones who, along with his companions Willie and Short Round, reach the village of Mayapore. The Sankara Stones have been stolen and the children of the village have been captured by evil people from the Pankot Palace, led by the high priest Mola Ram and his Thuggee guards. The children have been forced to mine for the missing Sankara Stones, so Indy sweeps in to save the children and recover the stones. The game consists of twelve levels, or waves, that you need to beat to complete the game.

Indiana Jones and the Temple of Doom is an action game from what I’ll call a near top-down perspective. You use the D-pad to move in all directions. Indy is armed with his trusty whip that you wield with the A button. You can whip in all eight directions by holding the direction and pressing A. The B button is for jumping. A for jumping was a standard convention by now, but nope, it’s B. If you just press B, you will jump downward. If you want to jump in a different direction, hold the D-pad in that direction and then press B. The Start button pauses the game and brings up a status screen. Use the Select button to switch weapons. You hold Select and press either Up, Down, Left, or Right to switch between the four weapons in the game.

You will spend a lot of time in this game saving children. They appear within holes along the cave walls. Simple walk or jump up to them to save them. You will earn some points and they often will leave weapons behind that you collect. Usually, they drop either a gun or a sword. These are limited use weapons that have secondary functions. In the first room of Wave 1, you can use the sword right away. There are small tunnels boarded off by wooden planks. If you slash them with the sword, they will reveal TNT to collect. These are your base weapons in the game that you switch between with Select. Left is for the gun, Right for the sword, Up for TNT, and Down to go back to your whip.

I’m coming to save you! (For equipment and points)

There is limited information on-screen during play. There is a countdown timer at the top of the screen that counts down from 99. The timer speed varies depending on the level. If it goes down to 0, Mola Ram appears, which causes you to lose a life and you have to start the wave over. Below the timer is an icon for the current weapon equipped if it’s something other than the whip. When you switch weapons, you briefly see the ammo count next to Indy. The Status screen when pausing the game gives you a lot more information. You are shown your current score and lives remaining. Below that are all your weapons and ammo accumulated. You also see any special items you’ve collected. Next are the number of children remaining in the wave and how many map pieces are remaining in the game.

There are other items to collect from the children. Some children have map pieces that you hold onto until a later event in the game. An arrow may be left behind. You can pick this up for points, but it’s main purpose is to point the way toward a warp room. Small jewels restore your level timer. Hats are extra lives, and they play a familiar tune when you earn a new life. The key opens the locked door to the next wave.

Most waves in the game follow a similar pattern. Each wave has two rooms. One is a cave room, and the other is a mine cart room. You can switch freely between the two rooms within a wave. The cave rooms have open doors that lead to the mine cart room, and the mine cart tracks may end in tunnels that lead back to the cave room. Each room has a locked door leading to the next wave. To open the locked door, you first obtain the key from the opposite room. The key in the cave room opens the locked door in the mine cart room, and vice versa. Each room has its own key so it is up to you how you want to approach clearing each wave.

Come along for a ride.

The movement mechanics allow for some complex scenarios that the game takes full advantage of. The rooms start getting really large within just a few waves. They also loop around in all directions, which makes them seem even bigger than they really are. Sticking to the main paths will not get you very far, especially in the mine cart rooms. You are going to have to leap from ledge to ledge to explore every nook and cranny of the rooms. Jump while holding Up to jump on the same ledge you are standing on. Otherwise, you fall through all solid objects until you reach a walkable area. The mine cart rooms have a bunch of disconnected conveyor belts so you need to jump to get around those for sure. You also must contend with lava rivers all over these rooms too. Falling onto a lava tile is instant death, so you have to be smart and not just jump all willy-nilly through the rooms.

The mine carts add some additional movement options within those rooms. First, you must jump onto the mine cart to climb in. Then you get to ride around! Carts move from left to right and you can slow them down by pressing Left and speed them up by holding Right. Press Up to lean the cart to the left and Down to lean the cart to the right. Sometimes lava or something is obstructing part of the path and you can lean one way to get through. Be careful as other mine carts appear periodically and they can get in your way, causing you to crash and die if you collide. Tracks sometimes merge which also facilitates collisions. Getting the mine carts to appear in the first place can also be a hassle. Usually you need to scroll the screen horizontally to get one to appear from the left side. In later waves, enemies are in the carts and you need to whip them or defeat them some other way before entering.

