Sneaky snakes slither surrounding slippery slopes.

Look at those good snake-y boys!

To Beat: Reach the ending
Played: 12/29/19 – 1/5/20
Difficulty: 9/10
My Difficulty: 8/10
My Video: Snake Rattle N Roll Longplay

I love 3D platformers.  It’s one of my favorite genres of games that I know I don’t play near enough of given my interest level.  I have completed all of the mainline 3D Mario games 100% multiple times over, and I was also big into the N64 collect-a-thon games like Donkey Kong 64 and Banjo Kazooie.  Some NES developers went out of their way to implement pseudo 3D effects in games, some more explicit like in Marble Madness and some more subtle like the areas in Contra.  Snake Rattle N Roll is the closest thing the NES has to a true 3D platformer, so it may not be a big surprise to you that I really enjoyed this game.

Snake Rattle N Roll was released on the NES in July 1990.  It was developed by Rare and published by Nintendo.  The PAL version was released in March 1991, while a Mega Drive port was released in 1993 in Europe only.  Rare released a Game Boy game Sneaky Snakes in 1991 which has similar gameplay to Snake Rattle N Roll but as a 2D side-scrolling platformer.  Snake Rattle N Roll also appeared on the compilation Rare Replay that was released in 2015.  Another random tidbit is that this appears to be the first NES game released with the text “Nintendo Entertainment System” written on a red stripe across the top of the box.  That was the standard for NES releases published by Nintendo for the rest of the lifespan of the NES.

Snake Rattle N Roll has a story section in the manual without having any sort of real story.  Two snakes named Rattle and Roll are on a journey and you get to help them.  Rattle is the orange snake and Roll is the purple one.  In single player you play as Rattle, while in the simultaneous two-player mode you play as either Rattle or Roll.  To beat the game, you have to finish all 11 stages.

Tiny body, long tongue.

This game is an isometric platformer that has pretty simple controls.  You move Rattle in all eight directions with the D-pad.  The translation of the D-pad directions is just like the default 45-degree movement in games like Marble Madness and Q*bert.  Down moves you both down and left, and all other directions follow suit.  The A button jumps.  With the default speed of Rattle and the floaty nature of the jumps, you can cover a lot of ground laterally.  Press B to lash out your tongue.  You can use your tongue to eat things or attack enemies.

To clear each level in the game you need to leave through the exit door, but that’s not always as easy as it sounds.  First off, you need to grow Rattle and Roll.  There are these colorful balls that appear in the levels called Nibbley Pibbleys.  You eat them with your tongue and there’s a brief chewing animation where you can’t open your mouth again right away.  The Nibbley Pibbleys come in orange, purple, and yellow varieties.  The Nibbley Pibbley that matches your color is worth two units, while the alternate color is only worth one.  Yellow ones are worth three units for either snake.  For every four units you consume, your snake grows by one segment.  You must eat enough to grow your snake to the maximum size. When this happens, your tail segment starts flashing.  There is a weighted platform somewhere in the level with a bell on it.  When you are at full size, sitting on the platform rings the bell which opens up the level exit.  Now you proceed through the open door to clear the stage.

Fortunately, Nibbley Pibbleys appear all over the place in different ways.  The most common way to find them is to find a Nibbley Pibbley generator.  It is like a giant box with a couple of horns on it like an old-time phonograph.  It spits out Nibbley Pibbleys one or two at a time in a random direction.  You have to wait for them to land before they come alive so that you can eat them.  The Nibbley Pibbleys take on a different form depending on what stage you are on.  They start off just as simple balls that bounce around short distances, but they can grow legs and run away or sprout wings and fly around.  Later variants are harder to catch than earlier ones.  The generators sometimes spew out bombs that look like Nibbley Pibbleys at first, so you have to be a little careful.  
 

They don’t like staying still, that’s for sure.

This game features plenty of powerups for our heroes.  All items are worth 1000 points and have some kind of effect.  Diamonds give you temporary invincibility.  Clocks add 25 seconds of time shown at the bottom of the screen.  A rectangle with a fork on it is a tongue extension.  You can grab a few of these to gradually increase the length of your tongue.  The speed up item looks like the knob of an old wind-up toy.  A tiny arrow item reverses your controls for a little while, making it more of a power-down item.  A flashing snake head is a 1up, while a flashing snake head with its mouth open is good for a continue.  There is also a fish tail item that shows up in one level that lets you swim up a waterfall.