The enemies in this game as a huge nuisance. They don’t typically kill you, rather they stun you. This pushes you somewhat and often forces you to fall to the ledge below. Those falls can drop you to your death or leave you vulnerable in other ways. The most common enemy is the Thuggee guard. You can kill them with other weapons or stun them with the whip. You can knock them into the lava for an easy kill. Once a guard is whipped, he becomes an attacker and will kill you outright with a hit. There are bats, rats, snakes, and spiders that move erratically and stun you. Retractable spikes and lava pools kill you. Some guards drop boulders in the mine cart rooms that kill you if they drop on you, but the rocks also provide the benefit of temporarily stopping the movement of conveyor belts.

Whipping guards into lava seems excessive.

Indy has his set of weapons to help out. Furthermore, all of them have secondary uses for moving around the levels. The whip is your primary weapon for stunning guards and killing minor enemies. You will find hooks on the walls that you can latch onto with your whip to swing over gaps. The gun does not actually fire bullets, but instead does instant damage to the first object within its line of sight. There are skulls on the wall that you can shoot with the gun to reveal hooks for swinging with your whip. Swords kill guards and enemies, while they are also used to open up blocked caves containing TNT. The TNT can be thrown in eight directions and leaves a blast that kills enemies. This explosion removes spikes and certain lava tiles that obstruct walkable paths. I found myself switching weapons all the time for each need as it appears.

Another use of the TNT is to reveal hidden rooms. In waves 1, 4, and 6, some children will hold arrows that point in the direction of a hidden room. When you think you’ve found the spot, bomb it to hopefully reveal the door. This takes you to a warp room, which is its own unique stage. Pass through any door in the warp room to advance to a future wave. Doors farther out in the warp room advance you further along in the game. As a bonus, you earn all the map pieces in a wave where you don’t rescue any children, including the waves you skip via warp. Waves without a warp room also have hidden doors revealing either a large cache of normal items or a special item.

The first eight waves all follow the two-room structure and get difficult fast. Wave 9, however, is where the game takes a turn into a devious direction. This wave contains only one room called the Chamber of Kali. Your goal is to reach the Statue of Kali and the three Sankara Stones at the top of the room. You have to forge a path across the lava river to get there. There are several locations where lava monsters appear randomly out of the lava. Hitting a monster with either the gun or TNT turns the monster to permanent stone and you can walk across. The idea is to find the area with the most lava monster activity so that eventually you will clear a path across. You are at the mercy of randomness as you wait for the monsters to line up properly. Once you get to the other side, retrieve the stones and then locate the exit door to Wave 10.

Building your own lava bridge is excruciating.

This is where the map pieces you have been collecting come into play. Before starting Wave 10, you are presented with a crude map of one of the rooms in the wave. There are 25 pieces of the map in all so you may see a partial map excluding sections at random representing map pieces you did not collect. The map shows skulls, doors, children, and an X indicating the exit door for the wave. This is the only time you see the map, so commit what you need to memory or make notes before proceeding.

Wave 10 consists of six large rooms with several doors connected to other rooms. Your task is to use the map to determine which room contains the exit and where the exit is positioned within the room. The exit door itself is hidden and must be revealed by TNT. Each room has four possible locations for the exit door, so there are 24 possible exits. When you find the exit door, you will not be allowed to exit the wave unless you are holding the three Sankara Stones. Unfortunately, if you die in Wave 10, you drop all the stones you are holding. Each room has three large skulls in it and these are where the stones are placed should you drop them. It would really behoove you to get all three stones back in your possession before moving to a different room. God help you if you drop stones in two or even three different rooms at once. All the while, you have to deal with lava pits, lava monsters, conveyor belts, swarming enemies, and all that good stuff. Without a doubt, this is one of the nastiest challenges I’ve experienced in this project to date.

If somehow you survive Wave 10, there are still two more waves to finish. These are more straightforward challenges, but you still need to hold all three stones to exit the wave and you must collect them from skulls if you die in the wave. These scenes are meant to follow the movie as you destroy the rope bridge and keep Mola Ram from escaping. The good thing is that you have unlimited continues throughout your entire journey. The bad thing is that once you get past Wave 9, you go back to Wave 9 when you continue. Still, it’s better than starting from scratch.

This just gets ridiculous.

This was my first time playing Indiana Jones and the Temple of Doom. I do remember that this game seemed awfully challenging when I tested out my carts, and I have heard that this is one of the most difficult games on the NES. This is an inexpensive game, but it’s not one I see a whole lot, either in licensed or unlicensed form. I think I owned the Tengen unlicensed version before I owned the licensed Mindscape version. Both versions cart only are worth around $8-$10.

I had what I consider an unusual path to completing this game. I struggled the first couple of times I tried. Wave 1 is really small, but after that, the rooms seem to increase in size drastically up through either Wave 5 or 6. There are several doors connecting each room together and I couldn’t keep track of where I was. I had a couple attempts where I gave up around the middle of the game, but it felt like I was on the brink of getting the hang of this game. One morning I got up early and tried again, and I finally reached Wave 9 without warping before I had to stop. I was able to leave the NES on all day and chipped away at attempting the end of the game, and then before bed I was able to beat the game. I didn’t expect to finish it, so I wasn’t recording, and I wasn’t exactly thrilled with the prospect of playing through the entire game again. So it goes. I was able to block out a few hours during the evening on another night to set up the recording and play through the whole game again. Sadly, this game is a little buggy. It crashed on me somewhere around Wave 7. I was able to jump straight to Wave 9 with the continue code but all my item counts were screwed up. I started over and then it crashed on me again in Wave 10. This time I was able to continue from Wave 9 with everything normal. I ended up going to bed and came back early in the morning before work to finish the game on video. I was running low on time but I managed to beat the game again with all the proper documentation.

There are a couple of optional special items that make this journey a lot easier. These are called out in the manual directly. There is a hidden door in Wave 7 that hides the special key, and another hidden door in Wave 8 that hides a secret idol. Both these items have their locations randomized at the start of their respective waves. The special key unlocks any locked door in the game but you can only use it once. There is a locked door in Wave 9 that can only be opened with the special key. It takes you to an island partway across the lava river in that wave, saving you a lot of time. The secret idol is much more useful. If you have it, the secret idol will appear within Wave 10 on top of the hidden door to Wave 11. It takes much of the guesswork out of where the exit is hidden. The secret idol item is permanent too. In my opinion, the secret idol might as well be mandatory to finish the game. The map, even a full map, is far too sparse and lacks enough detail to be useful. With enough plays, I suppose you could learn how to connect the map data to the location you need to search, but believe me, I’d rather not. If I have to find something hidden, I’d rather bomb around the two rooms of Wave 8 than the six rooms of Wave 10, especially since I can keep continuing on Wave 8 for as long as I need to.

Identifying the hidden exit is a huge relief.

Lastly, I want to discuss the difficulty rating. A fellow who goes by Electric Frankfurter helped compile a list of the Top 30 most difficult NES games. My two 10/10’s so far, Ikari Warriors and Q*bert, are both featured on the list, and so is Indiana Jones and the Temple of Doom. Make no mistake, this game is hard, ridiculously hard, with what is asked of you to complete the final stretch of the game along with unlimited enemies that are all over you all the time. It falls short of 10/10 for me because of the infinite continues. I have many of the 10/10 games already in mind, and I’m really going to have to take a deep look at the ones that have infinite continues to see if they are truly deserving of the hardest of the hard. The fact is that if you can reach Wave 9 with a good number of items (and hopefully the secret idol), you can just keep hammering away with the exact same item loadout until you beat it. Total play time is another factor I consider. I beat the game twice within a week and I don’t think I spent any more than 10 hours total. That’s not quite 10/10 for me either. I don’t do fractional scores, but I would say the game is more challenging than most of its peers in the 9/10 area.