In addition to the powerups found out in the open, there are also many items hidden under lids.  To open a lid, stand on top and press B.  The item will fly upward a distance before falling down so you can grab it.  Be careful that sometimes the lids hide enemies or traps as well.  If you see a snake head that is not flashing, it is actually a bomb decoy and you will want to get out of the way.  Sometimes you will find the entrance to a bonus room underneath a lid.  Here you have to try and collect all five Nibbley Pibbleys before they leave the room for a nice 5000-point bonus if you nab them all.  Plus, you get to keep the added length to your snake.  There are also hidden lids out there that conceal warps.  I didn’t find any of these when I played, but they are out there.

It wouldn’t be a platformer game without enemies and traps.  Some enemies can be defeated by either jumping on them or by hitting them with your tongue a few times.  You get more points for bopping than you do for tongue lashing.  Some sharper enemies are vulnerable to the tongue but are immune to jumping on.  Sharks pursue you in the water in the first couple of stages.  There are also blades that pop out of the ground, pushers that try and shove you off the edge, and falling anvils that try and smash you.  One enemy you want to pay attention to is a Big Foot.  Literally.  It tracks around the stage and you have to hit it many times consecutively with your tongue to beat it.  If you let up your attack for just a little while, it gets all its health back.  You don’t get to see how much health it has remaining.  If you keep up the attack and defeat it, you are often rewarded with an extra life or less often rewarded with a bomb posing as a fake life.  I tried to beat the feet up wherever reasonable.

Uhh, this picture speaks for itself.

Death is a frequent occurrence in this game.  Getting damaged by an enemy or trap causes you to lose a segment of your snake, setting back your progress.  You die if you get hurt with no segments remaining.  You die if you fall too far off a ledge.  You die if you jump on top of spikes, including spiked enemies, or if you get crushed by something.  You also lose a life if the timer runs out.  The good news is that death doesn’t set you back any distance; you simply respawn near where you died.  You also respawn if you use up a continue.  You’ll see the Game Over message followed by a message to Play On if you have continues left.  When all is said and done, you are brought to the final score screen.

I wasn’t completely new to Snake Rattle N Roll before beating the game.  There was a small game store that was very close to where I lived at the time that I only visited once or twice before it closed down.  I wasn’t a full-blown collector at that time and now I really regret not visiting that store more often.  But one of the times I shopped there I picked up a loose copy of Snake Rattle N Roll.  I played it casually for a day or two and then put it away.  I know I have played the game some more since then but I’m not sure how much.  I don’t think I got anywhere past the third stage.  I no longer have the copy I bought from the store since it had some damage to it.  It took until my third copy before I acquired a cart in a condition I am happy with.

This is a hard game to beat, but I feel like it was right in my wheelhouse and so it didn’t take me as much effort to win than it could have.  The game starts out slow.  There’s not much jumping needed and the Nibbley Pibbleys are easy to snack on.  Reading the manual first helped me understand the systems at play.  The difficulty gradually ramps up from there.  The end of the second stage introduces what I call corner jumping, where you need to go in two different directions in a single, floaty jump.  These kinds of jumps become the standard for reaching new ledges.  I picked up on all of this rather quickly, reaching the halfway point of the game within the first couple of tries.  Things escalate majorly in the last few stages, and this was where I struggled the most.  Overall, it took me 13 tries to clear this game, but it could have easily been 20, 30, 40 attempts or more.  I’m happy I knocked this one out relatively quickly.

In this stage, you need a water spout boost.

Looking at the game as a whole, I really appreciate how they tied all the levels together.  This paragraph will spoil some late game elements, just a warning.  The entire game map is a mountain and across all the stages you are climbing to the top.  You begin at the bottom of this mountain that is surrounded by water, giving you a temporary safe place to land in case you fall.  As you work your way up, things start to get steeper and more treacherous.  In some areas of the game you can see pieces of levels you have already cleared, giving you a sense of progress.  Waterfalls become a more common feature as the inclines get steeper and the climbing and jumps get more difficult.  This comes to a head at Level 9 when the difficulty spikes near the top of the mountain.  Icy conditions make your path slippery, and to make matters worse there are now slopes to deal with as the ledges get narrower toward the summit.  Even enemies get a defensive boost from the cold as they form icy armor.  The final climb is very tough, but thematically this all make sense.  The final boss encounter takes place on the summit and it demands both precise control and aggressive attacking.  You’ve been groomed for it, you’re ready, but it doesn’t make it easy.