I am more impressed with the idea of this game than how it actually turned out. There are some clever concepts here with collecting pieces of a map, locating secret items, and using multiple weapons that double as tools. Randomization adds some replay value to the mix. The rest of the game is kind of a mess. The rooms are huge, complex, and tough to successfully navigate under constant enemy threat. Whip swinging has poor hit detection, both on hooking with the whip and landing on the other side of the swing. The jump mechanics are confusing and many jumps to below ledges don’t make physical sense. Locating hidden doors are all trial and error that require limited resources to reveal. The controls for switching weapons don’t always trigger correctly, which always happens when I am in a rush. The graphics are okay and the music is poor, aside from the Indiana Jones theme. There is bad programming that can occasionally lead to crashes. The game is playable, but for the most part it is more frustrating than fun. If you are looking for a new challenge, this game certainly has it. Now if you’ll excuse me, I think I need to go play some La-Mulana.

#93 – Indiana Jones and the Temple of Doom

Shuffling panels has never been this much fun!

The baddies look far less menacing in the actual game.

To Beat: Reach the Ending
To Complete: Beat both the game and the Extra mode
What I Did: Completed the game
Played: 8/7/17 – 8/18/17
Difficulty: 7/10
My Difficulty: 7/10
Videos: Mendel Palace Longplay and Mendel Palace Extra Mode Longplay

There are a lot of weird video games out there, especially today when the barriers to development and distribution are much lower. The NES was around in a time when some gaming conventions were being defined, so developers had the liberty to make some weird games too. Ghoul School is one that comes to mind that I’ve already played. I classify Mendel Palace as a weird game, and in this case I mean it in a good way. Mendel Palace is a frenetic action game that is dripping with character.

Mendel Palace was released in North America in October 1990. The game was developed by Game Freak, who are best known as the developers behind Pokémon. This was the first game they developed. The NES version was published by Hudson Soft. This game debuted first on the Famicom under the name Quinty. There it was released in June 1989, over a year earlier. Quinty was published in Japan by Namco. Mendel Palace has not been re-released, nor are there any sequels.

Mendel Palace is a single-screen action game. You play the role of Bon-Bon. The princess Candy has become trapped in a dream that she cannot escape, and so you might fight all her dolls that have come to life and free Candy. It’s the typical save the princess trope. The object of the game is to defeat all the enemies in each stage. There are 100 total levels spanning several different worlds. If you clear all the stages, then you save Candy and win the game. You can go at it alone or play with a friend in the two-player mode.

It’s a block party!

The main gimmick to Mendel Palace is how you attack enemies. Each stage is in a top down perspective consisting of a 7×5 grid of large panels on the floor. You can walk around in the four cardinal directions using the D-pad. When you press the A or B button, you will shuffle the floor panel in front of you. It is a little tricky at first to determine which panel you will move. If you stand on the edge of the panel facing the middle of it, you will shuffle the one you are standing on. Otherwise, you will shuffle the next tile over in the direction you are facing. The idea is to shuffle tiles when enemies are standing on them, which causes the baddies to get pushed away a short distance. Enemies are defeated when they get shoved into the side of the screen or against a solid object. Sometimes enemies can push you into the wall as well, but if an enemy touches you then you can also die that way.

The other side effect with shuffling panels is that you can reveal other panels underneath. This is not merely a binary flip. Sometimes there are three or more different layers underneath each panel that continuously cycle as long as you keep shuffling. There are many kinds of tiles that can appear in Mendel Palace, including several different item tiles. The most common item tile is the star. You must stand exactly on the center of an item tile to collect it. Stars are accumulated through play and you can see how many you have in a counter at the bottom of the screen next to the amount of lives remaining. The final star tile in a level will blink and you get 10 stars if you grab that one. Collecting 100 stars awards you an extra life, and it also makes you walk faster.

There are two more item tiles that are not as abundant as the star tiles. The first of these is the roulette tile. This cycles between four different items and you get whichever one is face up when you collect it. You can get either a puny 10 point bonus or a generous 10,000 point bonus. You can get a 10 star item for more precious stars. The best award is the 1up! Aside from star collection, this is the only other way to gain lives. The other item panel is the time panel. This is labeled FIVE SEC when you see it in the game. Each level has an invisible timer that causes the enemies to become very aggressive when it runs out. Grabbing these panels extends that timer.

The smile on the sun panel is quite appropriate!