I enjoyed Snake Rattle N Roll quite a lot.  I like the graphics in this game.  There’s a nice use of colors and the characters are well animated.  The viewpoint is about as clear as you can get for an NES isometric game, though I admit it’s one of those things that you either grasp cleanly or you don’t get it at all.  This game has good music as well, opting to use music either from old 1950’s songs or tunes inspired by some of the classics.  The game controls well and I am able to pull off corner jumps without much trouble.  I did consider the speed up powerup more of a power-down since that was much harder for me to control, though that can be considered personal taste.  Gameplay is strong.  I appreciate the different ways the Nibbley Pibbleys move around and how some stages have unique elements in them.  Though the main gist is the same, there’s plenty of variety.  This is not a game for everyone, but I think it’s worth a try just to see if you might like it.

#143 – Snake Rattle N Roll

Get your cardboard box ready.

One of the most briefly shown title screens ever.

To Beat: Reach the ending
Played: 12/14/19 – 12/27/19
Difficulty: 7/10
My Difficulty: 7/10
My Video: Metal Gear Longplay

Metal Gear is one of those long beloved series in all of video games.  It didn’t really start out that way though.  It didn’t catch on until Metal Gear Solid came out on PlayStation, which in my opinion was the turning point for the series and elevated creator Hideo Kojima to auteur status.  While not normally my kind of game, I have played some of the Metal Gear Solid series.  Therefore, I came into Metal Gear on NES knowing the sensibilities of the Metal Gear series but not so much how to approach or play this particular entry.  How much of Metal Gear Solid and its ideas originated from earlier titles like this one?  I doubt I’ll be able to answer that question, but I can provide some background information and my thoughts on how this game played.

The first Metal Gear released on the MSX2 in Japan in July 1987.  It was developed and published by Konami and designed and directed by Hideo Kojima.  Metal Gear was quickly ported to Famicom for release in December 1987, and it reached the NES in North America in June 1988 and Europe in 1989.  The North American version was the first NES game Konami published under the Ultra Games label.

The overarching story of Metal Gear is already fairly well known, and the NES version does not differ much from it.  You play the role of Solid Snake, a fresh recruit of the special forces unit called FOXHOUND, who is sent on a special mission codenamed Intrude N313 by his commanding officer Big Boss.  FOXHOUND’s best agent, Gray Fox, was previously sent to a fortress near South Africa called Outer Heaven run by an evil dictator.  Gray Fox was to investigate Outer Heaven and neutralize any imminent threats found within, however, FOXHOUND lost contact of Gray Fox.  Solid Snake has been sent to find out what happened to Gray Fox.  I’m jumping ahead a bit, but a little while into the game you find out Outer Heaven is housing a weapon of mass destruction called Metal Gear, a walking tank capable of firing nuclear weapons from anywhere in the world.  Your mission then is to destroy Metal Gear.

It’s always important to have good communication.

Metal Gear, the game, is a top-down action-adventure game.  Solid Snake is controlled with the D-pad and he can move in four directions.  Press the B button to punch.  The A button fires weapons though you do not start out with any.  The Start button simply pauses the game, while the Select button brings up a selection menu.

The game begins with you being airdropped into the jungle.  Upon arriving you are immediately called via your transmitter as the word “CALL” is flashed at the bottom of the screen.  Press Select to bring up the menu, then choose “TRANS” to use your transmitter.  There you will automatically receive a message from Big Boss.  He gives you the frequency on the transmitter where you can reach him again if needed.  After the message is over you’ll hear this super-annoying horn sound.  At this time, you can tune the transmitter to help you send or receive messages.  Use Left and Right on the D-pad to scan through frequencies 120.00 through 120.99.  If someone is already trying to reach you, simply landing on the proper frequency will deliver the message automatically.  If you want to reach out yourself, tune the frequency and then press Up to switch to Send mode.  Solid Snake will call for help and in the right situation with the right frequency you will make contact and get a message back.  As you can imagine, using the transmitter is good for advancing the story and getting tips on forward progress.  When you are all done, press Select to go back to the action.