There are a few panels that can affect nearby panels. The most common of these is the cross panel. When you step on it, the tiles in all four cardinal directions will shuffle chain reaction style. If you can get an enemy caught up in the shuffle wave it almost always sends them all the way to the wall. There is a similar panel that does not show up often called the clock and time panel. This one looks like the cross panel but with only one direction lit up at a time. Like a clock, the lit direction changes rhythmically. Stepping on this panel causes a wave in only the direction it is pointing. The sun panel is the most powerful of these in that it shuffles all tiles on the screen radiating outward from the sun panel. Most of the time this wipes out all the enemies in one shot, so it can be very nice to find.

There are a couple of bonus panels that transform the game board in ways that can be helpful. The more common of these two is the moon panel. This one dims the lights in the level and replaces all walkable tiles with stars. There is a tradeoff with this one however. Solid panels remain solid but you cannot see them in the dark. If you are being pursued by enemies in a level with now invisible solid panels, it may not be worth the extra stars. The better bonus panel is called the special bonus panel. It has a swirl design on it and flashes colors. Run into this panel and you will be whisked off into a bonus screen filled with stars and no enemies. There will be an additional counter at the bottom of the screen indicating how many stars are available in the bonus area. Sometimes you need to shuffle panels to reveal stars, but most of them are visible from the start. There is a time limit indicated by faint color changes in the small tiles around the border of the level. If you collect all the stars before time runs out, then you get bonus stars. Play proceeds to the next level, so using the special bonus panel is an easy way to clear a stage for free.

Special bonus panels flip you right into star paradise.

Here are the remaining panels in Mendel Palace. The metal panels are solid panels that appear raised on the screen. You cannot pass through them, but you can shove enemies into the metal panels to defeat them. Some enemies can smash through the metal panels leaving behind a broken panel, which acts like the standard blank panel. The lock panel has screws in the corners indicating that this square can no longer be shuffled. The attack panel is an orange panel with the same swirl design as the special bonus panel. This launches you forward in the direction you enter the panel. It’s called the attack panel because you can defeat enemies if you collide with them after this panel pushes you. It spins for a little while so you can run back into the panel to do more damage. The final panel is the game is the enemy panel. It looks like a warp portal, and it acts like one too. New enemies will spawn from the enemy panel if there is room for them in the level, and then the panel transforms into a blank panel. Revealing these panels can keep the level going even if all other enemies have been defeated.

At the start of the game, you are shown a map screen with nine different houses. You can choose any of the houses except for the one in the center which is saved for last. Each house is based around a specific enemy type and consists of ten levels. The enemies themselves may have multiple variants, and the more difficult versions appear in the later levels of the house. The final level in each house is a boss fight that somehow incorporates the base enemy for that house. Let’s talk about each one!

This is the best choice for the new player.

The upper left area is the house of Moko-Moko, and this is the recommend level to begin the game. Moko-Moko is a rather plain enemy that doesn’t do anything other than walk around. The second form of Moko-Moko has light blue coloring, and he splits into two smaller enemies whenever you push him.

C’mon get hoppy!

The upper area is the house of Dragon. This enemy moves by making small jumps across the board. You can only push Dragon whenever he lands on the ground, so you have to time your shuffles to fight them. There are three different versions of Dragon. The normal one wears pink pants. The second version wears green pants and they don’t start hoping around until you approach them. The third version wears red and makes longer jumps.

Their drawings are so life-like!

The upper right area is the house of Vinci. These are often referred to as doodlers. They move slowly around the level and will occasionally stop on a panel to draw on them. This leaves them vulnerable to attack. If the finish their drawing, that panel becomes locked. The normal doodlers wear pink, and the green ones can also generate a ghost enemy upon completing a drawing. One interesting tactic is that is it possible to leave every tile in the level locked by either doodles or lock panels. If this happens, you win the level automatically and get a large point bonus to boot.

They can take your frustration to new heights.

The right area is the house of Toby. These enemies take a long jump straight up if you try and shuffle the panel beneath them, but they are vulnerable when they land. While waiting for one to land, you can easily get surrounded by other ones. The ones with red hair jump higher than the ones with brown hair.

Taking Follow the Leader too seriously.

The lower right area is the house of Mira. They attempt to imitate your movements. They take a step forward when you do, and they shuffle panels when you do. They will even move if you simply turn your body in another direction. If you stand still they don’t move at all and the music even stops. They can shove each other so you can get them to defeat themselves sometimes. The red versions move faster than the yellow ones.