Your first task is to proceed through the jungle, moving downward through several screens.  Here you get a taste of using stealth to make your way forward without being noticed.  If you walk in front of a soldier, he sees you and puts the game into an alert state.  Firing a noisy weapon also draws attention to you.  Defeating all the enemies on screen or simply moving to the next screen is enough to escape the alert state and go back to quiet.  Until then, all enemies start moving in on you.  Soldiers have guns and aren’t afraid to use them.  If some enemies are left alone long enough, other enemies may start appearing and make things more difficult.  Of course, you can avoid alert state by staying out of line of sight.  You can punch enemies three times without them seeing you to take them out and stay quiet.  You can also wait for soldiers to leave or fall asleep, giving you an edge.  The third screen of the game introduces you to guard dogs that go alert when you get near, which always happens.  I found it is best to be as quiet as possible and avoid confrontation, but it is helpful to know how to navigate the alert state as it is hard to avoid sometimes.

Sneaking isn’t easy in close quarters.

Getting out of the jungle is not an easy task.  Not only is this first part of the game pretty challenging, it was also a little unclear how to get out of the jungle at all.  Go down far enough and you reach a fence locked off by a gate that you can’t open.  It turns out you need to enter a covered truck simply by approaching it from the back.  If you’re like me and didn’t know about that until the end of the section, it’s a good idea to go back and investigate the other ones you passed as some of them contain items or weapons.  When you have something usable, you can go into the menu and equip it.  There are two screens for this, one for weapon selection and the other for item selection.  The weapon selection screen shows all weapons you’ve collected as well as ammo for each.  Simply point the cursor to the weapon you want, then press Select to leave the menu and equip your new weapon.  Choosing an item from the item selection screen functions in much the same way.  Sometimes items, such as rations, must be used from this screen with the A button.  A few items are equipped permanently without you selecting it, but most items need to be selected to be used outside of the menu.  Anyway, one of the trucks in the jungle transports you in front of the first building.

Most of the game is spent inside of buildings.  These can have pretty large layouts with multiple floors, so creating a map might be helpful, or maybe you can do what I did and memorize the basic structure.  To get inside of the initial building to begin with, you need to locate and equip a keycard.  Many of the rooms inside the buildings are behind locked doors that require some keycard.  These secured rooms hold a majority of the weapons and items in the game.  More commonly you will find ammunition for your weapons or rations for restoring your health.  You can also find captured soldiers, who you can free simply by walking up to them.  They will sometimes give you advice or at the very least a thank you.  For every five captured soldiers you free, you go up in rank.  Increasing your rank increases the size of your health bar as well as letting you hold more ammo.  You can go up to four stars in rank, and you need that rank to finish the game.  If you shoot and kill a hostage, then you go down in rank, so don’t do that.

Be someone’s hero today.

There are several weapons in the game.  You can fire standard bullets with either a handgun or machine gun.  The handgun shoots straight while the machine gun fires bullets one at a time in a spread pattern.  A grenade launcher and a rocket launcher fire their respective shots.  Plastic explosives blow up on a timer, while mines explode on contact with an enemy.  There is a remote-controlled missile.  When firing this weapon, you sit still while you set the rocket’s direction with the D-pad.  You can also pick up a silencer for your handgun and machine gun so that you can use them without causing alerts.

You will acquire roughly a screen full of items of all sorts.  Many of these are the card keys, and some of them are items that open up progress in a part of the game, which makes them just like keys.  I won’t go through all of the items but a few of them have different uses.  The binoculars let you peek into an adjacent room briefly to see its layout.  A mine detector lets you see hidden enemy mines in a few screens.  Infrared goggles allow you to see invisible lasers that alert the enemy when touched.  A gas mask lets you breathe in a gas-filled room so that you don’t suffer any damage.  The antidote is good for curing poison if you get bitten by a spider.  Not everything is required to beat the game, but it’s a good idea to pick up whatever you find.

When you die, you can choose to Continue or End.  Continuing puts you at a checkpoint with all of your stuff intact.  Evidently checkpoints are determined by your rank, not by your equipment or by distance reached.  This means a one-star rank puts you back all the way at the start, which is definitely frustrating when you’ve reached deep into the building.  Choose End to see your password.  Passwords are 25 characters long consisting of all capital letters and numbers 1-6.  This is a game where the passwords store all of your information, such as weapons, items, hostages saved, and even your ammo counts.  Part of the password is a checksum just to ensure you have entered a valid password and aren’t just typing in random stuff on the password screen to try and skip ahead.  This game takes several hours to play through for the first time and so passwords are appreciated.

There are plenty of traps, some often unseen.

This was my first time playing through Metal Gear.  I knew about this game and read about it a lot in old gaming magazines.  I never ran into a copy back then, but then later when I got one I didn’t play it past the first few screens.  I was more intrigued by it conceptually than I was interested in actually playing it.  That was how I felt about the Metal Gear Solid games too.  However, years ago I decided to finally buy Metal Gear Solid: The Essential Collection on PS2 and played through all three games at that time.  I struggled through them but wanted to see them all to the finish.  I suppose that satiated me as I haven’t touched Metal Gear again until now.

Playing through Metal Gear on NES for the first time was an interesting experience.  The first stretch of the game is tough on a new player and the game doesn’t open up until you get through the jungle.  I really got into it once I reached the first building.  At that point, Metal Gear starts to feel like a dungeon crawler.  I explore the building, getting a little bit further each time and picking up new items that make future runs easier.  I caught my groove in the middle part of the game before getting hung up some toward the end.  I have the map that was included with the NES game, and I looked at it once or twice just to make sure I understood the layout of the game.  This wasn’t a spoiler free playthrough because I needed to look up the solutions to the maze zones.  It was frustrating that the game didn’t tell you anywhere what to do there, and I gave up trying to figure it out on my own.  I would say my time with the game was fun with a few annoying parts.

I was able to record a full playthrough of Metal Gear.  My first time through the game took about 8 hours or so.  The second time for my longplay was much faster at around 1 hour and 45 minutes.  The game really isn’t all that big once you know where everything is and how to navigate the buildings.  I wanted to beat the game without dying but I didn’t quite get there.  I died once to the tank by mistake in the middle of the game.  I also died a few times trying to get through the dark rooms with all the holes.  I only cleared that part once in my first playthrough and I don’t think I ever found the right strategy for it.  That section is completely skippable, so after a few deaths, I went the long way around just to get it done.  I’m not completely happy with this run but it is good enough.

Don’t get run over like I did.

It’s hard to play this game without noticing how glitchy and unpolished it is, so I want to list some things I took note of during my time playing.  The most obvious characteristic of the game is its poor English translation.  Some examples are the well-known “I feel asleep!” and “The truck have started to move.”  This lack of grammar and spelling is all over this game, some things more obvious than others.  The card system has a major flaw in that doors require a certain card and only that card can be equipped to open the door.  There’s no indication what card is needed, and there are eight cards total, so you have to go in and out of the menu over and over swapping cards until you find the right one.  It is possible to reach late game sections early in the game and that causes some weird things to happen.  I had my transmitter go off only to pull up the transceiver to nothing.  Something happened to one of the characters and I presumed them dead though you can backtrack and communicate with them as if nothing happened.  There are also hints you can only get once when you rescue prisoners.  If you speed through the text or skip it, then it’s gone, and it might have been a vital clue for what to do next.  All of these things detracted from my enjoyment of the game a little bit.

There’s one more oddball thing about Metal Gear that has nothing to do with the game itself.  I’ve mentioned screw variants before on this blog.  To quickly recap, early NES games had five screws holding both sides of the cartridge together, and sometime in late 1987 the molds changed to a three-screw design for all future licensed NES carts.  Metal Gear was released long after three-screw carts were the standard, but somehow a few copies out there are in the five-screw form factor and I happen to own two of them.  These late five-screw variants are exclusively Konami or Ultra published titles, and all of them are missing the Caution label on the back of the cart.  These carts technically should not exist, but there are a couple of theories.  One is that these are refurbished games that were sent back for repair and they were fixed using leftover five-screw shells.  Another theory is that these were sample carts used for demos or in kiosks.  Whatever the case may be, these are very hard to find, and I am not sure if every Konami game has one of these variants as some have not yet been discovered.  Variant collectors will pay a lot of money for these.  I have a few others in my collection that I’ll mention when I play those games in the future.

Metal Gear is a game that both has a lot going for it and has a lot holding it back.  The graphics are very nice with lots of detail.  Even though the color scheme is a lot of green, brown, and gray, it still looks good to me.  I am not a fan of the font with the empty lines across almost every character.  I think the music is good.  The controls function appropriately with clean design.  The gameplay is fun and engaging, and I enjoyed exploring the buildings and sneaking past the guards.  I can see why this was a popular game for its time.  All the glitches and weird inconsistencies I mentioned before break the immersion a little bit.  Snake only moves and attacks in four directions which feels limiting, though at least the enemies behave the same way.  This is a game that will grab you by its story and its exploration, and it’s safe to say it delivered for me in both those departments.

#142 – Metal Gear