Just keep swimming.

The lower area is the house of Wasser. They are swimmers and are often referred to as such. They will walk around the perimeter of the level and then swim straight across the stage when they line up with you. As they swim across, they shuffle the panels behind them with their feet. Wasser is a clever enemy type in my opinion. The regular version of Wasser is colored green and they swim in straight lines, while the harder blue version swims at angles and can also turn toward you mid-swim.

I like the flowing stage music here.

The lower left area is the house of Tako. These enemies are dancers and resemble ballerinas. Most enemies cannot move diagonally, but Tako can. They glide around the level homing in on you, but they take time to turn around if they pass you. Eventually they wear out and stop for a break before moving again. The normal Tako is orange, and the red ones move much faster and can break through metal panels.

These heavy enemies may take several pushes to defeat.

The left area is the house of Sumo. These are large, slow enemies that only get pushed a short distance, so the idea is to keep pushing them several times consecutively. After a Sumo is shoved, he will attempt a sumo stomp that shuffles a wave of panels away from him. The white Sumo is the regular type, and the purple one is heavier and takes more shuffles to move.

One final enemy type for good measure.

Once all eight houses are finished, Mendel Palace in the center opens. This stage features ten more levels that use all the enemy types so far. After that, there are ten final levels that feature one last enemy type.

Mendel Palace is a difficult game to take on all at once. The enemies swarm constantly and it takes either good technique or luck to get the breathing room to start defeating them. The difficulty is mitigated heavily by unlimited continues. After Game Over, the title screen displays the word Continue and all you have to do is press Start to resume play at the same level you lost. As long as you keep the NES powered on, you can brute force the entire game one level at a time. Holding the A button causes the Continue text to disappear, so if you want to start all over you have to press Start with A held down. It’s very kind of the developers that they made it simple to continue and you have to go out of your way to start completely over.

I have played some Mendel Palace before for the NintendoAge contest. I got a taste of each of the houses as I tried to figure out the best way to score the most points. The later part of the game was all new to me. Mendel Palace is not exactly common, but it is not hard to find online. I picked up my copy at a local store during a buy two, get one free promotion. I believe I bought Mendel Palace, TaleSpin, and Whomp ‘Em together for $16 total. That is a little more than what Mendel Palace is worth alone at the time of this writing, and I did particularly good on Whomp ‘Em given its current price.

I intended to play Mendel Palace for about an hour, but like most good intentions of mine that turned into me beating the game over about two hours. Some of the later levels are very challenging and it made me want to keep playing until I could surpass them. However, not only was I not recording my playthrough, but I also forgot to take a picture of the TV when I finished. It took me about a week before I got the time to play through the game with everything set up. I think I played the second time a little better but I still died plenty.

This level still gives me nightmares.

Mendel Palace has a secret Extra mode containing 100 new levels. Nothing in the manual or the game mentioned this mode. To play Extra mode, first make sure the NES is powered off. Then hold down Start and Select and turn on the NES. If successful, you will see the word Extra on top of the title as well as a different color on the title text. This mode has a few differences over the normal game. The biggest change is that there is no map or level selection. Instead you play all 100 rounds in the same order. There are stars but there is no counter displayed like in the normal mode. The number of extra lives caps out at five and even the lives display is different. You will get different enemies from level to level instead of grouped together. This mode is significantly harder than the normal game. It took me almost three hours to finish all the levels and I stayed up way too late to get it done. The ending you get is the same as the normal game, so this is purely an optional mode. I beat it anyway because I really like Mendel Palace and I’m not going to leave new levels on the table.

Mendel Palace is a very fun game and one that I give my full recommendation. There’s not another game quite like it, and all the different enemy types, stage layouts, and the action all bundle together nicely. The music is upbeat and catchy, and the graphics have a pastel and almost cell shaded look to them. There’s a lot of stuff going on at one time, from the multiple panel shuffling animations to the marble spray when an enemy bites the dust. Mendel Palace manages to run fast despite all the action on screen. There is a lot of sprite flicker, and that’s a negative you have to accept for a game like this on the limited NES hardware. A few stages and bosses are very frustrating in their difficulty too. Aside from those complaints, Mendel Palace is this weird game that’s a blast to play.

#56 – Mendel Palace